It seems that crying and laughing can make you feel that the reality of life is textbook acting? These rave reviews also reflect the low aesthetic level of Zhihu's so-called intellectual class.
If an actor's performance does not create new patterns and styles in lines, movements, expressions and rhythms, what qualifications are there to call it a textbook?
As a stage actor who has played many TV plays, is Li Liqun qualified to talk about TV drama acting? Li Liqun said that, in his mind, TV plays were forced into every family just like tap water. What we can do is to improve the water quality as much as possible.
Once an excellent drama actor is on a TV series, the blow to the big coffee in the TV series is huge, even if it is a big coffee on TV.
For example, Kangxi in "Brown" is compared with Kangxi in Chen Zhong. Originally, Chen's performance has been very attentive, and he relied entirely on his acting skills to support the Kangxi Dynasty's play. However, comparing with Jiao Huang's performance in Yongzheng period, Chen's deductive method was shallow and attentive. Jiao Huang's every move, every word and deed greatly overshadowed Chen's attraction and closeness to historical figures.
If in the same play, the contrast is even more obvious. For example, officials in WU GANG and Lu Yi, Lu Yi is not wrong, but he will be scolded. Because the means and methods of performance are much worse than those of WU GANG.
Stage play is the real textbook for actors to study. At the same time, these textbook-like acting skills are constantly being practiced and passed down.
Give some examples of real textbook acting.
1. Teahouse Wang Lifa-Yu Shizhi
If you are not interested in Yu Shizhi's performance, it means that you know nothing about it. What I said is not arbitrary or exaggerated at all.
Wang Lifa is a textbook that almost all actors in China must study.
Yu Shizhi's dedication and modesty make people admire him.
The misfortune of Mr Yu Shizhi's aphasia in his later years made people cry.
Of course, Teahouse includes not only Yu Shizhi, but also Zheng Rong, Lan Tianye, Ying Ruocheng, Lin Liankun and Huang Zongluo. ...
More important to remember are Lao She and Jiao Juyin.
This play is an unparalleled real teaching material.
Students learn to inherit the teahouse.
Guanhua Liang's chubby Wang Zhanggui.
Pu Cunxin, Yang Lixin, He Bing and Wu Gang all participated in this version of Teahouse. The performance is very dedicated, but to be honest, there are many tributes and many inheritances. It's really hard to surpass the classic version. It is not easy to create a performance mode.
2. "Bird Man" leaves scattered-Lin Liankun
Lin Liankun's performance in it, good and evil, the kind of language and action style that is difficult to copy, vividly interprets Guo Shixing's slightly absurd drama, which makes people memorable.
Although Lin Liankun may be famous for Nirvana, I prefer his performance in Birdman.
He Bing, who played Huang Maoer in the first edition of Birdman, inherited Lin Liankun's interpretation. For He Bing, playing his idol is a very enjoyable thing.
3. The mutinous Captain Queequeg-Zhu Xu
This blockbuster Broadway play was translated into Chinese by Ying Ruocheng, and Zhu Xu's long monologue in court was natural and unforgettable.
Feng takes the next stick.
4. Wotou Club was originally Guo Zhong-He Bing.
Some of them are plays by old artists in their early years. Newcomers are learning and inheriting, but they seem to lack creativity.
Fortunately, there is this play, thanks to the screenwriter Liu Heng.
This is the same as the teahouse, and it is also three acts, with Beijing flavor and big names gathering.
He Bing paid tribute to pockmarked Liu of Ying Ruocheng in the new edition of Teahouse and paid tribute to Sanye in the new edition of Birdman. We sincerely hope that someone will pay tribute to Yuan Guozhong, who was created by an old artist in River Soldiers twenty years later.
It's been a long time since there was such a pleasant performance.
He Bing played Huang Maoer in Birdman, and later paid tribute to Third Master. Now the protagonist of this play is Yuan.
Xu Fan plays the nanny in Birdman, and Jin Murong, who is down and out, plays it in this play.
Pu Cunxin plays the psychoanalyst in Birdman, Grandpa Chang in the new version of Teahouse, and Gu Yue Zong, an old boy, in this play.
Song Dandan plays Xiaoding Bao Er in the new version of Teahouse, and Tian Cuilan, who is kind and straightforward, in this play.
He plays a foreign observer in Birdman, Mr. Qin in the new version of Teahouse, and Xiao Qishan, a black-hearted director, in this play.
The repetition rate of actors watching stage plays is high. Compared with film and television dramas, there are too few actors who can perform and are willing to perform stage plays.
By the way, the old man from Gu Yue in the stills of Wotou Guild Hall above is played by Park Cunxin. Did you get a look at him?