Question 1: How to practice chest, nasal and cranial ringing during singing? You should know about chest ringing, right? Just lower your voice as low as possible. For nasal ringing, you can try closing your mouth and pronouncing it through your nose, like um. If the sound is bright, that's fine. Don't keep the sound in your mouth, and try to find the feeling of waking up your nose after a runny nose.

For cranial ringing, you need to make the sound as high as possible, up to the upper jaw. Lift it up appropriately. Gather the vocal points between the eyebrows to form a line between the nose and the center of the eyebrows, which is the tinnitus line.

In fact, LZ said that tinnitus occurs because people themselves have tinnitus. *Ming, if there is no *minging, then there is no sound. Just speaking of vocal music is to increase the *minging appropriately. You'd better move your voice upward, tuck your chin and relax.

That's right. , a final reminder, you said you would hold your breath in your chest, which means you are inhaling incorrectly. Inhaling should be done through the mouth and nose together, with the nose as the main one.

Question 2: Nasal cavity*** How to practice singing? The singing organs include the chest, larynx, pharynx, oral cavity, nasal cavity, etc. According to the harmonic characteristics of the sound, they are divided into head cavity, oral cavity and chest cavity. When we sing and make sounds, our voices pass through the various vocal cavities in our bodies, causing the vagina to vibrate, which is the vocal system. Singing plays a role in modifying and beautifying the voice. Any excellent singer's voice and beautiful singing are based on this foundation, so this is a very important link!

Singing Skill A

In our daily life, we use natural breathing, which is subconscious. We inhale less and shallower, and we don’t need to control our exhalation. One breath only takes It lasts about three seconds and cannot be used for singing. Singing breathing is a relatively deep abdominal breathing method. The air must be inhaled around the waist, and then the confrontation between the expiratory muscles and the inspiratory muscles is used to find the fulcrum of force. One breath often lasts for more than ten seconds, and is completed by the high and low intensity of the singing, the changes in Yang and Yang, and the flexible and powerful movements of the whole body's respiratory muscles. This state should be maintained when singing. The sound is completely controlled by the breath. This is what people call "voice * breath transmission".

1. Inhale

Imagine that you are in a beautiful garden and smell the fragrance of the flowers deeply——Okay, this is the inhalation of singing, like this Breathe in deeply. Inhalation should be done naturally through the nose and mouth at the same time. Try to be smooth, light and gentle. Do not use force or stiffness. Inhale deeply and do not inhale in the upper chest or heart. After inhaling, hold it briefly like before sneezing, and feel the expansion and swelling around your waist. Finding this feeling is the key to singing.

2. Exhale

The method of exhalation is to use the power of the diaphragm to maintain the feeling of expansion of the waist and abdomen. Imagine holding a large bottle of sesame oil in your hand and filling it into another small bottle. You must be careful and hold your breath. Exhale evenly and calmly. You can prepare a 10 square piece of tissue paper, place it on the wall, 4-6CM away from it, inhale and hold it for a while, and then blow with your mouth to keep it from falling to the ground. If it lasts for more than half a minute, it will be considered qualified. You can also use a burning candle instead and pronounce the "U" sound toward the flame. The correct breath is that the flame will not go out when it falls. The longer you sing, the better.

⒊How to train the strength of the diaphragm

The strength of the diaphragm is important for maintaining the breath and the strength of the sound.

Traditional training methods include;

1. Count numbers; take a deep breath, use the strength of your waist and abdomen to hold it, start counting from 1, and count to 60 to be qualified. Counting should be even and rhythmic, and you can't steal your breath.

2. Blow the dust; take a deep breath, and then blow forward like blowing off the dust on the table. The rhythm is slow and fast, and feel the power of the diaphragm.

⒊Do more sit-ups to enhance the strength of your waist and abdomen.

Singing Technique B

The first thing to pay attention to is how to make the sound fuller and louder

There are two reasons why the sound cannot be turned on:

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1. Not making full use of the vocal organ 2. Unstable breath

(Method):

1. Techniques

1. Experience the ringing in the chest: Open your mouth slightly, relax your larynx, close the glottis (vocal cord), and make a sound gently like a goldfish blowing bubbles. Or hum in a low voice, and feel the vibration of the chest.

2. Lower the position of the larynx: (same as above); relax the larynx.

Question 3: How to practice chest cavity and listen to lana del rey's songs... There are many things to listen to Once you feel it, sing along. I recommend young and beautiful and ride because there are more songs between them.

Question 4: How can you feel the rumble in the chest and nasal cavity when singing? Practice the rumble in the nasal cavity , you can start with nasal humming exercises. But first, I think it’s necessary to distinguish between nasal hum and nasal sounds.

