There is a very touching scene in Chasing Monsters, in which Hu Ba, a little monster, is abandoned by his parents and kept in a cage. He was unhappy and cried, his expression and tears were vivid and powerful. Xiao Huba's sadness infected the whole theater, and he could almost hear the girl sobbing softly next to him.

This scene took place in the movie for about an hour. After full of laughter and ups and downs, it can be said that tears were planted accurately, followed by intensive laughter and the climax of a fight. At this point, Monster Hunter has completed all the fun that a mature commercial film should provide to the audience. And Monster Hunter also won praise and moved far beyond expectations.

Now, Monster Hunter's first-day box office has broken the record of China movies, and the rapid breakthrough of over 100 million yuan has also witnessed the public's recognition of movies. Of course, this is not a perfect movie. Tell from the story, the story of monster hunting is a little younger and more interesting, the birth and adventure of a little monster Hu Ba, but if you think about it carefully, isn't it the same as the setting of the classic lion king in 1994, that smallness is the fall of the monster world? Oh, no, I met Jing Boran and Bai Baihe. They are like the parents of the saved knight and Hu Ba. Taking him to adventure will also promote his growth, and the teenager will eventually become the king, which will inevitably become the last main line of monster hunting. The big structure of the story will give birth to the monster chasing this derivative series of IP, so it is no wonder that many people have begun to look forward to its sequel and trilogy.

From the production level, Monster Hunter is worth catching up with Hollywood production. Director Xu Chengyi's name is unfamiliar, but as a young Hong Kong resident who has studied in Hollywood for many years, the short film Kung Fu Panda and Shrek series have witnessed the young director's mastery of animated characters. It can be said that Monster Hunter perfectly copied the animation mode of Hollywood, and its lovely expression and vividness reached a very high level in technology. The image and transformation of the demon are exquisite and smooth from beginning to end. Although the integration with the real person is still slightly flawed, it is still very surprising to see these on the domestic big screen.

After the bad films of Tiny Times 4 and Gardenia Blossom, the Chinese films in the summer file seem to have bottomed out. The return of the Great Sage and the monster hunting came one after another, which made the public see the ideal and imagination of China's films. Perhaps the skill is not commendable, but in the current domestic film environment, it is definitely an exciting viewing experience.