Uygur traditional architecture has obvious architectural characteristics in arid areas. The roof has many domes or flat roofs, thick walls, arched doors and windows, few and small windows, and large skylights for lighting. There is a pit for sitting and lying in the house, a fire wall and a stove for heating and cooking. Most houses are square courtyards. Avoid opening the door to the west and planting fruit trees and flowers in front of and behind the house. Put a grape trellis in front of the house to form a arbor. Some houses also have wider front porches.
Uighurs have a long history, unique culture and art, rich literary genres and rich contents, such as the narrative poem Happiness and Wisdom, which has been handed down to this day. The oral literature of working people is rich and colorful. The widely circulated Story of Two Generations of Love is still loved by people today. There are also many outstanding literary works in modern times, such as the long narrative poem War on the Land of China written by Mullah Bilibin Mullah Insupu, which reflects the anti-Qing struggle of the Uighur people in 1864. During the War of Resistance against Japanese Aggression period, the revolutionary poet Mutalifu wrote many passionate poems praising the motherland, such as Guerrilla in China, Fighting Girl, Love and Hate. Weierwu people can sing and dance. In rural areas, men, women and children sing and dance at weddings, festivals, welcoming guests and all festive days. Traditional dances include top bowl dance, big drum dance, hula hoop dance and Puta dance. Sainaim is the most common dance word of mouth: Shadyana, which is particularly popular in southern Xinjiang, is a happy folk group dance. Twelve Muqam is an epic of basket dance by Zhu Ziwei, an ancient Uighur. It contains more than 340 songs, dance music and group songs, which have been sorted out and recorded. Music, dance and folk songs of great significance to the construction of Guangdong are richer, more novel and more colorful in form and content. There are ten kinds of flowing sentences in Uygur ethnic groups, among which "Dafu" (tambourine), "Dutar" and "Rewafu" are commonly used. Uighurs can sing and dance well, and Twelve Muqams is a musical work handed down from generation to generation. Dances include solo, duet and group dance. Women's dance is light and graceful, and the rotation is fast and changeable. The man's movements are passionate and strong. Traditional reserved programs include Senem, Daolang Dance, Top Bowl Dance, Great Encouragement, Ring Dance, Puta Dance, Wedding Dance and Max Dance. Contemporary dances such as Picking Grapes, Planting Melons, Xinjiang Good and My Rewafu are all excellent. Maixilaifu is a kind of entertainment form of Uygur people. Whenever festivals, festivals or leisure time, people will get together, sing, dance, perform acrobatics, magic and so on, and have fun.
Uygur etiquette is also closely related to religion. Etiquette between people embodies the spirit of equality, friendship, respect for the old and love for the young. Working people always shake hands and greet each other when they meet, showing great respect for the elderly. Among women, there is also the etiquette of the elders kissing the younger generation. In recent decades, with the development of economy and culture, some hierarchical feudal etiquette gradually disappeared, while the etiquette that embodies equality, friendship, mutual respect and mutual accommodation continued to be preserved and added new significance. Uighurs are hospitable, polite and courteous. If you want to respect the elderly, let them go first, speak first, and sit down and sit in their seats; Younger students are not allowed to drink or smoke in front of their elders; When relatives and friends meet, they must shake hands, salute and say hello to each other, then touch their chests with their right arms, bow, step back and ask how the other family is doing. After greeting, the women put their hands on their knees and bowed their heads to say goodbye. When you sit down at home, you are asked to kneel down. It is forbidden to straighten your legs and point your feet at people. Use both hands when accepting items or pouring tea for guests. It is considered impolite to accept things with one hand. The traditional clothing of Uighurs is very distinctive: men wear "producing" robes with right collars and no buttons, and they tie their waists with rectangular scarves or cloth towels; Rural women often wear double-breasted vests outside wide-sleeved dresses; Urban women now wear more suits, tops and skirts; Uighur men and women like to wear leather shoes and boots, leather boots and rubber shoes; Men, women and children wear four small flower hats; Uyghur flower caps are embroidered with black and white or colored silk threads, and some are decorated with colored beads; Women often use earrings, bracelets and necklaces as decorations, and sometimes dye their nails and thrushes in the form of two eyebrows; Uyghur girls are beautiful with long hair. Before they got married, they wore a dozen thin braids. After marriage, I usually comb two long braids, and the ends of my hair are scattered. I don't wear a crescent comb as an ornament. Some people even braid their hair in knots. Carpets, flower hats, Adelaide silk, folk calico and Yengisar knives are the most famous traditional handicrafts of Uygur people.
