Going to Liuzhou Tower to send Zhang Tingfeng to appreciate the four States is a seven-character poem written by Liu Zongyuan, a poet in Tang Dynasty. This poem expresses the meaning of missing friends and it is difficult to meet each other, and shows a sincere friendship. The following is the original text and translation appreciation of this poem. Welcome to read ~!

Original text:

Boarding Liuzhou Tower, Zhang Ting and Fenglian.

Author: Liu Zongyuan

On the tower at the end of this town, the wilderness began, and our desire reached as far as the ocean or the sky.

The hibiscus flowers beside the moat are swaying in the sudden wind, and the oblique rain is beating the vines on the wall.

We can't see anything beyond 300 miles, except vague Woods and mountains, and there are nine rivers winding in our stomachs.

* * * Come to Baiyue tattoo, don't even want a letter, let's keep in touch with home.

Climb Liuzhou Tower, paste Zhang Ting, and seal four states and Athena Chu;

ch？ ng sh？ ng gāo l？ u jiē？ huāng，hǎI tān ch？ u szh？ ng m？ ng m？ ng .

jīng fīng Lu？ n zhǎn f？ r？ ng shuǐ？ yǔ·Xi？ qěn b？ l？ Qi? ng .

lǐng sh？ zh？ ng zhē qiān lǐ m？ , jiāng li? qǔ？ Hu? ch？ ng .

g？ ng l？ Am I you? W? n shn d？ ，y？ u z？ yěn shzh？ Yang Guifei.

Climb the Liuzhou Tower, paste Zhang Ting, and seal the translation of the four States;

The tall buildings on Liuzhou city are connected with the wilderness; Our sadness is like the boundless sea and sky, infinitely broad.

Strong winds burst, violently blowing hibiscus on the water; The rain poured down and hit the earth wall covered with Ficus pumila obliquely.

There are many trees on the ridge, which obscure the prospect; Liujiang river twists and turns like a sad heart.

The five of us were demoted at the same time and went to the place where Baiyue was tattooed. Today, music and books are still impassable, and they are stranded on one side.

The explanation of the word "going to Liuzhou Tower to send Zhang Tingfeng to four states";

Liuzhou: It belongs to Guangxi now. Zhangzhou: Zhangzhou; Ting: Tingzhou. This is from Fujian. Seal: seal state; Lian: Lianzhou: It belongs to Guangdong now. Old Tang book? Xian Zongji: In March of Yi You (the tenth year of Yuanhe), Sima Han Tai in Ganzhou was the secretariat of Zhangzhou (now Zhangzhou, Fujian), Sima Liu Zongyuan in Yongzhou was the secretariat of Liuzhou (now Liuzhou, Guangxi), Sima Hanye in Raozhou was the secretariat of Tingzhou (now Changting County, Fujian), Sima Liu Yuxi in Langzhou was the secretariat of Bozhou, and Sima Chen Jian in Taizhou was the secretariat of Fengzhou (now Fengchuan County, Guangdong). In the suggestion, Cheng Peidu took the imperial seal as his mother, so please move closer and give him the secretariat of Lianzhou (now Lianxian County, Guangdong Province).

⑵ Connection: Connection. Say, catch it and see. Wilderness: generally refers to remote areas.

(3) Haitian melancholy: Haitian melancholy.

(4) Frightening wind: sharp wind; Gail. Cao Zhi's "Giving Xu Gan": The wind blows in the daytime and suddenly returns to the western hills. Chaos (zh ǐ n): Blow. Shuowen: The wind blows and the waves move. Lotus: refers to the lotus. Cui Bao's Notes on the Past and the Present (Volume 2): Furong, a Chinese who loves the Netherlands, was born in Chize, and is actually called Lotus, the most beautiful flower. Shen Deqian said: "The wind is scary and the rain is dense." .

⑸ Ficus pumila: A creeping plant, also called Manglietia.

[6] Covering: Layer by layer covering. Qianli: This refers to the distant scene.

(7) Jiang: Liujiang. Nine ileum: nine turns to sadness, describing the entanglement of sadness. Sima Qian's letter to Ren: The intestines return nine times a day. Emperor Liang Jianwen's Poem of Yingquan: Looking at countries from afar, one day is a thousand miles away, and one night is a long time away.

