Zach Cregger and Trevor Moore are both funny geniuses who like to "follow their feelings", so they don't advocate doing too much rehearsal before shooting, whether it's a movie or a TV series, because that may freeze inspiration. Craig said, "In fact, Moore and I are a little stubborn about our script, thinking that we have given it all the fun we can imagine when we create it. Moreover, we didn't have enough funds to waste any resources when shooting, and we really didn't have time to give full play to the actors and do some impromptu performances. These are extravagant terms for us, and we just need to follow the script. When we made this film, we adopted some story styles of our idol judd apatow. We all like his films, but he is different from us. He has enough time and budget, and can even spend a whole day shooting the same scene repeatedly, and then leave the most satisfactory one ... You know, we have to finish shooting seven pages a day, and we can't ignore our series "Do you know? "Indeed, this kind of workload is really too big. We really had a good time. We must constantly push ourselves and cheer ourselves up, because all this is worthwhile. "
However, before Zach Cregger and Trevor Moore officially participated in the TV series The Whitest Child You Know, both of them were out-and-out improvisers. Craig said: "We had a similar experience and spent the whole day performing repeatedly just to think about a shot." Moore went on to say: "The post-editing process is more interesting. You will see a lot of flexible improvisation from movies, and then pick out the right parts to splicing ... but once you are involved in the production of a TV series or movie with a particularly low budget, you will find that it is a waste of money like us. After all, we don't have enough money to squander. "
Trevor Moore also admitted that the experience of making a movie is completely different from that of making a TV series before. Moore said: "here, you need to consider more things ... in fact, TV comedy is really easier." After all, many patterns are set up, you just need to fill in different short stories and insert some short paragraphs regularly, which is very short and easier to grasp. But when it comes to movies, you must consider the development of stories and characters, the pace of progress and the structural framework-this is the main difference. " In comedy TV series, the whitest child you know should be classified into that vulgar field, and at the same time, it has a little taste of lust. Trevor Moore hopes to continue to apply a similar style to March Girl. He said, "Actually, Zach Cregger and I didn't write the original story of this film. When Fox came to us in the 20th century and handed us the script, they told us that it was specially made for us by three other screenwriters, Thomas Mimms, Dennis Hagarty and Ryan Homchik. However, we also made it clear that we are not particularly enthusiastic about making a road film style sex comedy, so they told us that we can modify the script according to our own thoughts and wishes, or even shelve it and re-create a story ourselves ... Generally speaking, the only thing left in the original script is the story clue of' A boy is in a coma and his girlfriend has become a nude model of Playboy when he wakes up'. In the process of adapting the script, we found that the most interesting thing here is that we can develop this road movie that is more like a toilet comedy at will, and try our best to make it reflect the style that is deeply loved by fans of The Whitest Child You Know, which is also my favorite with Craig. So what we are trying to do is to combine two different comedy views and try to avoid too much stupid joke material-what we need most is how to find a perfect balance between the two. I think the topic discussed in March Girl is darker than other films of the same type. For Eugene, there are many practical problems to be solved. One is that he can't accept the fact that his girlfriend once had a boyfriend, and the other is that he insists on the misplaced concept of dealing with sex. Then Tucker. Although he and Eugene are good friends, they hold completely opposite attitudes towards it. I need to remind you that this movie really contains a lot of dark sides of life. We hope it shows a feeling of deja vu, and then try to avoid that childlike innocence and romance. I believe that the audience can accept these somewhat dark categories, because life is not satisfactory, and we don't have any malicious thoughts, just staged a different comedy story for the audience. Of course, Girl in March didn't 1.000% capture the characteristics of TV series. I prefer to believe that it is a' partner movie' that combines the cut-in way of TV comedy. "
Zach Cregger and Trevor Moore had been living in new york before filming March Girl, and they moved to Los Angeles for this film. Craig said, "We spent a whole year making this movie, so we lived in Los Angeles for a year. For me, I really don't feel much change. As always, we live in Los Angeles. I still put all my energy into my work ... but there are indeed many differences between the two cities. For example, in new york, attitude is everything, and people will not get close to people they meet for the first time unless they have realized it to a certain extent. In new york, I really never felt like a celebrity, just doing my own work, shooting, participating in programs or meeting friends, but in L.A..
Although the production of March Girl occupied most of the time in Zach Cregger and Trevor Moore, they didn't stop the creation of The Whitest Child You Know. Craig said, "Now the third season of this series will be broadcast soon, probably all summer ... I think I can tell you that the third season is the best season in the whole series, and we are all looking forward to it. When we first wrote this story, the first season was actually written for the stage play, and the second season was officially for TV viewers-I think it was at that time that we decided to face this series seriously and make it a capital that we should be proud of in the future. As for the upcoming third season, we have tried our best to use all the inspiration we can imagine in it. To be honest, I am very proud of the content of the third season, even more than the March girl herself. At the same time, we are still preparing the film version of The Whitest Child You Know. To tell the truth, we have been a little unable to restrain our urgent mood. Although our schedule is already very tight, we are still actively lobbying film companies to achieve filming. "