Micro-sculpture art is "subtle" and "refined". The more elaborate, the more carving skills are needed to produce fine products, and the higher the value. Micro-sculpture is also an art that pays great attention to pictures and composition. A sculptor of micro-sculpture must first have a good knowledge of painting and calligraphy. Although the micro-carving is too subtle to be recognized by the naked eye, it is still beautiful under a magnifying glass, such as large-scale micro-painting carving and fine tooth carving.

Micro-painting works should have profound meaning and distinctive personality. A work without individuality is just like graffiti, and it has no artistry. Recently, some fine micro-sculpture works have appeared, which use three-dimensional visualization to create movement. For example, the goddess carving vividly describes the development history of the Chinese nation since the goddess filled the sky with a unique micro-carving technique. "Three Mountains and Thousand Years" condensed the development history of Fuzhou for thousands of years, and together with the three-dimensional space of Fuzhou's humanistic scenery, it formed a "four-dimensional time and space"; Blowout also vividly outlines the appearance of the rising sun in the morning in a three-dimensional way, and dynamically shows a vibrant scene, which will inevitably make people feel that the world is full of hope and beauty, giving people inspiration to inspire their fighting spirit and strive for progress. Wait a minute.

In addition to micro-carving calligraphy, Chen Zhongsen also created a new variety-micro-carving painting. He took advantage of the rich colors and textures of Shoushan Stone, taking landscapes, flowers, birds and figures as the themes, and created a new art that combines stone painting and calligraphy in one furnace, which is different from stone painting and calligraphy. His miniature sculpture "Paradise of Hundred Bears" participated in the "World Art Center" in the United States and won the only "Special Gold Award" in the third Golden Rooster Award, which was a sensation. In recent years, Fuzhou has organized and established the Micro-Sculpture Research Association, with more than 10 members. Among them, the micro-sculptured calligraphy works have won the "grand prize" in Japanese related competitions for many times, in addition, Chen Mingde, Zhang Ping,,, Lin and others have also made outstanding achievements.

Micro-sculpture pays special attention to the selection of materials, and its stone quality is absolutely pure, and there is no room for any sand or half-silk cracks, because half a sand spot may destroy a beautiful picture or more than 10 Chinese characters. Secondly, the micro-carving tool is also a special thin knife, which should be sharp and sharp. Third, you must have a specialized knowledge of calligraphy and Chinese painting, and you can "carve" when carving. Fourth, hold your breath on the spot, concentrate, and do it in one go. Fifth, the knife should be steady, accurate and firm. Only in this way can calligraphy and knife-cutting achieve perfect unity.

In 1990s, You Jiarui opened up a new variety of Shoushan Stone calligraphy micro-engraving, which is called "Table Cliff Engraving". The table cliff of Shoushan Stone is small and exquisite, with various shapes, and the art of micro-engraving calligraphy is even more enjoyable, so everyone loves it.

Since 2005, Mr. Shan Shan Tse, a micro-carving artist from the motherland, has demonstrated his micro-carving skills in new york and won the love of the American people and overseas Chinese.