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What is the facial makeup commonly used in Peking Opera?
Monk's Taoist face: a kind of facial makeup in Beijing opera. It is characterized by hook, hammer, eyebrow and waist. Such as Lu in the wild pig forest and Yang Wulang in Wutai Mountain. Hammer eyebrow is bald eyebrow. The ugly eyebrows and good eyes of the fierce monk in the play; It is also changed on the basis of hammering eyebrows and waist eyes, such as monks and kings.

Eunuch face: a kind of facial makeup in Beijing opera. Eunuchs don't hook their faces, but Chen Lin in "Playing the Dragon Robe" still does. Self-acting eight "The Complete Biography of Loyalty and Filial Piety", in which eunuch Wang Zhen was supposed to rub his face because of meritorious service. It is said that this is the beginning of the eunuch's face change. Because of the Famen Temple case, Liu Jin is occasionally good at politics and red-faced. Since then, Zhou Jianjun in Feng Haichao's play and Liang Jiuhong in Gong Peng's case have both imitated Wang Zhen and blushed. Because the eunuch's voice and appearance are similar to those of women, he established a hook-and-stick eyebrow (that is, the middle is thick, the lower end is slightly sharp, and the upper end is very sharp, which looks like a short eyebrow of a stick hammer to distinguish a male sword eyebrow), a black fine eye socket and a small mouth.

Yuanbao face: a kind of Peking Opera facial makeup. Also known as a half face, it is characterized by drawing a face below the eyebrow eye and a piece between the forehead, leaving it untouched (or drawing powder), and its pattern looks like an ingot, hence the name. Yuanbao's face came from a wicked face, and now Yuanbao's face is still crooked Generally used for rough but not violent lower class people. For example, in the play "Evil Tiger Village", Yan in the play "The Righteousness of Five People", Mahan in the play "My Case-solving", Ma Shumou and Hou Shangguan in other plays all have proud faces. According to legend, Empress Dowager Cixi planted an ugly face mask, which was forbidden, so she had never seen this spectrum when she was acting in the palace. There are imitations among the people, so people who hook this face are rarely seen now.

Monster face: a kind of Peking Opera facial makeup. It's simpler than an elf mask. It is characterized by drawing the prototype of the monster directly on the face. For example, the Five Poisons Demon is to draw the shapes of scorpions, snakes, centipedes, geckos and toads on Facebook. Other big demon and small demon masks are also painted on the faces of monsters described in legends and novels.

Buddha's face: a kind of facial makeup in Beijing opera, which evolved under the influence of temple statues or masks. On the three tile faces, you can't hook other patterns at will, but you can only add golden flame, gossip and yin and yang patterns between your forehead to show your solemnity. Most of the faces of deities and buddhas are made of gold, and even the red faces should be added with gold, indicating that the faces are full of Buddha's light, such as Taiyi real people.

(Related) Gold face: Gold represents Buddha's light. Goujin-faced figures are highly respected gods, buddhas, immortals and monsters. Generally, gods and buddhas are not allowed to use gold. Represents Tathagata, Dragon King of the East China Sea, Master Wen, etc. Ghosts in the play sometimes hook their faces with light gold to show that there is no blood. Other figures with golden faces include: Wu Shu, Han Chang, Jin Chan, Erlang God, Jin Chi, Zengfu God of Wealth, WU GANG, Jin Shen Jia, Golden Winged Bird, Moral King, Yunzhongzi and Huanglong Real Person; Maoben, Huangmaotong, Aquilaria Resinatum, Niuwangmo, centipede essence, leopard, Dizang Wang, etc.

Hero's face: not the faces of outstanding people, but the faces of teachers who fight boxing sticks and thugs who participate in martial arts. It's in "Catch Fish and Kill a Family".