Shi Dazu
Be a cold liar, trap cigarettes in willow branches and steal thousands of miles to urge spring dusk. I am fascinated by the sun. I want to fly and live in sadness. Surprised with powder, the butterfly stays in the West Garden, like mud, and the face returns to Nanpu. The most harmful thing is to make an appointment with the wind, so the car can't get to Ling Du Road.
Looking at the pole on the heavy river, it is difficult to find Guandu because of the late spring tide. Vaguely far from the peak, tears thank mother and eyebrow Wu. When the shore is broken and new green is born, it is a place of sadness. Remember the sun, cover the door with pears, cut the lights and talk at night.
Translate Luo Qi Xiang Yong Chun Yu.
Spring rain, with cold air, bullies the early blooming flowers, the fog fills the air, the sleepy willow trees sway, and the misty rain secretly urges the late spring. It was dark and foggy all day, like sadness, and I wanted to fly and suddenly stopped. The butterfly was surprised that its wings were wet and heavy and landed in the West Garden. Chun Yan likes to build a nest with wet spring mud and fly around. The most helpless thing is the muddy road, which hinders the dating ceremony of romantic men and women and prevents their gorgeous vehicles from reaching Ling Du Road. As you can see, this river is foggy. Coupled with the rapid spring tide, it is difficult to find an official ferry. The mountains in the distance are vaguely like the eyes and eyebrows of a beautiful woman. Near the broken river bank, green water waves can be seen rising, making patches of red floating on the water and drifting eastward with sadness. I remember that day, because of you, I was afraid that pear flowers would be blown over the courtyard gate. It is because of you that I have a heart-to-heart talk with that beautiful woman under the west window.
Notes on "Luo Qi Xiang Yong Chun Yu"
Qi: A tune composed by Shi Dazu.
Be a cold liar: the cold in spring prevents the flowers from opening.
Mystery: Fog.
Powder weight: the pollen on the butterfly is wet by the spring rain and cannot fly.
West Garden: generally refers to gardens.
Car: a car decorated with jewels, used by ancient aristocratic women.
Ling Du: Place name, located in the southeast of Chang 'an, Shaanxi, also known as Leyuan Scenic Area.
Guandu: Public ferry.
Xie Niang: The name of a geisha in the Tang Dynasty, later referred to as a geisha.
Appreciation of Luo Qi Xiang Yong Chun Yu
Shi Dazu is good at writing scenery and chanting things. Luo Qixiang, a poem dedicated to Chun Yu, is one of his representative works, with clever words, vivid description and profound feelings.
In the late Southern Song Dynasty, there were two different writing tendencies in the poetry circle. One is that they don't describe what they chant carefully and realistically, and sometimes they don't even describe the appearance of things at all, but try their best to write the "distinctive character" of what they chant, and express the author's personality and spirit through the "distinctive character" of things. For example, Jiang Kui's "divination operator" says: "When the clouds are heavy on the moon, gulls travel far away, and some branches cross the Xiling, and the bamboo is dark and secluded. Li Ci is a flower, but the poet didn't write the color, fragrance and appearance of plum at all. It is based on a plum tree in Xiling, suggesting that Li Mei is "narcissistic", thus expressing the author's temperament and personality. This writing tendency of abandoning appearance and paying attention to character is helpful to deepen the meaning of the work, but because the center of its artistic expression is the character of things, rather than the appearance of spring, it is difficult to give readers a spring, vivid and vivid feeling. Wang Guowei said that reading such works is like "seeing flowers in the fog, separated by a layer." Ming (The Thorn on Earth) shows the weakness of this kind of works.
Another tendency in the writing of Ode to Things is to describe the shape of heavy objects and strive to be like a god at the same time. Through the delicate and accurate description of what is sung, we strive to create a vivid picture to convey the author's feelings. Shi Dazu's Li Ci is Li Ru's.
