At first glance, this news is just an unpopular campus fashion show design, but when you think about it carefully, it is a long-term infiltration of the western aesthetic system. Fortunately, with the improvement of our confidence in traditional culture, China people's aesthetic consciousness is gradually awakening, and more and more people understand that the typical image of "China people" in the western eyes is actually a kind of prejudice. Our doubts are just a counterattack against prejudice.
True oriental characteristics, gentleness and generosity, and strong classical charm. In this issue, let's talk about some relaxing topics and see how Jing Tian, who won by traditional makeup, created "Oriental charm" through makeup.
1. The facial features of China people.
In fact, the characteristics of China people's faces are well summarized. Except for a few cases, our appearance, which is mainly of oriental descent, probably has the following characteristics: flat face, soft outline and light facial features. In modern aesthetics, it doesn't look the same, so that when we search for makeup tutorials, we always work hard in the direction of "showing a small face" and "shaping three-dimensional facial features", and we don't even know when we started to have the argument that three-dimensional facial features like Angelababy can be used as a standard template for makeup or plastic surgery.
Among the female stars, Jing Tian's appearance is typical of face of china. In the early days, she also tried to cover up the shortcomings of her face according to the above ideas, such as drawing eyeliner with obvious presence, shrinking face and heavy eyebrows, eye shadow and decoration, but standing next to a real European-looking beauty is easy to be compared.
Objectively speaking, European-style looks are really beautiful, but this standard and single aesthetic vision is almost a total denial of the facial features of China people. I'm afraid it's hard for face of china to win if it is close to European standards.
It was not until Jing Tian's modeling full of ancient rhyme appeared in Si Teng that we finally got an enlightenment: face of china should seek a solution in the traditional aesthetic standards if he wants to give full play to his own advantages.
2. The idea of making China people's faces beautiful
Just look at a few more Chinese paintings. In the eyes of our ancestors, if the pictures want to reflect beauty, there must be blank space, instead of piling up and pondering complicated details like western paintings. "The face is like a full moon". The full and bright face is beautiful in the eyes of the ancients, but it seems not exquisite enough in modern aesthetics. We only need a little cleverness to make the two perfectly integrated, and the secret lies in: the background color is clean.
Applying this principle to makeup is to make the makeup clean and clear, and also to limit the excessive repair. Jing Tian's early modeling may be to create a sense of exquisiteness, with great emphasis on highlighting the five senses, with a heavy shadow on the side of the bridge of the nose. At the same time, in order to show his little face, he used a large area of blush on his cheeks, which made the makeup look dirty as a whole. However, her recent classical modeling in the play has simply given up the idea of shrinking her face with her face, and generously revealing her whole face can enhance her temperament.
In addition, the sense of lines is also a sharp weapon to shape the classical charm. In traditional aesthetics, the most important thing is not the color blocks and light and shadow favored by western art, but the simplest lines. Even if there is a slight lack of three-dimensional expression, this painting method does not lose its aesthetic feeling and charm at all. We can also use this technique in makeup design, that is, using lines instead of shadows to optimize the five senses.
Jing Tian's eyes are already very big. If the eyeliner is thick, it will easily appear dull. Modeling in the Stern submachine gun gave full play to her advantages. The thin eyeliner outlines a rounded outline, and the arch eyebrows are soft but obscure, and because they are slender, they will not usurp the host's role, which fully shows the appearance of the eyes.
Hairstyles, especially bangs, are also an important part of line shaping. Jing Tian's face is a little inverted triangle, which is a little sharp in the traditional aesthetic preference of oval face, especially after she lifted all her hair, the skeleton outline became more conspicuous. For this kind of face with asymmetrical upper and lower faces, if you want to improve the smoothness of the face, you can try a hairstyle with large deviation and create a beautiful side face curve by shielding the side face.
In addition, unlike the popular aesthetic of "white, young and thin", a very important point in classical beauty is wealth. We can see from the portraits of ancient women that most of them have round faces, but their bodies are not delicate. However, round lines are probably available to everyone. In daily life, what makes people stand out is abundant vitality, in other words, "full of blood."
The sense of qi and blood is reflected in many aspects, such as bright lips and shiny hair, which can be done by choosing the right lipstick and consciously maintaining the hair.
To sum up, the concept of beauty change that conforms to traditional aesthetics is more suitable for China people's faces, and we don't have to pursue small faces and big facial features all the time. The oriental charm created by leaving blank space, shaping lines and creating a sense of qi and blood is a magic weapon for beauty that everyone can master.
So much for sharing the beauty of China people's faces. See you next time ~ Thanks for browsing.
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