Yes, when/kloc-was 0/5 years old, Sun Jian's father died. Under the overwhelming grief of his mother, Sun Jian suddenly became extraordinarily strong: "The family is not rich. When my father is gone, I can only take care of my mother, and everything at home can only be maintained by me. " Speaking of which, the young actor Sun Jian's eyes have a rare decisiveness. From that year on, Sun Jian learned to observe the world around him in the sad reality and tasted the world prematurely. But on the other hand, it also laid the foundation for his practical experience as a good actor.

The drama of fate is not depicted in Sun Jian's face-a handsome face and a handsome figure. No wonder friends and teachers who are familiar with Sun Jian say that he is childlike and old-fashioned. Similarly, because of such external factors, when casting the film "Kowloon Pei", the creator of the play confirmed at a glance that he was the only one who played Jia Rong. In this regard, Sun Jian is deeply grateful and often teases himself: I am glad that I am a man, and the older I get, the more popular I am, and I am not afraid of being destroyed by years. For example, there are enough external conditions to play the role of Jia Rong as a teenager.

Almost every newcomer to film and television has a "movie dream", and Sun Jian has a "Dream of Red Mansions". When talking about being able to participate in the film "Nine Dragons Match" related to the classic dream of red mansions, and being able to play Jia Rong, a typical dude, Sun Jian said: This is a breakthrough for himself, and it can be regarded as a watershed in participating in the positive role in film and television works in the past.

"Movies are an art of regret." This is the idea that Sun Jian, who graduated from Chinese opera, should take film and television seriously. Just as he just got the script of the movie "Jiu Longpei", he had an instant idea to play the role of Jia Rong-he has some shortcomings, but he is not bad. Before filming, Sun Jian carefully studied the course training and actively consulted Sun and two screenwriters about his role. Later, Sun Jian had a deeper understanding of the script and plastic objects, and made clear Jia Rong's important role in the whole film: "During the training, I watched the original Dream of Red Mansions again, and looked at Jia Rong from another angle through the times. Essentially, he is just a person who can't control himself. In fact, it is the environment that makes him mowgli and lazy. The social system at that time could not distinguish whether he was a good person or a bad person. " Sun Jian said: "I will try to be my own Jia Rong in front of the camera."

There is always a gap between the outside world and imagination. For his future development, Sun Jian is very rational and objective: no matter in or out of the play, everyone and every role have their own self-worth. Walking steadily and well is the most important thing at present, and a drama should have the quality of a drama. Speaking of her mother, Sun Jian's eyes are full of warmth. Although being an actor has special requirements, the uncertainty of time and place makes Sun Jian often wander around the country. But this does not prevent Sun Jian from talking to his mother every day: "Home is the place where there is a mother. Home can be isolated from all external interference and is the best port of call for drifters. "