Nasal sounds are clear and the airflow is sufficient; nasal sounds are more like nasal congestion, squeezing, and clumsy feeling.

At the same time, I personally believe that whether one sings well or not cannot be completely determined by whether there is nasal cavity tinnitus. In addition to the nasal cavity and chest cavity, the human body's vocal organs also include the head cavity and oropharyngeal cavity. These singing voices are different in different ranges and timbres of singing, but they cannot be treated completely separately. They interact and influence. Therefore, if you want to sing some songs well that require the color of the nasal cavity, on the basis of not losing the chest cavity, the Qi sinking in the Dantian will serve as the driving force for singing, and use a very casual "humming a tune" feeling, lightness , Relax and try humming a relaxing melody. After you become proficient, try adding lyrics. I think something will be gained.

Finally, I wish the poster will continue to improve and gain unlimited happiness from music!

Use your forehead to sing~~The mouth must be open~~~~

That is to say, the mouth should be opened for each pronunciation, and the nasal sound will come out naturally. Come out~

High position, deep breathing, skillful coordination

You can see this:

How to get a good singing voice? My experience can be summed up in nine words: "High position, deep breathing, and skillful coordination." By doing these nine words

you can produce a ringing sound. The "high position" I refer to refers to the sound of the head cavity;

"Deep breathing" refers to the fulcrum and deep breathing, which is a powerful high singing sound

In order to get a high position, that is, the tinnitus of the head cavity, let me first talk about the understanding of tinnitus.

What is ***ming? For example, if a trumpeter only blows the trumpet, he can still make a sound, but the sound is dry and powerless. If you add a trumpet body, you can play a sound that is round, hard and soft, with varying intensity, very glorious and can be transmitted far. This The body of the bugle is the sounding cavity of the bugle.

The mouthpiece makes a sound under the action of air, and the sound vibrates in the copper tube cavity,

forming a ringing sound.

In the same way, the first sound of the human voice is the airflow passing through the glottis vibrating the vocal cords to emit the basic sound.

Subsequently, the pharyngeal cavity, oral cavity, nasal cavity, head cavity, chest cavity, etc. The vibration of the singing cavity

should be controllable by the singer and can be adjusted according to the needs of artistic expression

of. In order to obtain a good sound effect, it is necessary to understand the basic functions and functions of each cavity of the human body.

The oral cavity and throat cavity are important vocal cavities in the human body, collectively referred to as the oropharyngeal cavity. Its

cavity shape and size can be changed, but its more important role is to

regulate the sound of the penis. Through the function of the oropharyngeal cavity, it can be connected to the head cavity and the chest cavity downward, forming a mixed tinnitus, so the oropharyngeal cavity is the contact station for mixed tinnitus.

The head cavity includes the frontal sinus, sphenoid sinus and nasal cavity. The cavities of the head and chest cavities

are fixed and unchangeable. They cannot play a role in regulating cries, but they can

be controlled by the movements of the oropharyngeal cavity. And the flow of breath causes vibrations to achieve the effect of singing.

Take the tenor as an example. Generally speaking, when making low notes, it is important to use the chest cavity to make the sound rich and powerful. When pronouncing the alto, the correct oropharyngeal cries should be used

so that the sound is bright and clear. When making high notes, you should focus on the head cavity.

In this way, the high notes will be bright and full, which is often said to have a shiny metallic feel.

The above discussed the three parts of the resonance cavity and the

interrelationships of high, medium and bass. In singing, almost every song contains treble, alto and bass. Therefore, I feel in practice that the cavities of the three parts of the head cavity, oropharyngeal cavity, and chest cavity have never been separated. I think we need to scientifically combine these three parts of the singing cavity organically and reasonably, so that we can produce high,

medium and low sounds. Each sound has these three resonance cavities vibrating in different proportions.

Only in this way can a better resonance effect be produced. Therefore, when producing high, medium and low sounds,

only the vibration ratios of the three cavities are different, and the timbre of the sound should basically be

unified.

Only this kind of mixed sound can achieve a mellow, glorious, beautiful and musical sound, no matter it is high, medium or low.