The poet made a stroke of his hand in the last film, creating a foggy realm. The spring rain in Meng Meng brought chill and destroyed warm flowers. Melancholy fog hung over the willows, and the sky was dark and gloomy, as if it were a secret spring rain. "Being a cold bully gives people a tactile feeling;" The smoke is trapped in Liu Ming, giving people a visual feeling; "Stole the twilight of spring, but also skillfully mobilized people's hearing organs, making people like the footsteps rustling in the spring rain. From the beginning of three sentences, it is extraordinary, grasping the soul of the spring rain, and turning the continuous spring rain on paper into a visible and audible object.
The next two sentences "Let the sun shine" further describe the uniqueness of the spring rain. The last sentence means that the spring rain is very thin and dense, very chaotic and full of space, focusing on the static state of Yu Chunyu; The next sentence says that the spring rain rises and stops, stops and stops, and stops all the time. The key performance is the dynamics of rain. The combination of dynamic and static makes the image of spring rain more vivid and full of spring. At the same time, the word "sorrow" is used to touch the scene and lay the emotional tone of the whole word.
The above five sentences, closely related to the characteristics of spring rain, were imitated by the author to the extreme beauty. It is difficult to describe it further, so the author wrote the movements of swallows and butterflies instead. The butterfly's wings were wet by the spring rain, which affected its spreading wings and flying. Yundie was surprised. The spring rain moistened the soil, making it easy for swallows to nest with mud in their mouths, so they were very happy. The misty, gloomy and gloomy spring rain pictures are dotted with purple swallows and butterflies, and their colors have changed, showing a sad and beautiful realm. The role of swallows and butterflies not only sets off the spring rain and expands the realm of poetry, but also reflects the author's lonely and gloomy mood.
"What hinders it most is writing about the influence of spring rain on your date." Good at talking about romance means dating men and women. A car, a gorgeous car decorated with gold. Ling Du, near Chang 'an, where Xuan Di's mausoleum is located, has many wealthy families nearby, which refers to the place where lovers meet. The spring rain is continuous, the road is muddy, the car of the beloved person is blocked, and the appointment has become a bubble.
These two sentences are because the matter of chanting is integrated into the boudoir. "About the Ming party, or the author himself. Rain prevents a good date, a car is hard to come, and people are gone, so we can know our sadness. The word "sadness" should be added before these two sentences. The author melts into a melancholy rain scene, and through the hazy scenery of spring rain, he shows the author's feeling of missing people. The two scenes are integrated into one, which is a unique word.
In the following films, the author continues to combine chanting rain with lyricism. The first one is mainly about the description of spring rain, which contains melancholy. The second one is mainly about expressing the feelings of caring for people, and it is still raining.
The first three sentences write that it is getting late, the tide rises with the rain, and the river is surging. The author stood by the river, looking from a distance, but saw the misty and boundless smoke, and Guandu was hidden in the misty rain, and it was difficult to find a trace. "It is also difficult to find Guandu Ming because of the late spring tide, and in Xixi Chuzhou, Wei's famous article in the Tang Dynasty was used:" The spring tide brought rain late and hurried, and no one crossed the boat, which formed its own artistic conception. Wei's poems show a kind of carefree interest by describing the rainy scenery, no one crossing the field and crossing the boat itself. Shi Ci passed on two sentences: "The most harmful thing is that he can't make an appointment to drive to Ling Du Ming Road." Farther and deeper, it shows his melancholy: when the land is impassable, he looks for the waterway, but Guandu can't see it, and his anxiety is stronger. You can imagine. The style of writing is tortuous and meticulous, and the brushwork is changeable. Guandu is invisible, only a few peaks in the distance. "And tears Xie Niang eyebrow wu Ming, pen braille. Xie Niang was originally a geisha in Tang Dynasty, which refers to the woman the author misses. Eyebrows refer to feminine eyebrows and eyes. Powerful sentences are personified and have profound implications. First, vividly wrote the shape of the mountain peak in the misty rain; Secondly, comparing the distant mountain to Xie Niang (his lover), it can be seen that the author can't send it away because "the rain hinders the good appointment". "Third, thanks to the mother's tearful writing, it is also the suspense of the author to think that the other person is sad and crying because he misses himself. This kind of writing from "Face to Face" has become a layer-by-layer display of the author's deep lovesickness. This is similar to Li Shangyin's "Seeing clouds change in the morning mirror, singing at dusk dares to be cold in the moonlight" and Du Fu's "Watching the moonlight in Fuzhou, watching it alone in front of the window of the bright room", but the level is getting deeper and deeper, which is really a rare sentence.