* * * Lai: It refers to being exiled to far away places with Han Tai, Han Hua, Liu Yuxi. Baiyue: Baiyue refers to the ethnic minorities south of Wuling. Jia Yi's On Qin: Take the land of Baiyue in the south and think of Guilin and Xiang Jun. Tattooing: Tattooing and embroidery on the body are the customs of some ancient nationalities. Text: the same text, used as a verb. Zhuangzi? Wandering around: the more people have tattoos. Huainanzi? Tao Xun: In the south of Jiukui, there is little land and much water, so people tattooed the appearance of ichthyosis.

Wanderer: Still. Audio books: audio information. Stagnation: blockage.

Go to the background of Longcheng Tower and send Zhang Tingfeng to four states:

This poem was written in Liuzhou in the autumn of Tang Xianzong Yuanhe Decade (8 15). Liu Zongyuan, Han Tai, Han Ye, Liu Yuxi, etc. were all relegated for their participation in the Yongzheng Innovation Movement led by Wang. This is the famous incident of two kings and eight horses. In the tenth year of Yuanhe, Liu Zongyuan and others were called to the capital as usual. Although some ministers advocated using them, they were eventually downgraded to frontier state secretariat because of obstruction. Liu Zongyuan changed his name to Liu Zhou's secretariat. Ten years ago, his friends Han Tai, Han Ye, Chen Jian and Liu Yuxi, who participated in the Yongzheng reform, also served as the secretariat of Zhangzhou, Tingzhou, Fengzhou and Lianzhou respectively. Years of relegation made Liu Zongyuan feel that his career was sinister and his life was difficult. After Yuan He's ten-year poet arrived in Liuzhou, he couldn't help writing this poem with mixed feelings when he climbed the building.

Appreciation of Four Realms from Longzhou Tower to Zhang Ting and Fenglian;

This lyric poem is full of comparison in fu, interesting in image, mixed with scenes, sad and moving.

The whole poem begins with climbing the Liuzhou Tower. The first sentence is tall buildings in the city. There is a tall word in front of the building. The higher you stand, the farther you can see. The author traveled a long way to Liuzhou, but he couldn't wait to climb the peak, in order to look forward to the demotion of his comrades and express his unspeakable feelings. The word "connected with the wild" means that the tall buildings in the city are connected with the wild, which is seen by people upstairs. As a result, the feeling of things is aroused, and our longing has a sentence as far away as the ocean or the sky, that is, it gushes out and shows a vast and desolate space in front of the poet. Looking to the extreme, the sea and the sky are connected. And my own boundless sadness will fill the vast and boundless space. With such a vast realm and such deep feelings, the author seems to have written this couplet effortlessly, taking the soul of poetry and unfolding a grand picture for the following layers of description.

The second couplet is about the hibiscus flowers beside the moat being blown by the strong wind, and the vines on the wall being whipped by the oblique rain, which is about what they saw in the vicinity. It's just a close-up, so it's written in detail. As far as describing the sudden wind and rain scene is concerned, this is a stroke, which is both comparative and interesting. Qu Yuan's "Lisao" has a cloud: making lotus flowers means clothes, and picking hibiscus means clothes. I don't know. It's embarrassing. I feel like I believe it. There is also a cloud: the root of the wood is smashed into knots, penetrating the falling flower core of Ficus pumila; Correct the mistake that bacteria make you feel good, but ask for trouble. It is not a secular service to teach my law to practice before it is completed. Here, hibiscus and Ficus pumila symbolize the beauty and elegance of personality. Climbing up the tower and looking around, I deliberately picked out hibiscus and Ficus pumila from those I saw. Obviously, their situation in the storm made the poet tremble. The wind, the rain, the anger and the inclination show that objective things project the poet's feelings. Lotus water, why because of the wind, and the wind is still chaotic; Ficus pumila wall, rain is difficult to invade, dense rain oblique invasion. This can't help but make the poet associate and worry. Here, the contrast between the emotion in the scene, the meaning in the environment and the fu is like the salt in the water, without trace.

Third, write a vision. The opportunity to transition from short distance to long distance is the association caused by short distance: this is my situation at present, and what about my friends? So I looked far away and turned my eyes to Zhangzhou, Ting, Feng and Lian. The words "mountain tree" and "river" are written in the same way, but they are tilted forward and downward, and their horizons are different. Looking up, it will focus on the dense forest and block the eyes of thousands of miles; Looking down, the river twists and turns like a nine-ileum. There are feelings in the scene and infinite worries. Literally, and the nine cycles of the river, twisted in our intestines, can't see anything for 300 miles, but the blurred Woods and mountains and Thai baht belong to the workers' right range. In a sense, the facts, causes and effects that are superficial and imaginary, and the words of parallel couples are used to express the qi of action, which has the advantage of flowing freely.

