The first reason: the occupation limits the costume of cartoon characters, followed by their age, gender, mental outlook, aesthetic taste, social class and post characteristics, which are also the key factors that endanger the costume design of cartoon characters. What kind of clothes and pants do you wear at what age? What styles of clothes do boys and girls have? What is your real identity, what do you do, and what kind of clothes and pants should you wear? Different moods, different temperaments and different clothes. Choose these.
A good cartoon costume design can intuitively show the background information of characters' thoughts, emotions, temperament, connotation, cultivation, psychology and mind. According to the main performance of clothing and the inner integration of characters, the description of characters in anime stories can be more rounded. Here is a simple example. "Let's work, Devil." Everyone's devil is a shop assistant, and the highest feature of this job is going to work. So many times the Lord is on the way to work and commute. Then it's especially effective to wear the clothes and pants of a salesman like that.
At the same time, clothes and trousers can be said to be a particularly critical part of the relationship between the protagonist and the characters. Clothes like that also represent a change of personality.
Today's cartoon brand images are generally in line with the unique aesthetic mood of children's pursuit of perfection, and to a certain extent, they have reached the psychological needs of children's development. From now on, most of the cartoon brand images are fabricated, which are beyond the realistic imagination, and some of these brand images also have a grandiose cultural sense. Then you know all the factors that endanger the costumes of cute cartoon characters.
As the saying goes, clothes make the man, and horses make the saddle. The function of clothing is not only to simply put on a piece of clothing for character modeling design, but also to encapsulate a typed surface. Combining closely with the plot of animation, shaping the classic brand image, personality characteristics and mental outlook of characters is only one of the key methods.
Successful fashion design can not only enhance the visual allure and appeal of brand image, but also fill in the class factors and social development factors of overall image design. Then there are three factors that need to be considered in the costume design of anime characters.
The second reason: the prerequisite does not allow this. There are two situations: one is that the natural environment does not allow it, and the other is that the economic development situation does not allow it. The second is more realistic and helpless, which is the outlook on life, civilized behavior, culture and art and the characteristics of the times of anime characters. Fashion design also needs to be unified with the style of this animation. In what kind of civilized behavior and cultural natural environment? In what era? Different ethnic groups, regions and religious beliefs in China do harm to clothing. What are the different painting methods of different styles of animation works and clothing? It is the key factor to be considered in fashion design in animation.
The third reason: considering the face-blind audience, clothes and trousers are the second element of character recognition. Not only can people be remembered by their hair color and head shape, but clothes and trousers are also very important. If there is a mask and only different faces are painted, all hair colors are black and all heads are the same, it will easily confuse fans.
The above contents are related factors of cartoon characters' costumes, please refer to them. From the animation works and their derivative products, they are playing an important role in enhancing the national cultural output strength, building comprehensive national strength, and developing economic diplomacy. With the emergence of a country's most precious spiritual and cultural assets, animation is becoming the best product of cultural innovation in the new era.