Personally, what kind of drama to shoot, clothing must conform to the times. Since the actor is playing an expeditionary force, he must look like an expeditionary force. If he wears a necklace and a short skirt, it is tantamount to putting on a show, not filming. It can only be said that the current drama is really getting less and less rigorous, and the crew and actors are filming just for the sake of looking good, without considering the quality and reputation of the drama at all. Such a crew and actors are not filming, but filming an "actor show". Bian Xiao hopes to put an end to this kind of anti-Japanese drama with no quality in the future, and let all unscrupulous crews reflect on whether they should do it.

The crew and actors of "Battle of the Nujiang River" filmed perfunctory things.

The Battle of the Nujiang River is adapted from the novel of the same name by Nanpai Sanshu and Gan Kun. The play tells the story of the Chinese expeditionary force sending a small team to perform a mysterious task and entering the savage forest during the confrontation between Myanmar and the Japanese army. The story is set in 1943. At that time, because the country was poor, soldiers' clothes were very simple.

But the main stars of this play are Son Ye Jin and Ting Anni, a hair gel and a fashionable star hairstyle; Meticulous hairstyle, exquisite makeup, like to play cosplay. Not to mention other supporting roles, they are completely like college students who come to experience military life. The costumes of the whole drama can only be said to be funny, which makes people feel that they are Chinese expeditionary forces and only feel that they are traveling in this dress. The style of the whole play doesn't remind people of that era at all. It feels like they can take out their mobile phones from their pockets at any time to broadcast live.

The perfunctory phenomenon of filming can be seen everywhere.

This kind of casual filming is not the only drama. Nowadays, many anti-war dramas are perfunctory, and the service methods are getting closer to modernization. Actors are also perfunctory. When filming, their faces are so clean, and they try to wear jewelry for beauty. The audience will be puzzled when they see such a drama, and wonder if they are watching the drama of this era.

Chen criticized them for being a catwalk, and personally agreed with this statement. As an actor, you have to have a sense of awe in this profession. You must be very close to this role. You play this role, not this role. Of course, many people will say that this is not the fault of the actors, but the fault of the investors and the crew. But the emergence of such a heartless anti-war drama, is it that the actors have no responsibility at all? Isn't it because they don't think of themselves as actors, but as big stars, or stars with thousands of pounds of idols?

Put an end to high-quality anti-war dramas

Anti-war dramas have always been a very serious theme in China. In my impression, a good anti-war drama should be like "Bright Sword". The actors don't talk about makeup, and the clothes have nothing to do with fashion. It is very rustic, but that is what it should be like in that era. Many actors in the play are ashamed of conforming to the plot and have no scruples about the image. An anti-war drama like this is worth emulating. Anti-war dramas such as the battle of Nujiang River should be put an end to. Teenagers watching such dramas will mistakenly think that soldiers can dress so well during the war of that era, and they will not understand the heaviness of history and the hardships and sacrifices of their ancestors.

It is suggested that this kind of anti-war drama should not appear again in the future, and the review of this kind of drama should be stricter. Anti-war dramas are not for actors to walk the catwalk, and careless audiences can't feel any sincerity in making them, let alone watching them.