Tail couplet originated from the former couplet, which not only shows the melancholy of caring about the situation of friends, but also has a deeper meaning: looking without seeing, naturally thinking of exchanging visits or asking questions; Looking at land, overlapping mountains, watching waterways and winding rivers, it is not easy to exchange visits, even to exchange news. This naturally comes down to a country where music and books are stagnant. However, it ended in this way, with a shallow sense of literature and a straightforward literary spirit. The author's genius. It is because he first put a cushion on the tattoo in Guangdong with * * *, and then turned it around with a wanderer, which comes down to the stagnation of music and books, and he received the artistic effect of depression and frustration. And * * * comes to a sentence, which not only takes care of the wild in the first sentence, but also controls Liuzhou and Zhangzhou in the title, Ting, Feng and Lian. It's sad enough to be relegated to the wilderness together, and they are isolated from each other, and even audio books can't be published. The charm is long and memorable, and the god of sending words in the title is also heard here. It can be seen that poets use pens.

Comments from Liuzhou Tower to Zhang Ting and Fenglian;

1. Liao Wenbing: This child was made by four people on the tower. His first sentence was that he climbed the tower and looked at it from a distance. The sea is vast and the sky is overcast, and it is extremely lawless. Three or four sentences only scare the wind, so the clouds are chaotic, only the rain in Mao Mao, so the clouds are oblique, there are storms and depressions, and things are touching. The trees in the mountains are covered and the river turns, which is beneficial to acacia. At that time, * * * came to Baiyue, which meant it was easy to meet each other. Now, how can I comfort myself? ("Tang Poetry Advocating Annotations")

2. Cha Shen Xing: (The first two sentences) The trend is extremely high, just like Shaoling's sentence "Flowers are near tall buildings". (Chu Bai 'an's Poetry Review)

3. Shen Deqian: From the perspective of high-rise buildings, there is a complicated feeling: the wind is strong and the rain is heavy, but it is meaningless. (Tang Poetry)

4. Yu Biyun: In the Tang Dynasty, Han and Liu were equally famous, both of which were screened out. Changli's poem "Lan Guan" is full of loyalty and indignation, rich in Liuzhou poetry style, and full of plaintive voices. Highlighting syllables when raising a pen, climbing high and looking far, full of boundless feelings. Three or four words: hibiscus beside the water and Ficus pumila are all over the wall. This is a natural state, but dense rain and wind invasion have caused purples and green flowers, which are out of control. It is impressive to describe people's arrogance with wind and rain, to describe the rejection of sages with Ficus pumila, to describe gentlemen with Chu ci, and to describe the devastation with thunderstorm, not just to write about what they saw and heard when they entered the city. Five or six words are covered by trees and clouds, but I can't see what I think. The river is late, and the intestines turn the wheels. Love lacks the meaning of bearing people, both of them. The sentence belongs to the original intention of the circle of friends. Words in the same hometown have already hurt the official. The sound of the book is not up to standard, and the geese sing too loudly. The sadder and lonelier they are. (introduction to C of A poetic scene)

5. Yu Dan: This is a powerful vision and a reflection of Liu Zongyuan's great sadness.

Liu Zongyuan's literary works;

Liu Zongyuan left more than 600 poems in his life, and his achievements were greater than poems. There are nearly a hundred parallel prose, and ancient prose can be roughly divided into six categories.

(1) Comments: Including philosophy, political theory and essays mainly focusing on comments. Sharp pen, accurate argument. Tian Shuo is a masterpiece of philosophical papers. (Feudalism and Heavenly Punishment are representative works of medium-length and long-length political theory. Jin Wengong's "Defending the Original Motion", "Debate between Dong Brothers" and Yi Yin's "Five Opinions on Street Praise" are representatives of political papers. ) There is simple materialism in his philosophy. His political thought is mainly embodied in the progressive social historical view and Confucian people-oriented thought. But also influenced by Buddhism, especially when they are frustrated politically, they often seek spiritual liberation from Buddhism.

