She is the first Chinese actress in Hollywood, the first China to stay in Hollywood, and an Asian actress who is quite famous in the international film industry. She has a long career and has participated in more than 50 films for more than 40 years.
Acting career spans silent films, audio films, TV dramas, stage plays and radio dramas. Proficient in the languages of Cantonese, French, English, German, Denmark, Sweden and other countries, combining beauty and talent.
She has the courage to pursue her own ideals and is not afraid of secular prejudice, but she is misunderstood by her compatriots in an environment of racial prejudice and gender discrimination, which is called national humiliation.
Flowers in the dust
Huang Liushuang's ancestors were Cantonese. She was born near Chinatown in Los Angeles. Her grandparents settled in the United States, and her parents were born and raised in China. She is a third-generation Chinese in America.
Her father Huang is in a laundry nearby. Huang Liushuang is the second of eight children in the family. Her family is not rich. At that time, it was common to be bullied on campus because of her skin color. Although she comes from humble origins, she doesn't despise herself.
When she was 9 years old, she saw a movie and started her dream.
At that time, the American film industry was developed, and Huang Liushuang was full of hope for movies. At that time, economic conditions were not good. She saved her lunch money and bought a ticket just to see this wonderful film.
In a foreign country, with no money, no background and no understanding from her parents, she resolutely stuck to her dream of becoming a movie star. She let her get married against her parents' wishes, regardless of everything, and even abandoned her health for the movie role. Until 17 years old, Huang Liushuang became the heroine in Gone with the Wind, the first film made with special art and colorful techniques, which became an instant hit.
After the film was released, many magazines highly praised Huang Liushuang's "amazing" performance in the film. She finally bloomed in the dust. Her movie dream began.
Blooming flowers
/kloc-at the age of 0/9, she reached the second peak of her acting career and became an instant hit because she played a Mongolian slave in The Robber of Baghdad. Movie posters were spread all over Europe and America, which made Baghdad Thief the most popular movie in Hollywood at that time.
Although she didn't play many parts, the role of "Dragon Girl" still attracted the audience's attention.
A large number of film critics began to praise her acting skills. She aroused the audience's sympathy for her role. His role is so complicated that nine of the ten actors can't explain it, and Miss Huang is only the tenth person.
She didn't "play" in front of the camera, and her figure was properly handled and she could be put away freely.
Critics from all walks of life are optimistic about Huang Liushuang. Later, she made more than 50 films, such as "ilm", "marlene dietrich Dietrich", "Love is Better than Knives" and "People's Waves and Butterflies". Her movie dream is a seed deeply planted in her heart, and finally becomes a beautiful flower swaying in the wind and blooming wantonly.
Survive in the cracks
It is difficult for her skin color to win the heroine in the eyes of Hollywood directors, and racial discrimination keeps hitting her movie dream. She has always portrayed the screen image as a villain from China, who is rude, sinister and ruthless, and has no regard for human life. Always fall in love with white people emotionally, have no brains, and cling to men, which will not end well.
The roles she can get are maids, mistresses, prostitutes and witches, with strong prejudice, low status and simple image. Her movie dream began to crack, not only from other countries such as the United States, but also from her own compatriots.
The Chinese character of the cover photo of Huang Liushuang Day is "the beautiful image of naked star Huang Liushuang (also known as May)". The information difference between Chinese and English forms different cover girl texts.
Chinese highlights the visual allure of Huang Liushuang's star image ("naked" and "beautiful image"), while English only objectively introduces her as a famous Chinese American movie star. Here, Huang Liushuang's image is presented as an attractive body and its beauty is explained in China.
Huang Liushuang laughed at himself for having died on the screen a thousand times, and Huang Liushuang's discriminatory screen image embarrassed China people. The roles she plays in the film are all oriental or mixed-race, and her image is not only sinister, but also lewd to whites. Of course, people in China are furious when they read it, because these words already contain the fear and slander of white people to the orientals.
On the contrary, they provide nutrition for spring to protect flowers.
She played a lot of humiliating China people, misunderstood by China people and discriminated by Americans, so as not to lose the opportunity for China people to play China people.
She tried to impress westerners with the charm of orientals. However, the country is weak, and no matter how strong the inner ability is, it is impossible to avoid injury.
Despite being spurned by the people of China, Huang Liushuang made contributions to the motherland.
She actively filmed anti-Japanese war propaganda films, accused Japanese aggressors, publicized them publicly, delivered a speech calling for peace, took out her own jewelry charity sale, and donated the money from the charity sale to China to defend the motherland.
Huang Liushuang was discriminated against by westerners because of his skin color and class discrimination by his compatriots because of his occupation. Although she has been wandering between the east and the west all her life, she has been pursuing her movie dream. Breaking into Hollywood alone left a deep impression on China's film history.
Absolute beauty has lived all her life, but she dreams of breaking Hollywood. She had no home to live in before her death, and there was no funeral or family sacrifice after her death. This is her true portrayal. In today's era, Huang Liushuang's works and deeds have been reinterpreted, and she is no longer the enchanting, sinister, sexy and kitsch image of "dragon girl".
Nowadays, people look back on her movies, her life, and her great courage to pursue her movie dream, all of which are worth looking forward to.