Since 10 years ago, "plot against" was a mess, domestic spy war dramas entered the "Great Leap Forward" era, and several or even a dozen spy war dramas sprang up like mushrooms after rain in a year, which became a major feature in the field of TV dramas. But among them, only a few films, such as shady, latent, before dawn, pretender and so on, have gained good results in ratings and word of mouth. Moreover, the "Pretender" is a watershed, and the spy war drama has also changed a lot in the cast. In the past, the main characters of plot against, lurk and before dawn were all middle-aged millet, who won by acting, while the Pretender and the later Decryption and Sparrow all took the idolized route, and brushing their faces became one of the important weights for these dramas to occupy the viewing highland. Moreover, the change of spy war drama is not only reflected in the protagonist's acting strength to the fresh meat party, but also in the younger age of the protagonist. Therefore, growth has become one of the core contents of the idol spy war drama.

Strictly speaking, Rouge, which started tonight, is also an idol spy war drama. In this brand-new spy war drama produced by Hairun, Zhao plays the female No.1 blue rouge, while the first hero became famous overnight because of the hit Hairun drama "Never Satisfied" 0/6 years ago.

Although it is also a spy war drama, Rouge is full of enthusiasm. Different from the previous spy war dramas in which men played the leading role, "Rouge" reappeared the spy war events and the anti-Japanese storm of that generation from the perspective of women.

The title of the play "Rouge" is not only the name of female No.1 Blue Rouge, but also a sharp weapon in the spy war between the enemy and ourselves. The whole play closely follows the theme of "Rouge" from beginning to end, and takes it as the main axis, creating a wonderful drama for the audience, full of spy, suspense, brain burning and endless wits.

As the number one female in Rouge, the success or failure of Zhao's performance will directly affect the audience rating and word-of-mouth trend of the play. Although it is the first time to appear in a spy war drama, and there are so many classic dramas of the same type, Zhao's performance is remarkable. At least, from the story of Rouge and Rouge's corpse, the audience can see the progress and growth of Zhao's acting skills, and make the image of Mulan a spy war vivid, three-dimensional, rich and full. It should be another iconic role in his acting career.

As far as personal design is concerned, Blue Rouge is different from Zhao's previous roles, such as silly daytime, overbearing woman, inspirational girl, beauty in the workplace and beauty in love. This difference is not only reflected in the costumes, makeup and modeling of characters, but also in the gestures and inner world of rouge.

Rouge was originally a banker's darling daughter, with a good family, white wealth and beauty. However, an accident made her naturally smart and keen, and she obtained an important military intelligence. As we all know, it is this information that got her into the mysterious spy war in Apollo, and gradually grew into a revolutionary female agent with strong character and firm belief.

From a rich girl to a spy fighter, Blue Rouge has experienced ups and downs. Sisters turned against each other, girlfriends instantly became opponents, and the boat of friendship also turned over; Parents' participation, affection and affection inspire the great love of protecting the country and defending the country; Life and death test, torture and destroy the soul, but the revolutionary will is getting stronger and stronger; Love warms people's hearts, life and death, adversity, fire and smoke prove true feelings ... It is through these obstacles that Blue Rouge grows up completely and truly.

With the growth of the role of Blue Rouge, Zhao's progress in acting is also obvious. The series started as a blind performance. The ghost elf's blue rouge blindfolded his eyes, and his good sister Manna completed a game to test the memory of rouge. Zhao's stumbling body language and messy pace with one foot deep and one foot shallow capture the "blindness" of rouge. In the first confrontation with the wily Feng Zixiong, Rouge paid the price for her youth and immaturity. At this time, Zhao explained the childishness of rouge vividly through subtle changes in eyes, different modality, scattered voice and different breath.

With Feng Manna's identity change and emotional migration from sister and best friend to rival in love and deadly enemy, Zhao showed a strong acting explosive force. Especially in the scene where Feng Manna was reprimanded by her superiors because her feelings were released, Zhao conveyed Rouge's complicated mood incisively and vividly with her eyes and modality. In the scene of bidding farewell to the aunt, Zhao's eyes were full of disappointment, although the time was short and Rouge didn't have a line. There are many small details in the play to witness Zhao's acting skills.

In Rouge Kou, Zhao has many literary plays, such as love, affection and friendship. For these plays, Zhao has given appropriate explanations and conjectures, thus showing the sense of the times and enhancing the dramatic tension of the plot.

At the same time, Zhao Zhong also has many martial arts, martial arts and gun battles. Especially in the hospital, Zhao lies on a moving bed, sometimes lying on his side, sometimes semi-upright. The bullet was not empty, and the gun hit, just like the reappearance of the gun god. The handsome appearance at the time of shooting is full of coolness, but also handsome and full of blood.

Because of the need of the plot, the characters in spy war dramas are often tortured and tortured. In Rouge, Blue Rouge didn't escape the pain of the flesh. Zhao refused to use body double and went into battle in person, showing his professionalism. Zhao's performance was lively and hearty, but the audience was frightened and distressed. Although these cruel tricks, spicy tricks, torture and harsh laws are all bluff, the sense of presence and realism still grabs and scratches the hearts of the audience every minute. The sense of substitution and existence of the plot also spurted out. And emotional * * * sound and psychological * * * vibration are born.

Rouge was well received by the audience. This is indeed the most thoughtful, arduous and challenging play shot by Zhao since his debut. With the growth of Rouge, the audience saw the progress and growth of Zhao's acting skills. Subverting himself and shaping his new self, Zhao has taken another firm and practical step on his own acting road.