As far as the head cavity, oropharyngeal cavity, and chest cavity are concerned, I think it is important to first obtain the correct oral cavity

Pharyngeal cavities. Because the oropharyngeal cavity includes the larynx, upper and lower palate, teeth, especially the lips, tongue, uvula, soft palate, pharyngeal wall, etc., these are all very sensitive groups

Weave. The oropharyngeal cavity... >>

Question 5: How to make the chest, throat, mouth, nasal cavity, and head cavity ring when singing? Now only the chest and head can be reached. What should I do if I always feel that my feelings are not enough? Still 30 minutes later, the sound is the combination of Dantian Qi and chest. To sing authentically, you cannot sing to the point of being moved. If you are moved, it is easy to go off-key and change the tone. It is your responsibility to sing the best. It is the audience who can hear and feel. The national singing method emphasizes falsetto, while the popular singing method mainly focuses on natural tone. You should have heard Ye Qian's songs. Her confidence is very good. In terms of sound quality, there are not many people in the country who have such a foundation as hers. Sorry, I’m just talking nonsense

Question 6: How to deal with nasal ringing? Since the bright focus of the sound is in the nasal cavity, it is also called mask singing. This feeling is that the focus of the sound is forward, the sound is thin and bright, more flexible, like a nation. As the focus moves back, the sound gets closer to bel canto. As the focus moves backward and upward, the sound becomes higher, thicker, and less flexible. The more beautiful the sound is. Therefore, high-speed enunciation and rapid change of pitch in bel canto songs are extremely difficult vocal skills. To obtain a good nasal cavity, you also need to pay attention to the following points: The use of the soft palate: The soft palate is usually called the small tongue. The soft palate is the floor of the nasopharyngeal cavity and forms a dome shape, which is conducive to pushing sounds through the pharyngeal wall. Through the use of the soft palate, the shape of the nasopharyngeal cavity and the timbre are changed. Humming exercises can make the middle part of the soft palate vibrate, expand the nasopharyngeal cavity, and also open the lower part of the nasopharyngeal cavity. Open and control the jaw joints: The upper and lower jaw joints should be opened by a small half-inch, which is good for achieving cries. Move your lower jaw slightly downward, and it will feel as if there is no weight, and your voice will become easy and free. Also remember that the nasopharyngeal cavity allows sound waves to enter the larger space of the nasal cavity and prevents breath from entering this space. It plays the role of sound separation and can promote the color change of the song. Follow-up question: Do you know how to do it? Answer: Yes, but it’s not very good. I’m also learning. Follow-up question: What do you practice it for? Answer: My major is music~~~ Follow-up question: Then why can’t you do it well? My nasal cavity is ringing. It is very important for people who study music. I just want to learn how to sing well. I have to learn it. Can we communicate?

Question 7: How to practice using the chest to make sounds? For those who practice vocal music, their voice is their biggest asset, so they must protect it. By the way, I am the main member of the school choir. I hope the above information will be helpful to you! Attachment: Vocal music information (excellent answers in other questions) This is mainly because you have not received professional vocal training. If you can find a better vocal teacher to show you the beginning, I believe you will be very good. . Introducing some basic methods of voice training: 1. Techniques 1. Experience the ringing in the chest: Open your mouth slightly, relax your larynx, close your glottis (vocal cord), and make sounds gently like a goldfish blowing bubbles. Or hum quietly and feel the vibration in your chest. 2. Lower the position of the larynx: (same as above); relax the larynx. 3. Teeth opening: The so-called teeth opening is to open the upper and lower teeth (molars). Leave space for oral cavity, and use your hands to touch the position of the big teeth in front of the ears to see if they are open. Then pronounce some vowel sounds, such as "a". Feel the changes in your voice. 4. Lift the zygomaticus; speak with a smile, turn up the corners of your mouth slightly, and feel your nose open. Try it and see if your voice is clearer. 5. Straighten the soft palate; yawn and roar. Note: When speaking loudly, paying attention to the above conditions will improve your voice. Remember, you must "relax yourself", don't overdo it, and don't just pay attention to the form of pronunciation and forget the content of the speech. 2. Breath problem Pronounce "vibration, vibration" breath. To make the sound loud and full of breath, you must have a full breath. Breathe deeply. Durable, a certain breathing pressure must be maintained at all times. You can usually do more exercises of deep breathing and slow exhalation. It is best to stand up first when practicing speaking so that you can easily find your breathing state. If you want to sit down, sit upright and lean your upper body slightly forward. When using the breath, be sure not to be "disheartened". You should release it slowly in the above-mentioned breathing pressure, and be good at using it. Hold the breath with your lips, so as to maintain the balance of pressure in the chest, abdomen and lips. 3. Voice line problem Our pronunciation has a line that is not easy to detect. For example, when we whistle, the sound is very loud. The reason is that the breath is smooth, the sound is concentrated, and there is no obstruction. The same goes for speaking. You should try your best to let your breath flow through, and let the breath sound penetrate as much as possible along the middle longitudinal line inside the mouth. This will make the sound concentrated and loud.

