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The desert is colder than the small building, the hooligans are like poor autumn, and the screen is quiet and light.
Free flying flowers are as light as dreams, endless silk rain is as thin as sorrow, and small silver hooks hang curtains.
Solve the problem:
"Huanxisha, lonely and cold, going to a small building" is a word created by Qin Guan, a poet in the Northern Song Dynasty. In the first film of Ci, the time, place and climate are expressed through human feelings, and the heroine goes upstairs alone in the spring morning; The next movie describes the spring sorrow in a positive way, comparing flying flowers to dreams and drizzle to sorrow, and points out the main idea. The author uses the brushwork of "understatement" to blend feelings into the scene. The artistic conception is quiet and leisurely, the color is light and subtle, and it is subtle and tasteful.
Vernacular translation:
The thin spring cold invades the small building quietly, and the dark clouds at dawn are like the bleak late autumn, and the light smoke painted on the color screen covers the running water.
Liu Xufei is like an illusory dream, and the drizzle falls like my sorrow, so I have no choice but to hang a beautiful curtain.
Appreciate:
Every time spring comes, it is an experience of hurting spring. In the poet's heart, he has already sent out the sadness and resentment of "I want to ask new worries, what will happen every year". However, their fate is often to taste the sorrow of spring year after year. This word expresses a touch of spring sorrow. It uses pastel pen and line drawing to write the environmental atmosphere, that is, it turns the faint sadness into a concrete and sensible artistic image and permeates it, with a deep and graceful expression. "Natural scenery is a kind of mood". It is the gentle loneliness and bored leisure that the protagonist rises in the cold desert. Love comes from scenery, and scenery comes from love. Emotion can only be called scenery, and scenery can only convey feelings. This is the realm of words.
The first part describes the feeling of getting up in the morning and the indoor scenery. The language is quiet and profound. The tone at the beginning of the word is very light, and in the light, it has a very slender and sharp spiritual feeling of the author. The desert is light and cold, like fog and smoke. The word "desert" permeates the light and cold of the small building, which suddenly brings a lonely and cold atmosphere to the spring morning. Similar to the meaning of "color enters a tall building, and someone upstairs is worried", but the artistic conception is subtle and subtle. Don't worry about people, but the cloud "lonely and cold on the small building." After recalling the word "Shang", faint sadness is quietly rippling in people's hearts with this thin spring cold. Only the first sentence of the word sets off a sad scene for the whole word. Followed by "Silver Rogue Like Poor Autumn", painted with a dim color on the sad background. It was late spring, but I felt as cold as late autumn. It turned out to be a morning in the shadow of spring. Spring is cold and thin, which makes people feel depressed and bored. However, the poet did not say that he was bored, but cursed Silver's rogue, which increased the loneliness and coldness of the atmosphere. The protagonist may just wake up from a dream, sleepy, and the indoor painting screen is very idle: faint mist, gentle running water. Under the cover of surrounding atmosphere, you are far away. In a trance, he seemed to disappear in the faint scenery, and he seemed to return to a vague and flowing dream. This subjective illusion is precisely because the quiet atmosphere of the quiet fans and the mood of the protagonist at this moment are seamlessly integrated. This is a beautiful sentence about love and harmony, meaning and atmosphere.
In the next part, write what you see by leaning against the window, and then describe the spring sorrow positively. Unexpectedly, the hero's line of sight moved out of the window: flying flowers curled up, drifting, lost; The drizzle is silky and boundless. Seeing the ethereal flying flowers, I can't help but think of the helplessness in my dream, and my heart is suddenly filled with endless melancholy like a drizzle. I wrote about the futility of spring dreams and endless sadness, but I took pictures through the window and wrote in the distant drizzle, deliberately pushing the emotional distance away, which made me feel an ethereal and inseparable beauty. "Although we can't read, everyone knows that we are born with good words" ("Poet Jade Scrap", Volume 21, cited Chao without blame) is a good example. The poet weaves abstract emotions of "dream" and "worry" in the natural picture of "flying flowers" and "silk rain". This phenomenon is called "emotional dislocation" by john ruskin, which is very common in China's poems. For example, "where the petals have fallen like tears, the lonely bird has mourned", "How much sorrow can you have, just like a river flowing east", "Being a riverside is endless with tears and endless worries". Poets have a feeling in their hearts. When they empathize with the scenery, they often assume that nature also carries this feeling. "I see things, everything is my color." Flying Free is heartless, thoughtless and particularly irritating, and it is the reflection of a dream. The last sentence ended with "a small silver hook hanging on the curtain", which was particularly swaying. This sentence should be inverted. Indulge in a temporary fantasy, inadvertently glance out from the hung curtains, flying flowers and falling rain come into view, which leads to the article "freedom" On the other hand, in the structural art, the poet's works are inverted, which makes the upper and lower pieces of the word symmetrical and neat, exquisite and unique, and full of the beauty of cyclic structure. At the same time, it also further awakened the whole article, making all kinds of worries outside the curtain more clear, and the sad people inside the curtain more clear and silent. "Poem of Continued Cottage" said: "If you study it carefully, you will get the seat of Southern Tang Dynasty." It is this skill that is highly respected. The word "leisure" in the sentence originally describes the state of things, but looking back at the whole article, we know that this is the emotional tone of the whole word-boring emotional mood, which runs through the whole word as a red line and shows its ups and downs. Zhang Yan said: "Qin Shaoyou's ci is elegant, vigorous and persistent, beautiful and meaningful, chewing without me, and knowing the taste for a long time." (Etymology, Volume 2) Try this work, which is exactly the case.
This word uses a gentle and tortuous pen to write a touch of leisure. Poets can always feel it keenly, capture it and write it down, and at this time, it will inevitably penetrate into their unique feelings about the times and life. Feng Yansi's "The Magpie Treads on the Moon, Who Abandons Idleness for a Long Time" writes such idleness in everyone's heart, but it also contains an indescribable and inextricable sadness caused by the atmosphere of the times. Qin Guan, who lost his father when he was young and his official career was introverted, was repeatedly suppressed when the old and new parties overlapped. He summed up the sufferings and feelings of life as a sad emotion, which permeated his words, showing the beauty of implication and deep friendship.
In the works of literary masters, there are two ways to express feelings and meanings: "lifting weights as easily as possible" and "lifting weights as easily as possible". Both of them have ideal expression effects, but the sentimental expression of Qin Guan here has such an effect, which depends on his good rendering, delicate language and magical metaphor, but more importantly, the kind of affection inside. Feng Xu praised: "Other people's words are just words; If you swim less, you will swear. Get it from the inside and don't pass it on. " Qin Guan's personal temperament and stylistic features have been integrated. There is no heavy pen, no painful cry, no heartfelt talk, no self-indulgence, no unbearable obsession with the past, only a subtle feeling of indifference to nature, a keen observation of "silver hooligan" and an infinite feeling of "light smoke and flowing water" painting screen. This fear of spring has nothing to do with politics, love, friendship or anything else. In fact, I just wrote a sense of emptiness in life. In the mind of a sensitive scholar, this kind of emptiness and loneliness is accompanied by the whole process of life, which is in direct proportion to wishes, ideals and cherishing life, and it is endless and cannot be eliminated.