Uygur traditional architecture has obvious architectural characteristics in arid areas. The roof has many domes or flat roofs, thick walls, arched doors and windows, few and small windows, and large skylights for lighting. There is a pit for sitting and lying in the house, a fire wall and a stove for heating and cooking. Most houses are square courtyards. Avoid opening the door to the west and planting fruit trees and flowers in front of and behind the house. Put a grape trellis in front of the house to form a arbor. Some houses have wider front porches.
Uighurs have a long history, unique culture and art, rich literary genres and rich contents, such as the narrative poem Happiness and Wisdom, which has been handed down to this day. The oral literature of working people is rich and colorful. The widely circulated Story of Two Generations of Love is still loved by people today. There are also many outstanding literary works in modern times, such as the long narrative poem War on the Land of China written by Mullah Bilibin Mullah Insupu, which reflects the anti-Qing struggle of the Uighur people in 1864. During the War of Resistance against Japanese Aggression period, the revolutionary poet Mutalifu wrote many passionate poems praising the motherland, such as Guerrilla in China, Fighting Girl, Love and Hate. Weierwu people can sing and dance. In rural areas, men, women and children sing and dance at weddings, festivals, welcoming guests and all festive days. Traditional dances include top bowl dance, big drum dance, hula hoop dance and Puta dance. Sainaim is the most common dance word of mouth: Shadyana, which is particularly popular in southern Xinjiang, is a happy folk group dance. Twelve Muqam is an epic of basket dance by Zhu Ziwei, an ancient Uighur. It contains more than 340 songs, dance music and group songs, which have been sorted out and recorded. Music, dance and folk songs of great significance to the construction of Guangdong are richer, more novel and more colorful in form and content. There are ten kinds of flowing sentences in Uygur ethnic groups, among which "Dafu" (tambourine), "Dutar" and "Rewafu" are commonly used. Uighurs can sing and dance well, and Twelve Muqams is a musical work handed down from generation to generation. Dances include solo, duet and group dance. Women's dance is light and graceful, and the rotation is fast and changeable; The man's movements are passionate and strong. Traditional reserved programs include Senem, Daolang Dance, Top Bowl Dance, Great Encouragement, Ring Dance, Puta Dance, Wedding Dance and Max Dance. Contemporary dances such as Picking Grapes, Planting Melons, Xinjiang Good and My Rewafu are all excellent. Maixilaifu is a kind of entertainment form of Uygur people. Whenever festivals, festivals or leisure time, people will get together, sing, dance, perform acrobatics, magic and so on, and have fun.
Uygur etiquette is also closely related to religion. Etiquette between people embodies the spirit of equality, friendship, respect for the old and love for the young. Working people always shake hands and greet each other when they meet, showing great respect for the elderly. Among women, there is also the etiquette of the elders kissing the younger generation. In recent decades, with the development of economy and culture, some hierarchical feudal etiquette gradually disappeared, while the etiquette that embodies equality, friendship, mutual respect and mutual accommodation continued to be preserved and added new significance. Uighurs are hospitable, polite and courteous. If you want to respect the elderly, let them go first, speak first, and sit down and sit in their seats; Younger students are not allowed to drink or smoke in front of their elders; When relatives and friends meet, they must shake hands, salute and say hello to each other, then touch their chests with their right arms, bow, step back and ask how the other family is doing. After greeting, the women put their hands on their knees and bowed their heads to say goodbye. When you sit down at home, you are asked to kneel down. It is forbidden to straighten your legs and point your feet at people. You should use both hands when accepting goods or pouring tea for guests. Receiving goods with one hand is considered as the best answer to impoliteness. The traditional clothing of Uighurs is very distinctive: men wear a "collar" with no buttons on the right collar and a rectangular scarf or cloth towel around their waist; Rural women often wear double-breasted vests outside wide-sleeved dresses; Urban women now wear more suits, tops and skirts; Uighur men and women like to wear leather shoes and boots, leather boots and rubber shoes; Men, women and children wear four small flower hats; Uyghur flower caps are embroidered with black and white or colored silk threads, and some are decorated with colored beads; Women often use earrings, bracelets and necklaces as decorations, and sometimes dye their nails and thrushes in the form of two eyebrows; Uyghur girls are beautiful with long hair. Before they got married, they wore a dozen thin braids. After marriage, I usually comb two long braids, and the ends of my hair are scattered. I don't wear a crescent comb as an ornament. Some people even braid their hair in knots. Carpets, flower hats, Adelaide silk, folk calico and Yengisar knives are the most famous traditional handicrafts of Uygur people.
