A monk in the room is listening to the door, which is left unlocked. There is a monk in the door, listening attentively to the sound outside with his ears sideways. The door is ajar, as if waiting for someone to answer it.

"A monk is indoors, listen to one side first; The door is left unlocked, such as answering the door. " From the Qing Dynasty Song Qifeng's "Nuclear Power". This article describes a person, event and scene carved on a peach pit, which is five minutes long and four minutes wide. The main part is written according to spatial order from top to bottom, from inside to outside, from center to edge, which embodies vivid, delicate and complicated peach carving techniques and superb carving skills of craftsmen. The article explains that it is orderly, miscellaneous but not chaotic, clear-cut and vivid.

Micro-carving art has a long history in China, and it is an important branch of China's long carving technology. On a small peach pit, it shows the world's Vientiane, landscapes and buildings with different styles, which combines three characteristics: vividness, exquisiteness and complexity.

Works review:

The article not only writes out various spiritual interests of seven characters in different identities and positions on this peach pit, such as passing the watch, announcing the dawn, waiting for the door, returning at night, hiding a few times, and making tea; At the same time, it vividly shows the mountains, water, trees and beaches, as well as nine palace utensils such as cities, buildings, pavilions, towers, boats, stoves and bells and drums.

The scenery described by the author is orderly, from the top of the mountain to the foot of the mountain, to the water's edge, from the center to the edge, from palaces, figures, landscapes and beaches, and finally points out the poetry of Zhang Ji's Night Sleeping by the Maple Bridge, which is mixed but not chaotic, easy and clear, which also shows the beauty of the author's writing.