Pierre and John, a jeweler with little capital, indulge in fishing, give up his jewelry store in Paris, and live in seclusion in le havre by the sea, fishing all day. His wife is gentle, quiet, delicate and deep. She can only seek spiritual sustenance from her love for her two sons, so she can be regarded as an ideal mother. Strangely, her two sons, who are equally distressed, are like a natural contrast. They are not only ugly in appearance, but also very different in character. My brother Pierre is almost 30 years old. He did several jobs by halves and finally got a doctor's degree in medicine. My brother John got a doctorate in law and can become a lawyer. Because my younger brother is very filial, at home, my mother always takes John as an example to educate disobedient Pierre. But she won't favor any one. Although the two brothers have different personalities and have no disputes, there is only one hostility lurking in their hearts. Later, Pierre became fond of Madame Rossemi, and the dispute over property inheritance triggered his hostility towards his younger brother. John's kind and positive character brought a slightly better ending to this tragedy: he gave up the property he deserved at home in order to compensate his younger brother; Later, he helped Pierre become a doctor on a ship-because Pierre Jean didn't realize his evil until others had suffered, and he was ashamed to stay at home. There are a lot of psychoanalytic descriptions around Pierre in the book, and the whole psychological process is tortuous and delicate. The remarkable proportion and outstanding achievements of psychoanalysis make this custom novel have the characteristics of an out-and-out psychological novel. Different from the pure psychological theory of later generations, the psychological activities of characters are closely combined with external movements.

Hot Springs is Mo Bosang's third novel. This period is the era when the third country representing the interests of the French big bourgeoisie went to the stage of monopoly capitalism after the collapse of the dynasty in July. In this novel, Mo Bosang takes the love experience of the heroine Christina as a clue, and faithfully and vividly describes the alternation process between the old and the new in the decline of the feudal aristocracy and the rise of the bourgeoisie. With a light and flexible brushwork, the author has created vivid characters such as French aristocrats, bourgeois, rich peasants and doctors from other provinces, and described the inner activities of the characters in detail, and combined with the psychological changes of the characters to describe the scenery and express their feelings, so that these characters, even minor ones, are lifelike and have both form and spirit. & lt& lt committed suicide, the scene is the upper class of the bourgeoisie. Oliver Bertin, a talented painter, doesn't like the academic rut, nor does he like the extravagance and waste of modernism. He takes the middle route and the middle route. His painting style won the love of Countess Anna Kidd Leroy-not a frivolous woman, but a beautiful, dignified, intelligent and self-respecting aristocratic woman. He drew a picture for her, a beautiful and solemn picture. However, the years are ruthless. When Anna's daughter Annette appeared beside her mother, the old and faded Anna seemed to see herself standing in front of her in the portrait, because Annette was as touching as Anna in the portrait. A kind of bitterness, the bitterness of years, oppressed Anna, as if she had been replaced by someone. Olivier rediscovered the dazzling woman who reappeared on the canvas in the past from Annette, and her heart and senses could not help being intoxicated by it. Anna revealed this to Olivier, when she saw with pain that he poured his feelings into Annette imaginatively, which was her former shadow. Olivier, full of worries, was knocked down by a coach when he went out for a walk at a loss and was seriously injured. He took this encounter as fate and waited for death with a quiet and peaceful mind. "Our Heart" is set in the salon of French upper-class society, which reflects the emotional life of upper-class men and women, such as the hero Marie Orr and the heroine Bilne. It is a masterpiece of love psychological novels.