Name Guo Buluo Wanrong

: Guo Buluo Wanrong (based on "Like Youlong" in Luo Shen Fu by his father Rong Yuan, with a homophonic voice and a dragon) Date of birth: November 163cm, 196 Deathday: June 2th, 1946 Nationality: Daur blood type: B height. Admiring the swift and beautiful posture of flying birds is also a beautiful yearning.) Pen name: Rong Yuehua English name: Elizabeth (taken by Puyi), Risa (taken by Wanrong's English teacher) Hobbies: chess, calligraphy and painting, cheongsam design, horseback riding, singing, go to the opera, English fan name: Lotus Root (Wanrong describes itself as a lotus flower), Rongfan, Ziteng Luo

Life experience < In 1922, Wan Rong, who had reached the age of 17, was famous among the nobles because of her dignified and beautiful appearance, fresh and refined, and all-pervasive piano, chess, calligraphy and painting. In the same year, he was elected to the palace and became the last queen in the history of the Qing Dynasty. However, Wanrong was elected not because of her beauty and versatility, but because the emperor Puyi drew a circle on her photo, which also delineated Wanrong's miserable life. Wenxiu, another girl, was also selected at the same time as Wanrong. However, Wenxiu's family power was not as big as Wanrong's, so Wenxiu took the second place and became the imperial concubine. However, it seems that Wanrong's lucky election is the beginning of her unfortunate fate. During the days when she lived in the Forbidden City, Wanrong lived comfortably because of the glory of the mother instrument and the joy of the newly married Yaner. Her tenderness and liveliness also brought a lot of happiness to Puyi, and her extensive knowledge made Puyi regard her as a confidant. However, Wanrong also has the narrow-mindedness and jealousy that most women have, so the existence of wenxiu makes her and Puyi still have some dissonance. At the end of 1924, Puyi was driven out of the Forbidden City, and the title of the emperor became the history of China. He lived in Tianjin Jingyuan with grace and embroidery. With the passage of time, the weakness of Puyi's personality was gradually exposed, and his physical defects eventually led Wenxiu to file for divorce. However, Puyi put all the faults of the "Knife Princess Revolution" that brought him great shame on the graceful body. When Puyi fled to Changchun and became a puppet of the puppet Manchuria government, he turned a deaf ear to Wanrong. At the same time, Wanrong's actions were closely monitored and restricted by the Japanese, which made Wanrong's body and spirit on the verge of collapse. So Wanrong indulged herself more and more, she was manic and irritable, she was addicted to drugs, and she even had an affair with the guards around Puyi. In short, Wanrong tried her best to do everything that could anger Puyi. Finally, she began to live in a cold palace for 1 years, which changed her from a beautiful and quiet beauty to a crazy person in the shape of a log. In 1946, with the surrender of the Japanese, a large group of royalty were left behind, and Puyi, the son emperor, also fled hastily. After being transferred to the prison in Yanji, Jilin with the People's Liberation Army, the lonely and graceful grace finally dispersed with the wind and turned into a loess. It ended her enviable, resentful, pitiful and lamentable life.

Family relationship

Father: Guo Buluo Rong Yuan Mother: Aisingiorro Hengxin Stepmother: Aisingiorro Hengxiang Brother: Guo Buluo Runqi Husband: Aisin Giorro Puyi Brother: Guo Buluo Runliang

Edited this paragraph, Wanrong's former residence

Wanrong's former residence is south of Gulou in Dongcheng District. It used to be just a more ordinary house. After Wanrong was canonized as "Queen", her father made it a third-class benefactor, and the house was upgraded to a benefactor's mansion. As a "back residence", it will be expanded. West road enters the courtyard four times. East Road is a courtyard with three entrances. There are rockeries and pools in the backyard and family temples in the east. The main house on the west road is the graceful residence. It is a key protected cultural relic in Beijing.