The spring rain continued, and no one was seen. What's the injury? "When the new green life is coming to an end, what remains sad is the poet's sadness. The spring rain is magnetic and moist, and the new green is everywhere, but the flowers are destroyed, separated from the branches and leaves, and floated away with the flowing water with sadness. The implication is that the spring rain leaves people, and there is no other way but lovesickness. Just like the flowers destroyed by the spring rain, there is only one way to go, and that is to "walk towards a bright future with sadness". "Helpless beyond words. The depth of his melancholy made him feel like a river flowing eastward.
The last two sentences end with memories of the past, and they are still inseparable from the rainy scene. "I remember that the door was covered with pear blossoms that day, in the words of Li Zhongyuan's" Remembering the Grandson of the King ":"At dusk, it rained pear blossoms and the door was closed. "Cut the lights in the middle of the night to make it clear, and Li Shangyin's Notes for Friends in the North on a Rainy Night was born:" Cut the candles at the west window and talk about the poems on the rainy night. Memories of the past: it was also such a spring day, when the rain hit pear blossoms and the courtyard door was closed. I got together with my beloved woman and talked with my snuff knee. The two artistic conceptions in Poetry are experienced by the author and the product of memory. The author uses the poems of predecessors flexibly, which not only keeps the original intention of praising rain and thinking about people, but also reflects his mood more truly through borrowing words. Li Shangyin's poem is a suspense and a reunion in the future, but Shi Dazu used it to recall the past and lamented that reunion has become a thing of the past. At present, he is just a person, disappointed with the heavy river and the continuous spring rain. Through the combined application of force, a new realm is formed, which blends with the emotion to be conveyed by the whole word. Only in this way can we achieve what the ancients called "muddy without trace"
Look at the whole word, and you are very skillful in conception and use of words. Not a word says "Rain is bright", but every word is inseparable from the spring rain. At the same time, the whole word expresses sadness and is written tactfully and deeply. Zhangyan thought the writing was good; "Union Lian Heng, with things together, has a meaning, all in the end. There is some truth in this statement.
Appreciation and Translation of Spring Rain 2 When spring comes, I'm wearing a coat with a white lining, but I only think of Baimancheng, where I can't go.
There are two red mansions facing the cold, covered by rain, and a bead curtain lamp shakes my lonely heart and goes home.
The long road ahead will be full of new difficulties, in the middle of the night, the interval of short dreams.
Oh, I'm sending you this message, these jade earrings! I saw a lonely goose in a cloud three thousand miles away.
Make an appreciative comment
Rain Parting describes the joy of the poet's reunion with his lover, the yearning after parting and the severe pain of lovelorn. At the beginning of this poem, first point out the season, then write about the sadness of seeing the old place again, then write about looking at the building through the rain curtain, looking for lost confusion, and finally only each other's thoughts and dreams are left. Step by step, nostalgia is like endless rain. The artistic conception, emotion, tone and atmosphere of the poem are very clear, beautiful and moving.
In this poem, Li Shangyin gives love a beautiful and moving image. With the help of the rain falling from the sky, the poem blends into the protagonist's confused mood, vague dreams, and natural scenes such as The Night After Tomorrow and Wan Liyun Luo, which sets off the loneliness and deep thoughts of parting and forms a seamless artistic realm.
