The role of evil for evil is actually the same in this TV series, so if Ding Jiali can win the best supporting actress, then Zhang Chengcheng, his aunt, Kuang Anbang's wife and Shan Shan can all be tied for the best supporting actress in this drama, because these three roles are the same horizontal line in terms of performance, and there is no difference between high and low.
These characters are all in one dimension: how to make the audience hate. Thin and hanging characters are basically the same template, and all the negative characters in this play are presented in the same way.
Clothing, facial makeup, hairstyle, intonation and detailed movements are all "annoying", that is to say, the role itself is not "covering up my evil", but how to output its performance in a more grandiose and intuitive way.
This kind of performance level is too single, the role is easy to be exaggerated and the possibility of winning the prize is extremely low.
A good film and television role, not only the actor should perform outside the play, but also the role itself should perform inside the play. Only multi-level performances can make the characters three-dimensional, not flat on the surface.
Looking back at Pan Guiyu's performance, she was dressed untidily. Most of the time, she wore a Red Velvet coat, and her son and husband were all dressed in light clothes. She had to hide like a bear to show the role's aggression. Plus Ding Jiali always likes to be unintelligent, which shows Pan Guiyu's lewdness.
When Pan Guiyu spoke, his neck leaned forward, his eyes closed hard, his hands were full of fragmentary movements, and he felt grandiose with very hateful lines.
When expressing fear and helplessness, the neck leans back and the upper and lower lips gather hard to block the teeth. Pan Guiyu used this expression a lot, probably to increase the obscene impression. However, when the wicked show weakness, they don't have to be so ferocious. The bad guys are killed, and they can be pitiful and helpless. It doesn't have to be such a "I just deserve it" impression, which is handled too deliberately.
I don't think it was Ding Jiali's original intention to handle this role so grandiose. Mrs. Fang, who she played in Return, is also an explosive performance, which is the most perfect presentation of acting skills. From the beginning, she was at a loss, to the sudden outbreak, to the guilty look in all directions, and finally closed the door painfully. If Pan Guiyu's superficial modeling can win the best female matching, then the role of Mrs Fang should win an Oscar.
To put it bluntly, the role of Pan Guiyu is a role piled up by the labels of poverty, extremely evil human nature and son preference. She is narrow-minded and biased, and her starting point is very thin and weak. Although Ding Jiali's performance is in place, there is little room for her acting under a grandiose framework, so it is impossible for her to win the Best Supporting Actress Award.