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Wang guang Zhou Hou

An analysis of the facial makeup of Kazak costumes.

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Luxury and vulgarity

First, the clothing characteristics and cultural psychology of Kazak people

Since ancient times, cattle, sheep and Kazakhs have had food, clothing and shelter.

The thread formed an indissoluble bond: sheepskin robe, fox fur hat and felt.

Buckets, boots, etc. It has become an important symbol of grassland clothing.

Sewing animal skins with bone needles is a further innovation of clothing fabrics.

With creation, clothes can appear according to people's characteristics.

Tops with collars, lapels and sleeves, and pants with front and rear crotch were introduced.

Son, its modeling and sewing techniques are also more flexible and diverse, reflecting the

It shows the continuous progress of human clothing development.

The ancestors of most Kazakhs lived in the northern part of New Nepal.

Central Asia and other regions have always maintained a life dominated by agriculture and animal husbandry.

Lifestyle. They lived with cattle and sheep for a long time.

In the process of migration, it merged with foreign cultures and gradually formed its own independence.

Special artistic taste and aesthetic standards. in black and white check

Bright colors and lingering decorative patterns have become

The main aesthetic characteristics of Kazak costumes. This unique

Clothing art is the carrier of Kazak's long history and culture.

It can reflect the aesthetic and cultural heart of Kazak people.

Rationality and the accumulation of national emotion.

The basic patterns of Kazak costumes are mostly individual.

Or quadrilateral continuous plant patterns, triangles and geometric shapes.

Or a continuous pattern shape, find the shape between square and circle.

In a large number of archaeological discoveries in Xicheng, the complementarity and harmony of styles were found.

The middle and triangle patterns are the most common decorative patterns, Kazak.

Most herders live in plateau and mountainous areas, with four distinct seasons.

Obviously, the light is strong, and the bright color is Hassan.

Croats are forced to love colors. Cool color of Gobi in grassland

Living environment, they choose red to decorate yurts and

Clothing, in color psychology, can resist the cold outside.

The effect of cold harmony on regulating environmental monotony has been passed down from generation to generation.

Rational environment has become a factor that affects the color and aesthetic heart of Kazak costumes.

The main factor of rationality. On the theme of the pattern, most of them are traditional.

Plants, fruits and horns are all prototypes, which mutate into various geometric shapes.

Form, with a strong national meaning.

In the development of Kazak costumes, we can

Only in this way can we feel the close relationship between clothing and totem worship and witchcraft etiquette.

Break off the relationship. Whether it is symbolic mimicry or witchcraft.

Activities are inseparable from hot songs and dances, and these songs and dances

Must be able to move people's hearts and arouse the devout worship of believers.

Therefore, those who perform totem worship or witchcraft rituals

The costumes of tribes and nationalities are often the most distinctive.

The typical part, over time,

Some totem worship consciousness and representative spirit are gradually transformed into tools.

The body pattern remains in the clothes. Such as owl symbol powder

Justice, people with its feathers on their heads can avoid evil and protect themselves.

On the one hand, it is safe, and the Kazak children's Taya hat in China.

The black owl feather inserted at the top of the crown represents

Stay away from illness and leave the same nation or the same nation forever.

Because totem worship is different, the branch will also be in clothing.

There are corresponding embodiments. Historically, Kazakhs were the recipients of Kazakhs.

Under the influence of Manchu religion, the white swan is regarded as one of its important totems.

The white swan is the embodiment of God and soul, Kazak.

Take the white swan as a sacred bird, protect it more, if you can get it.

A few feathers are even more precious. Living in Central Asia

Up to now, Kazakhs regard fire as the "queen of fire" and serve it.

Use red decoration to symbolize this kind of nature worship and totem worship.

Second, the clothing characteristics of Kazakhs in different countries and regions

As an important carrier of national culture, clothing is a kind of display.

A window of national culture, through the splendid and rich nationalities.

Clothing, we can find Kazaks in the long river of history.

In the process of change, I gradually adapt to different living environments.

Unique cultural psychology and clothing characteristics.

Clothing Art of Kazak in Central Asia

Kazak costume art in Central Asia is hard to find.

The shadow of the influence of traditional religion is more reflected in the trial.

