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How to sketch a face is the dividing line between light and dark on the cheekbones.
Ha ha. . If you meet me, I will give you a push.

Look at the structure and tone.

But what do you think of the structure? . Let me tell you from a physical point of view. We can see objects. Mainly through the reflection of light. There are two kinds of light reflection. One is specular reflection. One is diffuse reflection. Specular reflections are highlighted. The effect of diffuse reflection is mainly transition. . The smoother the object you can observe, the less the transition. (such as steel pipes) You will naturally solve the problem of texture if you experience more. .

We also know the reflection of light. Another rule is to reflect normally. . Here I use an example. Cylinders with large diameters must have large transitions. . The transition with a small diameter is necessarily small. . That is to say, the gradient between color scales. And mutation. . So the consolidated appeal. What about the cheekbones? We can understand them as part of the ball. If the cheekbones are high, the transition is small. In other words, the boundary between light and dark is very thin. . If the cheekbones are flat. That's the transition. The boundary between light and darkness is relatively mild. . . So you are a geometric figure, an interspersed geometric figure. You will naturally know how to draw. .

Never conceptualize painting. Don't copy a few paintings and think they are yours. . To understand its essence.

I studied painting since I was a child. It is now 14 years.

Let me understand what I said first. . If you want to improve your painting level, you should sketch more. . Sketching doesn't exercise people. . And meticulous about sketching. It's like sketching. . You can't think that sketches can be blurred. .

Painting is the shade of structure and light. Determine the structure before laying light and shadow. Structure is contained in light and shadow. . First, practice your ability to observe things until everything is geometric. Form a conditioned reflex. Then expand the five major keys according to the shape. . Painting should also be kept in a state. A state that you can control. If the whole is already in your heart. Naturally, you can draw whatever you want.