SAKO KEIICHIRO, 1970 was born in Fukuoka, Japan, and 1996 graduated from tokyo institute of technology and tokyo institute of technology. He participated in many famous architectural designs in Japan and China, such as "Beijing Mosaic", "Shenzhen Honeycomb in 2008" and "Mianzhu Japan-China Friendship Primary School in 2008".

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1996 -2004 worked in rikyo yamamoto design workshop.

In 2004, SAKO Architectural Design Co., Ltd. (China) was established, and in 2004, it presided over Oriental Design Company. In 2004-2005, he was a visiting researcher at Columbia University as an expatriate artist of Japanese cultural department, and won the awards of Japan Commercial Space Association in 2004 (Japan): "T (Jewelry Processing Shop)" and Commercial Real Estate Award in 2006 (China). Tianjin Flower Scenery 2005 Japan Commercial Space Association Excellence Award (Japan): Beijing Li Fen Ximeng 2006 Asia (Apartment) Gold Award (China): Jinan Rhythm 2006 Japan Commercial Space Association Reviewer Award (Japan) (Hashimoto Sigiff Award) Beijing CIBOL. In 2007, the silver prize "Beijing Pupulan Picture House" was selected in "Simon 2, Li Fen, Beijing" in 2007, and in the Japan Commercial Space Association Award (Japan) in 2007, it was selected in "Romance in Hangzhou" in 2007, and it won the Top Ten Innovative Properties in China Resident Design Award (China): "Beijing Impact" in 2007, and the Pioneer Award of Green/Humanities/Science and Technology Real Estate (China): "Beijing Impact" in 2007. International Media Award for Modern Decoration (China): Outstanding Designer Award for Commercial Space in 2007 Eagle Ceramic Cup National Interior Design Competition, 1 and other awards: Beijing Pupulan Picture Book House, JCD (Business Environment Designers Association) 2007 Design Award (Japan) and the silver award "Romance of Hangpai 2" were selected as "Barcelona IMAGINARIUM".

work

In 2006, The Power of Marginal Materials (China Art Museum), In 2007, Building 28 Forced Palace Keiichiro (Dongtao Publishing House), In 2009, Building 40 Forced Palace Keiichiro (Tsinghua University Publishing House) made its exclusive debut in China-pub.

works

When I worked in Yamamoto Riken Design Studio, I was responsible for the following projects: Hiroshima West Fire Brigade, Tokyo Dong Yun SOHO and Beijing Jianwai SOHO. In 2008, the representative work "Beijing Mosaic" was filled with scraps of paper, adding a festive atmosphere to everything around. It is so petite and beautiful, so ethereal that it disappears in the distance with the wind. Beijing's economic development zone is vast and depressed. On the wide street, there are scattered office buildings and model rooms of several large companies, which are lonely and ruin the scenery. It really can't be called a space that can bring happiness and leisure to people. Our project is in such an environment, the concrete structure was stopped when it was built on the fourth floor, and no one managed it for a long time. The sense of ruins brought by abandoned buildings further worsened the impression of the whole street. It is a composite facility combining low-rise department stores and high-rise office buildings. The incomplete business circle in this area led to the project being stopped halfway. Therefore, Party A entrusts our company to restart, rebuild and modify the project. Ivy League in 2008: From February 2007 to May 2008, there was a cultural exchange facility in the corner of Changchun Library in Jilin Province, which was established by the International Exchange Fund to introduce Japanese culture. Changchun is a city with a high Japanese learning rate in China, and anime and Japanese pop music are very popular. Therefore, it is more necessary to have a space to express "Japan's coolness". In order to create a diverse space that you can easily enter, whether it is a gathering of many people or a person's relaxation, you can find a place that you like and are satisfied with according to your own purpose and mood. The theme of our design is trees. The vein of facilities around the room is as attractive as a forest. People either sit or lean on vines, or find a hidden place among branches. It is a space that can arouse people's imagination. This is a diverse place produced by the continuous branches of a vine, and then a space is born through the entanglement, synthesis and functional complementarity between the branches and vines. This tree is vividly divided and synthesized, symbolizing the communication and growth between China and Japan. Evely Period in Chengdu in 2008: From June to September, 2008, this was the flagship store of a women's clothing brand "Evely" in about 180 stores in China. In order to highlight the clothing, the floor, walls and ceiling are uniformly white to remove the existence of other elements in the store. The props in the store, such as the cashier, are as simple as opening the floor tiles directly. In such a space, let a coherent "tubular clothes rack" with a total length of 250 meters intervene. In addition, the posture of "Guan" is like the trajectory described by the baton of the orchestra conductor. "Tube" makes clothing highlight its existence and allow its diverse display methods, but also expresses its existence and gently draws a smooth trajectory in space. "Clothes" and "Guan" alternately play the leading roles and continue to be staged in the whole store. We sincerely invite every woman who walks into Evely, Chengdu, to feel the beautiful melody that changes with the seasons like orchestral music while wandering among them. 2008 Shanghai Pupulan Painting Gallery Period: 2008.5-8.2008 Shenzhen Honeycomb Period: 2007. 1-2008.7 Beijing Lattice Period: 2005.9.2008 Mianzhu Japan-China Friendship Primary School Period: 2008.6.2007 Representative Works: Beijing Shocked Beijing Xibiao Exhibition Store Representative Works: Period. Other brands of sanitary ware stores are designed as "bright and warm family style", while our design is not like the "white box" effect pursued by the art museum, but a "black box". White sanitary ware bathed in black space, floating in the spotlight. After removing all the decorations, there is a "one-on-one effect between the object and the viewer". In an alternative space, the most common sanitary ware in daily life looks like a work of art, and the relationship between things and people has changed from buying to appreciating. 2006 Hangzhou Romantic Costume Period: June-September 2006 Romantic Costume is a clothing brand with 500 branches in China. While entrusting us with interior decoration design, the owners also set the transformation of their clothing brand image to a more exquisite direction as the goal. Our conception of brand rebirth is consistent with the birth, future and development of the egg itself. Eggs have two expressions. One is to enlarge the theme like a pumpkin carriage, and the other is to make the starry sky and shining image infinite. The huge eggshell in the center of the shop is divided into upper and lower parts. Use the inclined plate to display clothes directly at the entrance, and at the same time attract laymen to notice the huge eggshell and naturally enter the store to browse the goods. In this way, [egg] has become the center of the shop, and guests can see all the goods when they walk around it. Facade signs are very important for shops. Numerous [eggs] expressed by built-in light boxes have attracted everyone's attention. The logo of the shop floats on the surface of the light box. Representative Works in 2005: Beijing Pupulan Painting Gallery Period: April, 2005-10 Tianjin Wanhuajing Period: February, 2004-2005.12 This is a comprehensive commercial building built in Tianjin, China, facing the tower road and main road extended from the Tianjin landmark TV Tower. The old buildings around Tianta Road will take this building as the starting point, gradually demolish the old buildings and build new ones. This complex is divided into two parts, the lower part is 139 store (about 35,000? ), SOHO office buildings are stacked, with *** 172 households (about 20,000? )。 There are no core shops similar to supermarkets in the whole building, all of which are small-sized shops. For private developers in China, they must quickly recover their development investment, so they tend to build themed buildings for concentrated customers. When doing this project, we are considering things that can be seen everywhere around us, such as shops on the street and rental frontispiece in commercial buildings. [