The pursuit of beauty. Since the end of last century, Russia has entered Central Asia.

After the district, its industrial civilization entered the life of Kazakhs.

The living quarters have begun to expand, and the textile industry has developed and can

Produce advanced products, such as high-quality cotton and flax, instead of

Traditional coarse wool products in the past. At the same time, artistic taste

And the concept has gradually changed.

In the decoration of Kazakh clothing, modern color matching,

Printing and other technologies have gradually replaced the traditional folk homemade materials.

The pattern combination is more inclined to Russian national style and figure.

The color of the case is rich and pure, forming an extremely noble and elegant style.

Grid. Using mechanisms, editing, printing and other production techniques, in

Xiangzi, neckline, front man, cuffs and other places, with

The lines of thin knees form patterns or floral patterns should be coherent.

Free geometry is dominant, using repetitive and continuous techniques.

Form an overall pattern and form a solemn and beautiful feature.

In addition, after the October Revolution, due to the spread of the educational model,

Kazakh costumes in Central Asian broadcasting have also been influenced by Russian.

The influence of aesthetic characteristics of culture and art.

Chinese Kazak costume art

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From the perspective of cultural anthropology, different heights

Different regions will breed different cultures and arts. Newly acquired area

It belongs to the alpine region and has the cultural characteristics of semi-farming and semi-grazing.

Color, the dress words bred in this land for thousands of years.

Culture also presents diversity. The cultural form of a nation is separated.

Kazak costumes in Xinniu area unaffected by religion

Until now, we can still clearly see the influence of primitive religion on traditional costumes 2.

Influence. Shamanism, Buddhism and Islam of Kazak nationality

In the history of national culture, it has had a great influence. Therefore,

Different religious beliefs and religious heritages can form different nationalities.

The group's clothing culture psychology can be found in the clothing culture.

The imprint left by religious inheritance

The artistic expression of Chinese Kazak costumes is the most direct.

It is influenced by shamanism. Shamanism is more than one.

The worship of god, nature and totem in primitive religion is

Its main ideological content. So the expression of animal and plant patterns

It has become the main decorative means of Kazakh costumes in China.

It also sent away people's hope for supernatural vitality. China

Kazak costumes are loose and fat, rich and diverse.

It is convenient for people to work freely. The collar and front of an ordinary coat

There are special clothes on lapels, sleeves, skirts and hats.

Although the decorative patterns are different in style, they are mainly right.

Represented and repeated in the form of combination, and "symmetrical, both table.

Now the overall pattern is symmetrical, but there are also pairs of individual patterns.

Join in. Its clothing is mostly blue, black and other dark colors.

And I like bright colors that can form a complementary color relationship.

Decoration, pattern style is mostly triangular, sunflower-shaped, square or

Quadrilateral graphics are mainly continuous, with simple form and bright colors.

The lines are rough and chaotic, giving people a simple, thick and full feeling.

Visual feeling full of artistic tension.

The development of a national costume culture needs reference and absorption.

Absorb the excellent cultures of other nationalities and let us learn by ourselves.

The cultural and artistic development of the body plays a complementary role in Kazakhstan.

National costume culture is a cultural heritage for thousands of years.

National culture is gradually formed and developed in mutual integration.

Yes With the development of pink Kazak costume art, this kind of

Clothing culture with distinctive urban characteristics has finally become new.

Won an important part of national culture.

In a word, the formation and development of national costume culture are various.

The result of the interaction of various factors, among which different countries

The geographical environment and economic form of hometown and region lead to culture.

The main reason for the difference. For example, Kazakhs in Xinjiang Uygur Autonomous Region.

The main feature of costume culture is nomadism, that is, it comes from ancestors.

Inherited from the past, and in the mutual contact of national cultures, one after another.

The Kazak people in Central Asia gradually formed and developed.

Clothing culture has artistic characteristics different from other regions.

And influenced by the aesthetic characteristics of Russian culture and art.

It should be said that any culture is adapted to the specific needs of human beings.

Geographical environment, created in long-term production and life practice.

What comes out is the precious heritage created by human beings. mouth

Wang guang Duan Fei normal university ban Shu ju yuan