"Lucky at Seven o'clock" Xiangyun was originally a cloud, and was later aged into a fairy by Yue, named Xiangyun. He is lively and lovely in Yue Lao's songs, and he is clever in doing things, but his feelings are very dull.

Xiangyun was originally a humble Xiangyun. When passing by the Old Moon Altar in an inconspicuous way, the drunken Old Moon Altar casually turned into a fairy and was hired as a handyman in the pavilion of the Old Moon Altar. A hundred years later, he was forced to come down to earth to start the seventh doomed love because of a dispute caused by a "butt fall"

Xiangyun is kind-hearted, and the most important thing is that she works hard. She is a very popular fairy. But Chu Kong just didn't know each other, and gradually became friends after getting familiar with them.

In the play, Xiangyun and Chu Kong opened seven love copies in the process of getting to know each other and falling in love: dressing up as a pig to eat a tiger, childhood friends, exquisite infatuation, drunken Haitang under the moon, tears of Kirin in the sea, mysterious forest adventure and marriage red line.

At the same time, it also unlocked seven scene worlds with different styles and distinctive features, and opened up the barriers between the fairy world and the mortal world, ancient and modern, so that the audience can get the ultimate game experience in consistent and novel creation.

Episode evaluation:

The play quoted many story elements from China's traditional mythology, such as the Red Line Weng, the Marriage Pavilion, the Moon Palace, the Red Line, and the Nuwa Stone. At the same time, traditional cultural skills are perfectly integrated into the scene.

For example, the second part, Lu Changkong's confession to Song Xiangyun, combines lanterns with shadow play to show the process of getting along with each other in an antique holiday atmosphere, which shows the ingenuity of the production team.

In addition, Suzhou embroidery, splendid embroidery, silk reeling, etc. They are also integrated into the costume design and props production in the drama, combining classical elements with contemporary aesthetics to create a variety of exquisite costumes, which not only enhances the texture of the drama, but also shows the unique charm of China's traditional crafts and the essence of oriental aesthetics.