Directing is actually a sculpture project.

Make a clay figurine.

A huge clay sculpture is being completed continuously.

Synthesize various possible materials and reshape them.

Maybe the results corrected the original idea.

But the result is a display of originality and beauty.

This is a constant exploration and trial.

There is no definite and accurate basis.

The storyboard is just an idea.

All your materials (theme, actors, script, stage design, lighting) restrain and compensate for each other.

Only the best combination can become a scale.

It plays a limiting and disciplinary role in the entire process.

But the best combination is like the process of clay sculpture.

It is always a kind of ignorance, something in the future, something that can be reached only one step away.

The final work is a balanced state of expedient force fields and potential energies.

Defects are inevitable.

But the flaws do not hide the virtues.