In front of Wulaofeng, the site of white crane. Long pine shade court, fresh and refreshing.
When I travel alone, I won't meet anyone. Someone who plays chess outdoors.
If you don't smell human voices, smell them. If the tattoo is seated correctly, who knows the taste?
Fishing with an empty hook is fishing with carp. Children cut corners and peel their fingers.
Victory is happy, and failure is also gratifying. It's simple, talking to you.
In the vernacular, it refers to the remains of the ancient white crane road before the five peaks of Lushan Mountain. Long Panasonic is lush, and the cool courtyard has warm breeze and just the right sunshine. I sometimes visit alone, but I don't meet anyone in the mountains. I hear someone playing chess. There seems to be no one on the empty mountain, but I hear the sound of chess. The mountain is flowing, moving in silence, and there is sound in silence. Who can understand the taste?
Empty hooks are used for fishing, but not just for carp. My youngest son has been talking about playing chess. If you win chess, you will naturally be happy, but even if you lose, you can be happy. Life is free, not to mention people like you.
Extended data:
Su Shi's literary achievements;
Su Shi's views on society and thoughts on life are undisguised in his literary works, among which poetry is the most hearty. In more than 2,700 Su poems, the theme of intervening in social reality and thinking about life is very prominent.
Su Shi's attitude towards various unreasonable phenomena in social reality is "out of date", and he always regards criticizing reality as an important theme of his poems.
What is more valuable is that Su Shi's criticism of society is not limited to the New Deal or the present. He criticized the long-standing abuses and bad habits in feudal society, and embodied a deeper critical consciousness.
Su Shi's life was ups and downs, and he traveled everywhere, and his life experience was extremely rich. He is good at summing up experience from life experience and seeing laws from objective things.
In his eyes, ordinary life content and natural scenery contain profound truth, such as Xilin Wall Topic and Mianchi Nostalgia. In these poems, natural phenomena rise to philosophy, and the perception of life is also transformed into rational thinking.
What is particularly commendable is that the philosophy in poetry is naturally expressed through vivid and distinctive artistic images, rather than through logical deduction or discussion and analysis. This kind of poem is both beautiful and interesting, worthy of the name.