Pluto and Lausel Pi Na was written by 23-year-old Benigni in 162 1- 1622. This sculpture is taken from Roman mythology. Pluto, the ghost, took a fancy to the daughter of the goddess of the valley. He took her to the underworld and renamed her Pu Lausel Pi Na. There are three different interpretations of this sculpture in which two people are entangled and wrestled together from three different directions. From the left, Bruto forcefully grasped and lifted Pu Lausel Pi Na, and the girl was trying to break away from his bondage; Looking at the whole sculpture from the front, it seems that prout is showing off his trophy and taking her into the underworld; From the right, Lausel Pi Na had tears on her face when she prayed to heaven. The wind blows her hair, and the Cerberus guarding the gates of hell growls. Benigni vividly solidified the moment of plunder on this sculpture. From the back, Bruto's strong muscles and the changes in muscles when lifting "prey" are vividly displayed; On the right side of the statue, the four fingers of prout's right hand are deeply trapped in the thigh of the woman who was taken away, which seems to have a strong sense of texture and strength; The heroine's slightly open lips seem to be screaming or asking for help. Benigni not only showed the great difference between them in their eyes and manners, but also seemed to "hear" the cries and entreaties that he and she were about to make from their body movements.
David was the work of bernini when he was 25 years old, that is, 1623- 1624. Although it is far less famous than Michelangelo's David, it is still an outstanding sculpture. This work is based on the story of King David in the Old Testament. He is described as a brave warrior, musician (who can play the harp) and poet. At that time, Israel was fighting the Philistines. The other camp, the powerful giant Goliath, came to scold the array every day, but no one in Israel dared to fight. On this day, Jesse's youngest son, David, came to visit his two brothers who served in the army with food. Seeing this situation, King Saul of Israel disagreed with the difference in size and figure between David and the giant. His brother also thinks that David is throwing eggs at a stone, and he has overreached himself. But David said he killed bears and lions while herding sheep. Goliath was much younger than them, and Saul saw David's insistence and agreed. Goliath saw a handsome boy who was not even wearing armor. He didn't take him seriously at all and ran away angrily with a big knife. David picked up a slingshot, pressed pebbles on the string and aimed them at Goliath's forehead. When he approached, he suddenly released his right hand. The stone penetrated Goliath's forehead and the giant fell to the ground. David rushed over and cut off his head with Goliath's broadsword. When the Philistines saw it, they fled at once, and Israel pursued and recovered a large area of land. Later, David succeeded Saul as the second king of Israel. David is a life-size sculpture. Judging from David's facial expression, he looks young and nervous, which also implies the author's nervousness when dealing with hard marble. David twisted his body and moved his right hand back to the farthest position, which not only showed that David would throw stones with all his strength, but also kept the balance of the whole sculpture in motion.
SacredandProfaneLove was completed by Titian 1488/90- 1576, the originator of Venetian school, at the age of 25. The curator of the Bergas Museum told us that the dresses worn by China brides are typical of Italian brides before19th century, and the red tone is dominant, not white. The bride and groom belong to two big families in Venice. The bride's father was killed by the groom, and the two families decided to get married. Titian's works are bold in conception, magnificent in momentum, rigorous in composition, rich in color and bright; Mainly based on religion and Roman mythology, full of dramatic atmosphere and dynamic human body lines, including many human body works with Venus as the theme. This work was painted for the wedding of NiccolòAurelio, secretary general of the Committee of Ten in Venice and China. In the painting, two beautiful women are sitting on the sarcophagus outside the city. The scenery is beautiful and the mountains are rolling. The castle in the upper left corner and the church in the upper right corner are in the background. On the left, the bride in gorgeous white wears gloves and sits next to Cupid. She holds a rose symbolizing love in her right hand and wears it on a jewelry jar symbolizing "short happiness on earth" in her left hand. On the right is Venus, a sexy naked woman, holding an inclined body in her right hand and wearing a red silk dress in her left hand, holding a burning flame symbolizing "eternal happiness in heaven". There is a copper plate in the middle, and some roses are scattered on the side. Cupid in the back is playing with water in the sarcophagus with his left hand. Titian's painting was inspired by15th century poet and writer Francisco Collonna 1433- 1527' s HypnerotomachiaPoliphili.