Original text:
Yulinlang
Xinyanyan
Once upon a time, there was a slave named Feng Ming Zi.
Relying on the general's situation, he teased Hu in the restaurant.
Hu Ji is fifteen, and she is alone in spring.
Iron dragon, acacia tree with wide sleeves.
Lantian jade is on his head, and Zhu Qin is behind his ear.
There is nothing good in life.
One is 5 million and the other is more than 20 million.
Unexpectedly, Jin Wuzi, I have a graceful demeanour.
Silver saddle He Yuyao, green cover empty.
As far as I'm concerned, I want sake and a jade pot with silk rope.
As far as I'm concerned, I'm looking for a rare dish, the golden plate of carp.
Make me a bronze mirror and dye me red.
Don't hesitate to crack how to despise the body.
Men love stepwives, while women value ex-husbands.
Life is old and new, and you can't exceed each other.
Thank you, Jin Wuzi, for being a private lover.
Translation:
Once upon a time, the Huo family had a slave named Fengzi.
He is just a rich and evil slave, who plays with a minority woman who sells wine by virtue of the power of the Huo family.
Hu Ji is fifteen years old this year, which is the age when beauty and beauty coexist. Young Hu Ji sells wine alone, which is even more beautiful against the bright spring scenery.
Look at her, wearing a long-hanging dress, two symmetrical tie ribbons around her waist, and a wide-sleeved embroidered blouse symbolizing the lovesickness between men and women, showing her graceful curves and her pursuit of beautiful love.
Look at her head, wearing jewelry made of beautiful jade produced in Lantian, and two strings of pearls produced in Daqin of the Western Region are hung at both ends of the hairpin, which are colorful and have national characteristics.
Her two ring-shaped bun, coiled high, is even more beautiful, which is rare in the world.
Needless to say, the beautiful value of her whole personality is immeasurable. I'm afraid these two gentle and lovely buns are worth tens of millions.
I didn't expect something unexpected to happen. Holding the Hao female, in order to flirt with Hu Ji, she came to the hotel gracefully.
Look, he's personable, driving his horses and chariots. The silver saddle shone brightly, and the carriage with jade feathers on the hood stopped in front of the hotel, lingering for him.
As soon as he entered the hotel, he went straight to Hu Ji and asked her for fine wine. Hu Ji brought a jade pot tied with a silk rope to pour him wine.
After a while, he approached Hu Ji and asked her for top-grade dishes. Hu Ji gave him carp slices in a beautiful golden plate.
He gave Hu Ji a bronze mirror and a red Luo Yi to get on well with Hu Ji.
First of all, she said quietly, "Don't hesitate to come here and tie the knot. How can I care about this delicate and humble body? "
You men always like the new and hate the old, and love to marry the bride; But we women value old love and are loyal to our ex-husbands.
I will stick to my loyalty all my life, and I will never trade the old for the new. How can I abandon my humble position and surpass the family level?
I am very grateful for your kindness, and I am sorry that you have paid such a thoughtful and loving unrequited love for me in vain! "
Appreciate:
However, this poem describes a wine seller, Hu Ji, who politely and tactfully refused the harassment of a powerful slave and wrote a hymn against rape and humiliation. The title is Lin Yulang, which may be based on old Yuefu poems.
This poem is similar to Shang Mo Sang in conception, structure and description. Writing about female beauty also uses exaggeration; Writing anti-rape also uses ingenious art of struggle; The ending is also a comedy. But "Shang Mo Sang" started from the side and started from the imaginary place. This poem focuses on positive description and language arrangement. The former describes the greed of the monarch, mainly through the language of the characters and the narration of the third party; This poem depicts Hao's dalliance with a series of characters' actions, that is, "crossing me", "accompanying me", "influencing me" and "ending me", all from Hu Ji's eyes. The satrap flirts with words, and the slave flirts with actions, each of which conforms to the specific status. Father Luo resisted the insult by praising her husband and overwhelming him. The so-called "the Tao is one foot high and the magic is ten feet high"; Hu Ji's resistance to flirting is to emphasize the new and the old, not super-noble, gentle and strict. The so-called "hiding needles in cotton" and "making rigidity with softness". In the eyes of your envoy, Luo Fu is already a lady living in a "special city"; And Hu Ji will always be a "restaurant Hu" in the eyes of "Jin Wuzi". Therefore, there is a sharp and ironic contrast in this poem: "domestic slaves" are nothing more than watchdog, but they are mean enough to pretend to be noble "golden sons"; Although "Restaurant Hu" is in a low position, it is noble enough to insist on "no more noble than noble" in front of "noble". Therefore, the inferiority of the honorable person, the respect of the humble person, and the dramatic transformation between "noble" and "humble" have been completed in the conflict, giving readers endless thinking and enlightenment.