editing this paragraph

When Wanrong walked into the Northeast with Puyi

The climax of her life tragedy began with walking into the Northeast. The Japanese actually publicly directed a puppet show on the land of China to achieve the goal of Manchu independence, so that the northeast outside Shanhaiguan was shrouded in the shadow of the puppet Manchukuo for fourteen years. Puppet Manchuria is a freak in the modern history of China, and only the Northeast people live in this freak. The Japanese once worked hard on Zhang Zuolin, the king of Northeast China, but when Zhang Dashuai openly refused and really wanted to move his territory, he began to scold "Mom, pull a small Japanese". Because he didn't listen, the Japanese sent him to the west in Huanggutun. Since then, the Japanese have been playing tricks on Zhang Xueliang, the second generation northeast king. I didn't expect this young marshal to avenge his father's death and make a change of flag in the northeast. He would rather not be the northeast king and incorporate the Northeast Army into the Nanjing National Government. So the Japanese launched the "September 18th Incident" and robbed themselves. However, this is the land of China after all, and they are afraid of another "Three Kingdoms Intervention" to return to the Northeast. After thinking about it, they fell in love with Puyi, who is hiding in the Tianjin Concession and dreaming of restoration every day. They painted him a brilliant picture: returning to his ancestral home in Northeast China, restoring the Qing Dynasty, regrouping and entering the Central Plains again. This scene is really tempting, and he is saddened by the defeat of his ancestral business in his own hands. The emaciated Puyi immediately curled up into a ball and got into the back cover of the car obediently, so that the Japanese could carry it back to the Northeast. In fact, he knew that the Japanese were just using themselves, but he couldn't resist the temptation of that dream, and he willingly got into the trap of "the dragon returned to his hometown" set by the Japanese, and he embarked on the road of traitors and traitors. I always feel that Wanrong can't come. She has a good reason not to come. Puyi went to the northeast with the Japanese behind her back, which is a kind of harm to her anyway. In fact, she has been lonely in the cold palace, and those feelings that women are gradually maturing have grown and spread in loneliness. It is a relief for her to leave Puyi. She once wrote her own "Ailian Shuo", imitating Zhou Dunyi, and wanted to have a kind of lotus-style super dust, which should be her soul alone when she stood by the window independently. Why come to the northeast? However, grace is grace. Her classicality became her hedge, and her vanity made her want to fulfill her dream of being a queen. For her, the northeast can't be crossed because she can't cross herself. The last queen was her fate that she had no choice. Her choice for the Northeast was instigated by herself. She cries all day, and she must catch up with Puyi and be his queen. No one can stop her. The scene of going through the customs is the same as Puyi's. She curled herself into a ball and got on the bus to find Kawashima Yoshiko. She walked into the trap of Northeast China willingly. The escape of the last emperor was in a hurry. The fake palace is also in a hurry. In fact, it is a Qinmin building and a Jixi building. The front building works and the back building sleeps. Walking in the pseudo-palace, you can think of many faces and many ugly plays that have been staged. Among that group of puppets, the most vivid and unique one is graceful. Wanrong is a political symbol, but it doesn't belong to politics. She is related to this palace, but has nothing to do with all the conspiracies. She is here for the ending of a story and the completion of a role. Wanrong is beautiful in appearance, elegant in speech, dignified in manners, extraordinary in manners, soft inside and kind-hearted. She is a woman who combines the advantages of Chinese and Western cultures. In 1922, since Wanrong was crowned queen, her tragic fate began. "at last one day was chosen for the imperial household" led her to a point of no return. In 1911, China's imperial system, which lasted for more than 2, years, ended, and the country moved from feudalism to harmony. At that time, the preferential treatment given by the government of the Republic of China to the Qing dynasty was that "after the resignation of the Qing emperor, the title of honor remained, and the Republic of China treated foreign monarchs with courtesy." To this end, the wedding ceremony of the Emperor Puyi was completely copied from the etiquette of the emperor's wedding. The government of the Republic of China authorized the queen's "Fengyu" to be carried from Donghuamen to the second half of the Forbidden City. Since then, Wanrong has become a nominal queen. In China's feudal monarchy, the emperor had a special position of integrating imperial power and husband power, so the status of the queen had a double meaning. For the harem, it has the responsibility to command the six palaces, and for the country, it has the obligation to master the world. However, as the queen of the Hudson Emperor, Wanrong had been prosperous, but it was more unsatisfactory in life and mentally imprisoned and tortured. Her position in history is very weak and embarrassing. In this way, Wanrong has a clear understanding of her identity and responsibility. Her heart is full of kindness and kindness, and she is full of deep patriotic feelings.

