The author often uses warm images to describe the warm and sunny scene of Jinan in winter, creating a gentle and overall sense of language. On the linguistic level, it describes the "Wen Qing" in Jinan and expresses the warmth of Jinan in winter: "Wen Qing" is the external image you see and the object and medium to express your psychological image.

"Warmth" is a kind of psychological image (spiritual feeling), which contains the writer's subjective emotion, life, life perception and aesthetic feeling. The article does not hesitate to describe the scenery with pen and ink, but actually expresses the love and praise for Jinan in winter, which is the real meaning and core of the article.

Extended data:

In the author's pen, a huge Jinan can be placed in a small cradle surrounded by mountains, and the magnificent scenery is just an "ethereal blue crystal". This is the farthest thing from the scenery. Look again, "There is a bun of white flowers on the top of the tree, like a Japanese wet nurse", "The seaweed is really green, and all the green stored all year round is taken out", which is the closest thing to the scenery.

Long-term vision makes people broaden their horizons and feel relaxed and happy; The close-up of a small scene makes people look carefully and listen attentively, making the scene more vivid. Moreover, the long-term vision can break through the limitation of "I don't know the true face of Lushan Mountain, but toward which corner of the mountain", while the short-term vision can avoid the disadvantage of "seeing the trees but not the forest".

The ancient poem goes: "The distant mountains are colored, and the water near them is silent." This means that unless you look from a distance, you can't see that the mountains are actually colored, and unless you listen carefully, you can't feel that the running water is silent. Thus, regardless of distance, landscape writing techniques can not be ignored. If used properly, you can kill two birds with one stone.