Current location - Plastic Surgery and Aesthetics Network - Plastic surgery and medical aesthetics - 2,800 words in Senior Three Composition: Ancient Rhyme of Ju-Hang Seo in Han Dynasty.
2,800 words in Senior Three Composition: Ancient Rhyme of Ju-Hang Seo in Han Dynasty.
Title: Ancient Rhyme of Ju-Hang Seo in Han Dynasty.

Close? Keys? Words: 2800 words in senior three.

Words: 2800 words composition

This article is suitable for: senior one and senior three.

Composition source:

This composition is about 2800 words in senior three. The title is Ju-Hang Seo in the Ancient Rhyme of Han Dynasty. Everyone is welcome to contribute enthusiastically. Welcome to the composition: Ancient Rhyme of Ju-Hang Seo in Han Dynasty. The composition network updates more excellent fifth-grade compositions for you every day, so please pay attention!

After getting off the train, I saw a beautiful city: 100 meters of skyscrapers, beautiful green flower beds, busy cars driving on clean and wide streets ... The city looks glamorous and modern, but under this cheerful jumping picture, it has accumulated the weight of Chinese culture. Thousands of years ago, it was the hometown of Liu Bang, the ancestor of the Han Dynasty, and Xiang Yu, the overlord of the Western Chu Dynasty. This is a fertile land with a history of more than 5,000 years of civilization. Stepping into this city, let me savor the charm of Khan and the beauty of a big man.

-Inscription No.65438+The treasure of thousands of years ago comes from: Xuzhou Museum, the first stop of the composition book. Stepping into the gate of the museum, walking through a long and wide road and pushing open a glass door with jade dragon pattern, I came to this precious venue. Source: Composition Network zw.liuxue86.com Museum has three floors, each with two or three exhibition halls, displaying gold, jade, copper, porcelain and pottery figurines from the Neolithic Age to the Qing Dynasty. Exquisite utensils are dazzling, and people can't help but ask, how did people make such exquisite utensils in ancient times when technology was underdeveloped? Among these many cultural relics, the most shocking thing for me is the jade clothes, jade dragons and gold buckles. These three cultural relics are exquisite, which makes people unconsciously integrate into its aesthetic feeling.

Gold thread jade clothes are clothes made of gold thread and Hetian jade pieces. Jade pieces are polished and smooth, and the jade quality is pure, and the faint bluish yellow shows a glittering and translucent luster on the jade pieces. All jade articles have a small hole in the four corners for threading gold thread. The hole is as thin as a needle tip, smooth and tiny. In the distant Han Dynasty, how did those craftsmen make such a small and round hole? What kind of tools do they use? I really want to know.

Most of the jade pieces on the jade clothes are rectangular, but some are large and small. The jade piece on the body is about as long as the little finger, but the jade piece on the hand is less than half as long as the little finger. The strangest thing is the jade piece on the nose: of the six jade pieces, the front two are triangular, the middle one is arched, and the bottom one is a big arched jade piece, with a long jade piece on each side, which is lifelike and beautiful, and it is perfect to cover the nose. There is also a round hole in the head of the jade garment for the soul to enter and exit freely. How much wisdom is needed to make such a jade garment, how much time is needed to build it, and how much manpower is needed to make it. This exquisite and luxurious jade dress is really the most beautiful of all jade dresses in China.

I am amazed by the gold thread of the jade coat, but I like the beautiful and lovely Yulong very much. Jade Dragon is crystal-clear and beautiful, with S-shaped body and dense spiral patterns on it. Although these patterns are small, the lines are clear and very fine. There are many auspicious patterns on the faucet. These patterns are soft and winding around the faucet, soft and moving, and the dragon body is also attached with some patterns, really like a small jade dragon wandering around. This jade dragon is the symbol of Xuzhou Museum. It also crossed the ocean and arrived in Austria, where it was loved by foreign friends and became a star dragon.

Jade is beautiful, and gold is more magnificent. The glittering gold buckle is one of them. The gold buckle is rectangular, and the picture of two bears biting a horse is carved in bas-relief, and the edge is like waves. The picture is vigorous and dynamic, the dazzling gold buttons are dazzling, and the detailed and complicated patterns are gorgeous and rich. There are only two such complete and beautiful golden buckles in the country.

Exquisite, neat and ingenious are the most appropriate words to describe these cultural relics. I was shocked, shocked by the treasure of thousands of years, shocked by the wisdom of thousands of years ago.

NO.2 painted clay is on the third floor of the museum, and I came to the exhibition hall of painted clay figurines. In an instant, countless lifelike clay figurines came into my eyes: they stood or knelt, or they were yellow or colorful ... They made me instantly return to the heyday of great men and relive the elegant court world.

The exhibition hall displays pottery figurines of various dynasties. These figurines are only about twenty or thirty centimeters high, but they are lifelike and lifelike. Among these figurines, the most vivid and touching is the pottery figurines of Han Dynasty. In the center of the exhibition hall, there is a large showcase showing more than a dozen Han Dynasty music and dance figurines. Standing in front are six or seven dancers. These dancing figures are graceful, twisted and curved, showing a beautiful S-shape, with long hair hanging down and clinging to their long sleeves and deep clothes. Their arms are waving, their long sleeves are fluttering, and their dance is gentle. What a "skirt like a swallow, sleeves like snow"!

