Emperor Rende's mausoleum is famous for its scale, but the scale is not the same as that of the early ancient tombs. The ancient tombs in the early period were more ingenious. It uses the natural raised circular part of the hill as the tomb top, and uses the inclined narrow part to flatten it and make it slightly square as the tomb head. Then a vertical hole was built at the top of the tomb to accommodate the coffin. This is the representative form of early ancient graves. It can be seen that although this tomb looks high, it is not worthy of the name, because it is high by the height of the mountain, so it is false and exaggerated. Rende Mausoleum, on the other hand, is more realistic, moving from hilly land to flat land. This is a real tomb, because it is all artificially built. It's like short people wearing high heels and tall people wearing flat shoes. The former is naturally not as high as the latter. However, from the point of view of saving manpower and material resources, the big graves that were not worthy of the name in the early stage, although all witnessed the cruel exploitation and slavery of the people by the kings and nobles, were less popular than the veritable Rende Mausoleum. I don't know how many unknown people have been forced to pay incalculable labor in order to build the towering Rende Mausoleum. Some civil experts have calculated the following surprising figures: the total earthwork used in the tomb is about 1405866 cubic meters. If the earthwork is carried by one person from a distance of 200 meters on average, when * * * needs 1 406,000 working hours, it will take four years for 1,000 people to carry it. It takes 562347 trips to transport it by a cart with a load of 5 tons. However, these are only in terms of the construction project of the mausoleum itself. If we add the manpower required by the three trenches and the more than 20,000 wheels burned by the plastic at the edge and top of the tomb, the astronomical figures will be even more amazing. This tomb is indeed the authority of the king, and it is also the reflection and product of his arrogance. Finally, RenDeDi, the owner of RenDeLing.