Uygur traditional architecture has obvious architectural characteristics in arid areas. The roof has many domes or flat roofs, thick walls, arched doors and windows, few and small windows, and large skylights for lighting. There is a pit for sitting and lying in the house, a fire wall and a stove for heating and cooking. Most houses are square courtyards. Avoid opening the door to the west and planting fruit trees and flowers in front of and behind the house. Put a grape trellis in front of the house to form a arbor. Some houses have wider front porches.
Uighurs have a long history, unique culture and art, rich literary genres and rich contents, such as the narrative poem Happiness and Wisdom, which has been handed down to this day. The oral literature of working people is rich and colorful. The widely circulated Story of Two Generations of Love is still loved by people today. There are also many outstanding literary works in modern times, such as the long narrative poem War on the Land of China written by Mullah Bilibin Mullah Insupu, which reflects the anti-Qing struggle of the Uighur people in 1864. During the War of Resistance against Japanese Aggression period, the revolutionary poet Mutalifu wrote many passionate poems praising the motherland, such as Guerrilla in China, Fighting Girl, Love and Hate. Weierwu people can sing and dance. In rural areas, men, women and children sing and dance at weddings, festivals, welcoming guests and all festive days. Traditional dances include top bowl dance, big drum dance, hula hoop dance and Puta dance. Sainaim is the most common dance word of mouth: Shadyana, which is particularly popular in southern Xinjiang, is a happy folk group dance. Twelve Muqam is an epic of basket dance by Zhu Ziwei, an ancient Uighur. It contains more than 340 songs, dance music and group songs, which have been sorted out and recorded. Music, dance and folk songs of great significance to the construction of Guangdong are richer, more novel and more colorful in form and content. There are ten kinds of flowing sentences in Uygur ethnic groups, among which "Dafu" (tambourine), "Dutar" and "Rewafu" are commonly used. Uighurs can sing and dance well, and Twelve Muqams is a musical work handed down from generation to generation. Dances include solo, duet and group dance. Women's dance is light and graceful, and the rotation is fast and changeable; The man's movements are passionate and strong. Traditional reserved programs include Senem, Daolang Dance, Top Bowl Dance, Great Encouragement, Ring Dance, Puta Dance, Wedding Dance and Max Dance. Contemporary dances such as Picking Grapes, Planting Melons, Xinjiang Good and My Rewafu are all excellent. Maixilaifu is a kind of entertainment form of Uygur people. Whenever festivals, festivals or leisure time, people will get together, sing, dance, perform acrobatics, magic and so on, and have fun.
Uygur etiquette is also closely related to religion. Etiquette between people embodies the spirit of equality, friendship, respect for the old and love for the young. Working people always shake hands and greet each other when they meet, showing great respect for the elderly. Among women, there is also the etiquette of the elders kissing the younger generation. In recent decades, with the development of economy and culture, some hierarchical feudal etiquette gradually disappeared, while the etiquette that embodies equality, friendship, mutual respect and mutual accommodation continued to be preserved and added new significance. Uighurs are hospitable, polite and courteous. If you want to respect the elderly, let them go first, speak first, and sit down and sit in their seats; Younger students are not allowed to drink or smoke in front of their elders; When relatives and friends meet, they must shake hands, salute and say hello to each other, then touch their chests with their right arms, bow, step back and ask how the other family is doing. After greeting, the women put their hands on their knees and bowed their heads to say goodbye. When you sit down at home, you are asked to kneel down. It is forbidden to straighten your legs and point your feet at people. Use both hands when accepting items or pouring tea for guests. It is considered impolite to accept things with one hand. The traditional clothing of Uighurs is very distinctive: men wear "producing" robes with right collars and no buttons, and they tie their waists with rectangular scarves or cloth towels; Rural women often wear double-breasted vests outside wide-sleeved dresses; Urban women now wear more suits, tops and skirts; Uighur men and women like to wear leather shoes and boots, leather boots and rubber shoes; Men, women and children wear four small flower hats; Uyghur flower caps are embroidered with black and white or colored silk threads, and some are decorated with colored beads; Women often use earrings, bracelets and necklaces as decorations, and sometimes dye their nails and thrushes in the form of two eyebrows; Uyghur girls are beautiful with long hair. Before they got married, they wore a dozen thin braids. After marriage, I usually comb two long braids, and the ends of my hair are scattered. I don't wear a crescent comb as an ornament. Some people even braid their hair in knots. Carpets, flower hats, Adelaide silk, folk calico and Yengisar knives are the most famous traditional handicrafts of Uygur people.
