When we discuss Persian/Iranian symbols, we cannot but mention Vahar. Although its origin was not Persia, but New Assyrians, it was adopted by Zoroastrian Persians. Although this symbol is currently considered to represent a C. Guardian Angel, hence its name, its meaning in the minds of those who adapted from early Mesopotamian and Egyptian reliefs is still unclear. Because this symbol appeared on the royal inscription for the first time, it was also considered to represent "the sacred royal glory" (khvarenah), or the king's faravashi, or a sacred command, which was the basis of the king's authority.

Fawaha disappeared from Persian art at the end of Achaemeni dynasty and reappeared in Pahlavi dynasty in the 20th century. Bank building with Vahar logo. The photo comes from FarvaharBarsom Basong-, an Iranian encyclopedia, a sacred branch, which is an important part of Zoroastrian worship apparatus. "The bar? A vine is the number of dendritic plants or pomegranates used for a specific ceremony. Spread them out first, and then tie them into bundles. The number of people varies according to the ceremony to be held. Today, brass or silver wire is used instead of branches.

Basim, a painting in the 4th century BC, depicts a priest holding Basim. From Wikipedia

The bassoon is so sacred that trees that use its branches are the object of praise. All the religious ceremonies of the internal worship of Zoroastrianism are celebrated with Basang.

The purpose of holding Basang for repeated prayers is to praise the creator, the support given by nature and the gift of the earth, which provides a means of survival for human beings and the animal world. The object Basom is selected from the branches of a tree to represent the whole plant kingdom. After drinking, due to the performance and further evidence provided by the creator, the Balzo ceremony is to express gratitude to the creator for his infinite gift.

The patterns of the lion and the sun are mainly based on the configuration of astronomy and astrology, and the ancient zodiac signs of the Sun in the Lion Palace. This symbol combines the "traditions of ancient Iran, Arabia, Turkey and Mongolia" and became a popular symbol for the first time in the12nd century. According to Afsaneh Najmabadi, the theme of the lion and the sun has achieved "unique success" in the symbol of modern Iranian identity.

It is one of the main symbols of Iran. Before the Iranian Revolution in 1979, it was an element on the Iranian flag. Derafsh Kavyani Drafushi cavani, or Drafushi cavani, is a royal standard in Persian legend, which was used from ancient times until the death of Sassanian Empire. After the Arab conquest of Persia defeated the Sassanian dynasty, the flag of the Sassanian dynasty was taken back by a man named Zeral Bin Qatabu, who got 30,000 dinars. After the jewels were taken away, it is said that Omar, the caliph of La Heaton, burned the flag.