Gu Weijun recalls Wan Rong

In November p>1931, under the planning and deception of Japanese imperialism, Puyi secretly left Tianjin alone and fled to the northeast. Two months later, Wanrong was tricked by the Japanese and transferred from Tianjin to Dalian and then to Lushun to reunite with Puyi, but Puyi did become a puppet at the mercy of Japanese imperialism, and she herself fell into the trap of conspiracy. In Changchun, Wanrong had to obey the arrangement of the Japanese, and her every move was secretly monitored, and she couldn't even step out of the door. Wanrong couldn't bear the Japanese bullying and decided to escape from that hell on earth. In the memoirs of Gu Weijun, the first foreign minister of the former Kuomintang, there is such a record: "We stayed in Dalian for one night and an interesting thing happened. One of my entourage used to be a policeman in Beijing and was one of my four guards. Because of the bomb incident in 1925, he stayed to be my bodyguard. He is from Beijing and knows many people in Beijing. When I was having lunch in a hotel in Dalian, he came in and said that a representative of the Inner Power House of Manchukuo from Changchun wanted to see me and had confidential news. I hesitated at first because the name he said was unfamiliar to me. But my entourage said that he knew this man in Beijing. Could you meet him? He told me that this man disguised himself as an antique dealer to avoid Japanese attention (maybe he was an antique dealer). I went out to the porch and we stopped at the corner. This man told me that he was sent by the queen (the wife of Emperor Xuantong of Changchun). He said that because she knew I was going to Manchuria, she asked me to help her escape from Changchun. He said that she felt that life was miserable because she was surrounded by Japanese maids in the palace (there were no China maids there). Her every move there was monitored and reported. She knew that the emperor could not escape, and if she could, she might help him escape. I was moved by the story. But I told him that I couldn't do anything for her because I was a consultant to China in Manchuria and there was no effective way to help her. Nevertheless, I got a clear concept of what the Japanese have done, and this story can confirm Japan's intentions. " Since this incident, Wanrong has not been discouraged and given up the opportunity to escape again. During August and September of 1933, when Zhao Xinbo's wife was preparing to go to Japan, Wanrong asked her to help him cross over. Wanrong believes that as long as she can escape, she will definitely help Puyi escape. Unexpectedly, this incident was discovered by Sangege, who was in Japan at that time. She wrote to tell Puyi that the escape was a bubble. Since then, Wanrong has never found a chance to escape, and she chose self-destruction. Graceful and secluded life, the impact of social turmoil on her mind, the great shock of life changes, and the mental trauma caused by a series of unsatisfactory exile life that lost personal freedom made her life extremely varied and dramatic, and at the same time distorted and even mutated her human nature. She fell into deep inner pain and encirclement and could not extricate herself until she died with injustice. Wanrong's life is a tragic life, and this tragedy is inevitable. It was the evil feudal dynasty and Japanese invaders that pushed her into the abyss of history, and she was a victim of history.

graceful mental shock

she is crazy. She can't be crazy. In Tianjin, in order to get a special favor, she pushed Wenxiu, who was weaker than her, and finally divorced Wenxiu from Puyi. She thought that Wenxiu would not be happy in this way. Don't you know that it was just herself who was unfortunate, and Puyi gave her even more cold shoulder. In the northeast, her disaster was twofold. She was snubbed not only by Puyi, but also by the Japanese. So grand "Manchukuo Emperor" enthronement ceremony, but there is no "queen" place, all people's eyes are not graceful. She was watched like Puyi, by Japanese women everywhere, and by Aisingiorro women. This Jixi Building, from the moment she walked in, actually became her cell and her hell. Being a queen finally becomes unimportant. All the classicality and vanity can no longer control her, and a nerve in life is revived at this time. She began to regret that she had tried to escape from this gloomy and horrible palace twice, but neither of the two people she found could help her. She said in despair, why can't everyone else be free but me? When she knew what she really wanted, she collapsed on the couch, and she never had the strength to face the world again. She smoked opium like hell. I already smoked in Tianjin, and a smoking room was set up in the puppet palace. Every day, besides reading, writing and painting, I smoke opium. Every time you inhale four mouthfuls from the left and four mouthfuls from the right, one puff per mouth, two ounces of opium every day, and so on. Taking drugs. The graceful demeanor of an introverted and sensitive poet like my grandfather, the versatile, sad and lovely graceful demeanor, she just tore herself apart, and she was so crazy. Because she is crazy, she is extremely vivid. Her smoking posture, her crying voice, her unkempt short hair and her emaciated face make you worry about her and make you happy for her. She's crazy and she's free. About Wanrong's madness, many people catch the wind from Puyi's book My First Half Life, and get a few words from all kinds of people who lived in the puppet palace that year. For a while, all kinds of books and periodicals were full of interpretations of Wanrong's adultery, and the film and television directors even lengthened the lens, and Wanrong was played as a sexy queen and a romantic queen by those big stars. What did Wanrong do? Emotions can really drive people crazy. Lonely and graceful, she should have her own feelings, but the reasons for her madness are too complicated and profound. People exaggerate their feelings unilaterally and vulgarize them rudely. I really don't know whether it is graceful sorrow or modern people's sorrow.

Last Grace

That summer, the world's anti-fascism reached the last moment. The heads of the United States, Britain and China jointly issued the famous Potsdam Declaration, and President Truman gave the order to drop the atomic bomb. When the two giant mushroom clouds rose over Hiroshima and Nagasaki, the Japanese emperor finally announced his surrender to the world. In the northeast of China, the puppet Manchukuo court immediately fell apart, and a group of puppets immediately fled to Dalizigou, Tonghua. When Feng Yuxiang was forced into the palace, six-year-old Puyi had retired once. Now, Puyi, who had no way out, had to declare his abdication again in this ditch where mosquitoes and flies were flying around. After declaring the imperial edict, he flew from Tonghua to Shenyang on his own, and finally became a prisoner of the Soviet Red Army in the place where his ancestors made a fortune, and the starting point of a dynasty became the end point. At that time, Wanrong, who was abandoned by her husband and was crazy and sick, was smiling hey hey, as a family member of a senior war criminal, in her great-grandfather.