"Two red mansions are cold in front, hidden by rain, and a pearl screen lamp shakes my lonely heart to go home" is a couplet, which is compared with the color (red) and feeling (cold) in the previous sentence. Red was originally a warm color, but it became cold after the rain; In the last sentence, the pearl foil was originally bright, but it came from the illusion of the rain curtain in front of the lamp shadow, which wrote the protagonist's lonely and confused psychological state in a very subtle way.
"The long journey should be sad every night, in the middle of the night, accompanied by a short dream interval." He imagined that the man in the distance should be sad in the end, right? Now that Pengshan is far away, we can only meet vaguely in a short dream at night.
The last couplet "Oh, send you this message, this pair of jade earrings! "I See the Lonely Goose in the Three Thousand Miles Cloud" is also full of symbolic significance. With the help of natural scenery, the premonition of "one book is hard to believe" is visualized, and the melancholy mood is integrated with the vast sky. All these successfully show the life, situation and feelings of the protagonist, and the scene, tone and atmosphere are unforgettable. This kind of sincere and touching feelings and beautiful and vivid images combine to form an artistic charm, in front of which people will inevitably resonate.
Li Shangyin's love poems are subtle and beautiful. He devoted himself to the experience, grasp and reappearance of feelings and thoughts, and transformed the hazy thoughts in his heart into trance images in a subtle and tortuous way. He is good at using sad emotions, beautiful images and rhetoric to express complex emotions. In this poem, the images of the red chamber, the pearl against the background, the shelter from rain and the light shadow, together with a confused mood and a vague dream, make this poem beautiful and quiet; After Sunset and Wan Li, the loneliness of parting and the profound yearning stand out.
At the same time, Li Shangyin's love poems are extremely rich in connotation. They are not just chanting around a single emotion, but virtual and real, ignoring one thing and another, whether today or in the past, one emotion covers up another. Unspeakable emotions are vivid and rich, but only understandable and difficult to express.
With the help of misty rain, the whole poem blends into the protagonist's confused mood and vague dream, setting off the loneliness of parting and the sincerity of missing, forming a seamless artistic realm, metaphorically expressing the poet's unspeakable feelings and expressing his sadness, which has considerable aesthetic feeling.
Translation and annotation
translate
In the new season, I am lying in bed in a white shirt; No one cares about the white door of the tryst, which makes me extremely sad.
Staring at the red chamber through the drizzle is even more bleak, so I have to return with the drizzle like a bead curtain in the hazy light.
Sad dusk, distant road, where can I put my sadness? I can only meet you in my dreams.
Earring love letter is ready, how to send it? Just look at the sky in Wan Li, the swan goose that just flew in. .
To annotate ...
White shirt: that is, white shirt, which is used as casual clothes in the Tang Dynasty.
White Gate: another name for Jinling, which is now Nanjing. Yang Pan Jiang, a folk song of Yuefu in the Southern Dynasties, says, "Leave the White Gate for a while, and a bright future will bring you another village. Music is like agarwood, and Nong is like a Boshan furnace. "It is about men and women getting together. Later generations often refer to the "White Gate" as the place where men and women meet.
Red chamber: a gorgeous building, generally referring to a woman's residence.
Bead foil: a bead curtain, indicating that it is raining recently.
Late at night: the scene of sunset, which also contains the meaning of old age and old age in Huang Zhi.
Vaguely, it describes the sadness and confusion of dreams.
Hosta: It's an earring made of jade. In ancient times, ornaments such as hoop and Hosta were often used as tokens of love between men and women. Seal: refers to letters.
Luo Yun: Linear clouds, clouds gathering like a net, are a metaphor for the difficult road.
Creation background
Rain Protection was written by the author on a rainy night when he came to Xu Mu at the beginning of 850 AD (the fourth year of middle and primary schools). The title is "Rain Protection", but he didn't write about rain protection directly, but expressed his lovesickness in a night of rain. Some people say that this is the poet's memory of his home when he lived in Chang 'an, while others say that this is Li Shangyin's hope that others will promote him. Most people think this is a love poem. However, there is great controversy about what poets think and why people are like this.