Behind the dancing figurines are seven or eight musical figurines. These musical figures, whether playing the piano or playing the flute, are kneeling on the ground, touching and playing. The violinist knelt by the piano. Touch the strings with your left hand, pluck the strings with your right hand, lean forward and play gently. I seem to hear the sound of nature like running water, and I seem to see a woman in beautiful clothes dancing. I am good at dancing with long sleeves, and the soft piano sound is like a breeze, like a spring ... I was lost in the song and dance thousands of years ago.

There are also two Han figurines, which are very vivid. One is a female statue. Her hair is split, her face is moving and her eyes are full of sadness and pain. Her beautiful eyes tilted slightly, as if complaining, and as if she were pouring out her grievances with her eyes. Her mouth closed, as if there were countless grievances, but she was speechless and simply stopped talking. Facing her, how I want to hear her story and know the pain in her heart!

I'm trying to read the heart of this little statue. I don't understand how a craftsman can burn such a statuette with a soul. Maybe when they burned the figurine with mud and fire, they burned their feelings and hearts.

The other statue is the official statue. You see, the official's figure leans forward slightly, wearing a hat like a square table, bowing his hands, and his round face is full of firmness and seriousness. Gazing into his eyes, I felt a solemn and inviolable force. He seems to be proposing a key resolution on national security. Why else would he be so serious? Looking at his resolute face, I seem to hear a calm, confident and powerful word, as if I saw his calm and dignified posture. "Qin figurines are realistic, Han figurines are freehand", and the depth of "meaning" of Han figurines makes me admire and intoxicated.

A lifelike pottery figurine, a pair of lifelike faces, this is the color of clay firing, but also the color of the soul firing.

NO.3 epic on the stone walked to the Zhonghua Stone Hall, and a building made of gray stone came into view. This quaint appearance is enough to show how rich and profound the pictures on the stones in the museum will be.

When I walked into the exhibition hall upstairs, I was instantly shocked. Pieces of stone are carved with ancient pictures: riders, fat horses, grotesque beasts, flying dragons and phoenixes ... realistic, imaginative, luxurious and rich royal family, and hardworking people ... all these are done by craftsmen with chisels dipped in sweat.

Among more than 500 Han stone reliefs, I think the most magnificent is "Lux, Qinglong, chariots and horses". This Han relief stone is in the shape of a stone chair. At the top, a brave Lux's legs are bent, his whole body is armed, and his eyes are wide open, as if to face a powerful enemy. Next to Lux, a green dragon winds up along one side of the stone, with clear scales and eyes looking straight ahead, as if observing Lux's combat preparation. There are two birds beside Qinglong. They spread their wings and flew with their mouths slightly open, as if discussing whether Lux could win a battle. The car door below is particularly gorgeous. The car in the travel map of horses and chariots on other stones has no decoration at most, but this travel map of horses and chariots is different. There are several people leading the way in front and several people riding behind to protect them. There is a majestic horse pulling a gorgeous car in the middle, and many beautiful beads are hung on the roof of the car, which shows the high status of the owner.

There is also a stone carving that is the most romantic and peculiar: on this stone, "the map of horses and chariots" has become "the map of horses and chariots". Two people are sitting in a rectangular car. The car roof becomes two opposite fish, three big fish are pulling the car, and a fluctuating dragon acts as the wheel. Who is the man sitting in such a car? I think it must be Poseidon!

Otherwise, how can you pull the cart with fish and take the dragon as the wheel? The painting style of Han stone reliefs is exaggerated and peculiar. In the course of traveling, two trees left a deep impression on me One is the tree in Feed the Horse. Its trunk is short, but there are many branches sticking out. These branches are thin and long, one pressing the other, forming a strange branch network. At the top of these branches, a small leaf is decorated, like some trinkets. This tree is really exaggerated and unique. Another tree is more peculiar: it looks like a hand, but its palm is very small, its fingers are thick and its fingerprints are extremely clear. How rich the imagination of Han craftsmen is!

Exquisite and majestic stone, beautifully carved pictures, this is an epic on stone, an epic of Han Dynasty!

NO.4 The ancient and beautiful Xuzhou Circus, Guishan Han Tomb, Chu Tomb ... I am immersed in the ancient rhyme of the Han Dynasty. It's really "Qin Tang sees Xi 'an, Beijing in Ming and Qing Dynasties, and Xuzhou in Han Dynasty"!

Into Xuzhou, into this ancient and beautiful Han book, into that powerful and gorgeous era!

Ju-Hang Seo, the ancient rhyme of the Han Dynasty!

The golden wisp of jade clothes shines brightly.

Yulong is exquisite.

Music and dance figurines are long-sleeved and fluttering. Ju-Hang Seo, the Ancient Rhyme of Han Fu, is an excellent "fifth-grade composition" collected by the composition network. It comes from the Internet and is submitted by members. For reference and study only. Please indicate the source for reprinting.