(2) Fable: Inheriting and developing the traditions of Zhuangzi, Han Feizi, Lu Chunqiu, Liezi and the Warring States Policy, it was mostly used to satirize and attack the ugly phenomenon of the society at that time. Innovate, create whimsy, and make good use of anthropomorphic artistic images of various animals to express philosophical or political views. (Representative works include Three Commandments (Linjiang Elk, Guizhou Donkey, Yongmou Mouse), Biography, Fierce Master, etc. Laugh and curse, because things are small, showing a high degree of humor and irony.

(3) Biography: Inherited the tradition of Historical Records and Hanshu, and made some innovations (representative works include Anecdote of Duan Taiwei, Biography of Zi Ren, Biography of Hejian, Story of Snake Catcher, etc. Some works are exaggerated and fictional on the basis of real people, such as fables and novels (such as Song Qingchuan). )

(4) Landscape Travels: The most popular ones are written after being demoted, and Yongzhou's works are even better. (Representative works include Travel Notes on the First Banquet in the Western Hills, Music Circle, Western Hills in the Music Circle, From Xiaoshichi to the Western Hills, Yuan Jiake, Shiqu, Shi Jian and Koishiyama). His works not only contain his own experience and resentment through beautiful scenery; There is also a description of the author's quiet state of mind, which is manifested in extreme depression and the pursuit of spiritual sustenance. As for the direct description of the scenery, it is steep and clean, or beautiful and pleasant, and reproduces the beauty of nature with delicate language.

(5) Poem and Sao Fu: unique (representative works such as Punishment Fu, Sheng Min Fu, Dream Returning Fu, Prison Mountain Fu, etc. They are all in the style of Li Sao and Nine Chapters. Or express one's mind directly, or borrow ancient times to hurt oneself, or borrow fables to express irony and think hard, which won the essence of Qu Sao. "Tian Dui" and "Jin Wen" are another type, imitating Tian Wen and Qi Fa, with strange and profound words. In addition, there are many Buddhist steles, inscriptions, notes, prefaces and postscripts, poems and other works in Liu Jizhong, involving Zen, Tiantai Sect, Buddhism and other theories. There are more than 40 pieces of Liu Shi/KLOC-0, all of which were written after relegation. His predecessors, Wang Wei, Meng Haoran and Wei also called him Wang Meng. Some of his five ancient thoughts are close to Tao Yuanming's poems, with simple and natural language and elegant and meaningful style. The other five ancient poets were all influenced by Xie Lingyun. They were particular about their lyrics, mixed with Hyunri, and even learned from Xie Shi when they did the exercises. However, Liu's poems can contain bitterness, similarities and differences in beauty. Liu's poems also have rhythmic poems, which are famous for their generosity, sadness and health. (For example, climbing the Liuzhou Tower to send Zhang Tingfeng to four counties is a masterpiece of the seven laws of the Tang Dynasty, and Jiang Xue, Fisherman and Western Opera are also rare works in the quatrains of the Tang Dynasty).

(6) Anthology: Liu Yuxi began to compile Liu Ji's Anthology of Mr. Hedong. There were many annotated books in Song Dynasty, and Han Chun's Collected Works of Liu Xun is the earliest extant work of Liu Ji. In the Ming Dynasty, Jiang's Warp Collection was annotated with Liuhe East Collection. For his deeds, see Han Yu's Epitaph of Liu Zihou, Biographies of Old and New Tang Books and Chronicle of Mr. Liu in Wen 'anli.

Liu Zongyuan's personal data:

Liu Zongyuan (A.D. 865438+ A.D. 773 09), a native of Hedong (now Yongji area in Yuncheng, Shanxi), was one of the eight masters in Tang and Song Dynasties. He was called Mr Hedong, a writer, philosopher, essayist and thinker in the Tang Dynasty, and was appointed as the secretariat of Liuzhou, also known as Liu Liuzhou. Liu Zongyuan and Han Yu are called Liu Liu, Wang Wei, Meng Haoran and Wei Wangmeng.

Liu Zongyuan left more than 600 poems in his life, and his achievements in writing were greater than poems. Nearly a hundred parallel essays, argumentative essays, sharp and ironic. There are many places where landscapes are written in travel notes, such as Collection of Mr. Hedong, and the representative works include Xiju, Jiang Xue and Fisherman.

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