The Water Temple, also known as Wang Mingying Temple, is located at the source of the active spring17km northeast of Hongdong County. On the left is Huoshan Mountain, facing the fountain, facing south, separated from Guangshengxia Temple by a wall. Along the central axis, there are Shanmen (on which the stage is built), Yimen and Mingyingwang Store. According to the records in the temple, it was built in the Zhenguan period of the Tang Dynasty, and was rebuilt in the sixth year of Yuanyou (13 19) due to the great earthquake in the Yuan Dynasty. Shanmen and Yimen were rebuilt in the Ming and Qing Dynasties. The mountain gate, also known as the stage, was built in the Ming Dynasty and rebuilt in the thirty-eighth year of Kangxi in the Qing Dynasty (AD 1699). The whole hall is divided into three rooms, six rafters deep, with a single eaves and a hard roof, separated by a wall. There are two three-meter-high water patrol gods on the front and a stage on the back. Yimen, also known as the Fairy Hall, was built in the Ming Dynasty and rebuilt in the thirty-eighth year of Kangxi in the Qing Dynasty (A.D. 1699). There are three rooms wide and four rafters deep on the east and west sides, and there are no statues in the hall. The Water Temple was rebuilt in the sixth year of Yuanyou (A.D. 13 19), with five rooms in the east and five in the west, surrounded by cloisters, resting on the top of the mountain and double eaves. Under the eaves, the two gods of Su Yuan stood upright and solemn. There are nine statues in the temple, large and small, with a water god in the middle and four boys and girls on both sides. The sculptor is extremely exquisite, the clothes and accessories fit together, the expression is demure and the image is realistic. The four water gods under the stage have different faces, which show the inner activities of the characters delicately and appropriately, and are works when the temple was built. The four walls of the temple are painted with murals, which contain maps of praying for rain and historical stories. On the west side of the south wall, there is a burly Zhushui Temple mural artist, holding a board in his hand and worshiping in the sky. In front of him, there is a group of people holding high the banner of "Datang" to clear the way. A white horse is carrying a "shrine" and a "wooden niche", emitting golden light and pointing to the sky. There is a Buddha and two Bodhisattvas overlooking the world in the clouds, two monks riding horses and an official wearing a red robe. The picture has the mysterious color of Buddhism, depicting the grand scene of Tang Xuanzang's return from India in the 19th year of Zhenguan (AD 645) and being greeted by the emperor, which is called "the return of Tang Priest" in history. On the north wall, the water god sits in the center, and there are officials holding a eulogy below, asking the water god to make rain, which is called "praying for rain". On the left side of the due north shrine, there are many maids who are preparing to offer jewels, fruits and wine to the water god. There is a big box next to it, which contains real objects and a large piece of ice. From this ice, we can know that as early as 600 years ago, our ancestors adopted the method of storing food with ice. Many maids on the left side of the shrine are also busy eating vegetables. There are two little maids burning the stove, and the pot on the stove has boiled. One of the maids bent down to pick up the cigarette ash, and the standing maid was afraid that the cigarette ash would fall and dirty her hair, so she quickly covered her head with her sleeves, which was full of life and called "eating". Especially commendable is that fuel can be seen from the stove, which has been compiled into the history of coal in China. To the east of the south wall is a priceless drama mural. This mural was completed in the first year of Yuan Taiding (A.D. 1324). The words "Dou Xiu to put on a show" are written in regular script on the screen. The picture shows 3 1 1 cm wide and 524 cm high. A total of 1 1 actors, seven men and four women, and an actress watched the battle behind the scenes, vividly reappearing the reality of a folk troupe performing on the stage. From the picture, Yuan Zaju was divided into ugly and clean industries at that time, with props such as knives, dentures and fans, makeup such as faces and fake beards, and exquisite scenery, accompanied by drums, flutes and clappers. The ground is paved with bricks, which shows that the opera has reached the stage of paving with bricks. It reflects the real scene in the prosperous period of Yuan Zaju, is an important work in China's drama history, and is a precious historical material for studying the development history of China's drama. The whole picture has rigorous composition, bright colors, vigorous brushwork, elegant and smooth lines of characters, full of charm, and concentrated and changeable layout. It seems that a colorful drama of the Yuan Dynasty is being staged, which makes people feel like it. The water temple murals have fully demonstrated the artistic achievements of the murals in the Yuan Dynasty in China, and have a strong flavor of life, which has become valuable materials for studying the social situation in the Yuan Dynasty in China.