Uygur traditional architecture has obvious architectural characteristics in arid areas. The roof has many domes or flat roofs, thick walls, arched doors and windows, few and small windows, and large skylights for lighting. There is a pit for sitting and lying in the house, a fire wall and a stove for heating and cooking. Most houses are square courtyards. Avoid opening the door to the west and planting fruit trees and flowers in front of and behind the house. Put a grape trellis in front of the house to form a arbor. Some houses have wider front porches.
Uighurs have a long history, unique culture and art, rich literary genres and rich contents, such as the narrative poem Happiness and Wisdom, which has been handed down to this day. The oral literature of working people is rich and colorful. The widely circulated Story of Two Generations of Love is still loved by people today. There are also many outstanding literary works in modern times, such as the long narrative poem War on the Land of China written by Mullah Bilibin Mullah Insupu, which reflects the anti-Qing struggle of the Uighur people in 1864. During the War of Resistance against Japanese Aggression period, the revolutionary poet Mutalifu wrote many passionate poems praising the motherland, such as Guerrilla in China, Fighting Girl, Love and Hate. Weierwu people can sing and dance. In rural areas, men, women and children sing and dance at weddings, festivals, welcoming guests and all festive days. Traditional dances include top bowl dance, big drum dance, hula hoop dance and Puta dance. Sainaim is the most common dance word of mouth: Shadyana, which is particularly popular in southern Xinjiang, is a happy folk group dance. Twelve Muqam is an epic of basket dance by Zhu Ziwei, an ancient Uighur. It contains more than 340 songs, dance music and group songs, which have been sorted out and recorded. Music, dance and folk songs of great significance to the construction of Guangdong are richer, more novel and more colorful in form and content. There are ten kinds of flowing sentences in Uygur ethnic groups, among which "Dafu" (tambourine), "Dutar" and "Rewafu" are commonly used. Uighurs can sing and dance well, and Twelve Muqams is a musical work handed down from generation to generation. Dances include solo, duet and group dance. Women's dance is light and graceful, and the rotation is fast and changeable; The man's movements are passionate and strong. Traditional reserved programs include Senem, Daolang Dance, Top Bowl Dance, Great Encouragement, Ring Dance, Puta Dance, Wedding Dance and Max Dance. Contemporary dances such as Picking Grapes, Planting Melons, Xinjiang Good and My Rewafu are all excellent. Maixilaifu is a kind of entertainment form of Uygur people. Whenever festivals, festivals or leisure time, people will get together, sing, dance, perform acrobatics, magic and so on, and have fun.
Uygur etiquette is also closely related to religion. Etiquette between people embodies the spirit of equality, friendship, respect for the old and love for the young. Working people always shake hands and greet each other when they meet, showing great respect for the elderly. Among women, there is also the etiquette of the elders kissing the younger generation. In recent decades, with the development of economy and culture, some hierarchical feudal etiquette gradually disappeared, while the etiquette that embodies equality, friendship, mutual respect and mutual accommodation continued to be preserved and added new significance. Uighurs are hospitable, polite and courteous. If you want to respect the elderly, let them go first, speak first, and sit down and sit in their seats; Younger students are not allowed to drink or smoke in front of their elders; When relatives and friends meet, they must shake hands, salute and say hello to each other, then touch their chests with their right arms, bow, step back and ask how the other family is doing. After greeting, the women put their hands on their knees and bowed their heads to say goodbye. When you sit down at home, you are asked to kneel down. It is forbidden to straighten your legs and point your feet at people. Use both hands when accepting items or pouring tea for guests. It is considered impolite to accept things with one hand.
Move it.