Let’s talk about the basic methods of singing: 1. Posture 1. The body should be straight; 2. The center of gravity should be stable; 3. The upper chest should be open; 4. The shoulders should be loose; 5. The face should be natural; 6. The spirit should be high; 2. Breathing ． ． ． (There are many breathing methods...we vary according to the style of music) 1. Clavicle breathing method; 2. Chest breathing method; 3. Abdominal breathing method 4. Combined thoracoabdominal breathing method (Generally speaking, most bel canto singers in my country are versatile Use the fourth method: Chest and Abdominal Breathing．．It is more casual. (1) Silent breathing exercises: 1. Breathe quickly; Exhale slowly; 3. Inhale slowly and exhale slowly; (2) Vocal breathing exercises: practice of pauses, legatoes or a combination of pauses. Let’s talk about how to attack the vocal cords when singing; First, avoid using too much and too strong breath to impact the vocal cords. Second, prevent the vocal cords from being too loose and not actively closing them to block the air. Third, it is necessary to prevent the larynx from being squeezed, stuck, and compressed during the onset of the sound, causing the larynx to lose its elasticity. When starting the sound, be sure to make it happen naturally, breathe softly, open the throat, stabilize the larynx, and make the sound flow, and complete the three actions of yawning, lowering the larynx, and blowing air through the glottis at the same time. At the same time, you must also master the coordination and speed of your breath, vocal cords, and howl. Practice methods for closed humming: 1. Stand in a correct singing posture and be in a positive and excited singing state. 2. Inhale vertically through your mouth and nose, and open your nostrils excitedly. When humming, it should feel like a runny nose and should be even. Sigh gently outward from the nasal cavity. There must be a feeling of sighing and smoothness, and the diaphragm has its own supporting points. 3. When humming, the mouth seems to be closed but not closed, the upper and lower teeth should not be bitten, the tongue should be kept flat, the tongue should be licked on the lower gum line, the larynx should sink and the air should be raised gently. 4. When humming, the sound is emitted from above the upper mouth, and there is a slight vibration between the eyebrows and deep in the nose, and each note is hummed from the same position. Finally, let’s talk about the popular singing method: The popular singing method is also a popular singing method. It puts more emphasis on the natural noise of the singer and does not pay special attention to the ringing and volume of the voice, but it emphasizes the rendering of emotions and attaches great importance to the expression of the emotions of the song. Singing requires enunciation... >>

Question 8: How to use chest cavity 1. Method

Breathing control of chest cavity lies in the abdominal posture Breathe or breathe through the chest and abdomen together to ensure that the chest is always relaxed. Secondly, lift the soft palate so that the airflow hits the soft palate, so that the chest cavity and the vocal organ (vocal cord) are connected unobstructed through the trachea to ensure the occurrence of wheezing. This is the key point of laryngeal control of chest whine. Of course, the vocal cords must also be relaxed to ensure the vibration of the trachea.

2. Explanation

Explanation of chest ringing in the reference book

1. The so-called chest ringing follows the science that is not yet developed. In the 19th century, it was a vocal training method and a vocal term. The feeling of ringing in the chest is achieved by making the throat feel like a half-yawn. When speaking, the lower jaw naturally droops, the laryngopharynx is opened appropriately, and the reflection point of the sound wave vibration on the hard palate is moved to the back of the lower teeth. This causes the sound waves to cause more vibrations near the larynx and trachea, and then are transmitted from the vicinity of the trachea to the chest cavity to cause wheezing. At this time, it seems as if the sound is being sung to the chest...

"Explanation of chest ringing in academic literature

1. Chest ringing: refers to our entire lungs, also called basic ringing, which is when we sing Every sound produced has its participation. If we try to sing a sound and put our hands on our chest, we will feel the vibration.

2. Chest ringing refers to the vibration of the vocal cords that arouses the trachea. The air column vibrates and is transmitted to the lungs and then expands to the entire chest cavity, causing the vibrations to produce the entire brain area including the entire brain area from the diaphragm to the top of the trachea.

Question 9: How can you do this when singing. How to judge the oral cavity, nasal cavity, and chest cavity? Hello friends, I have learned some vocal music (popular singing). Let me briefly talk about my personal understanding:

How to judge the oral cavity and chest cavity? Is there any vibration?

Strictly speaking, singing in the chest and mouth is the sound of the chest, and the breath is used as support to drive your voice down (you can wear good headphones to experience the news). Their voices are fuller, mellower and richer, which makes outsiders feel comfortable and professional. They are different from us ordinary people talking. If they talk to us like this, they don’t need breath to support them. I'm so exhausted. Okay, tell me where you feel the vibration. I'll teach you how to do it: usually at the second button of your shirt, sigh "Oh" in a depressed mood, and then feel... very Strong! This is the ringing in the chest that I’m looking for.

Why do I feel like my mouth and chest are vibrating when I talk?

It sounds like your voice. It should be very broad and thick after practice. Use Andy Lau as a reference to close your eyes and feel it! There is no need to pay attention to this. When singing, it blends in naturally. This is a good thing.

I’m so tired from typing, I hope this helps!