After 1828, a group of China opera actors went to Beijing one after another. Han opera, also known as Chu tune, is now called Han opera. It is a local opera popular in Hubei, with Xipi and Huanger as the main voices, especially Xipi. Because of the consanguineous relationship between Huizhou Opera and Han Opera in voice and performance, most of the actors of Han Opera participated in the cooperative performance of Huizhou Class after they came to Beijing, and some of them became the main actors of Huizhou Class, such as Yu Sansheng.
Huang Er, high-beat, blowing, and four-level tones are the major tones of Huizhou. Occasionally, there are Xipi tune, Kunqu tune and Yi tune. Actors in the Han Dynasty played Xipi and Huang Er. The two classes of Hui and Han cooperated and the two tunes merged. After a period of mutual integration and absorption, coupled with Beijing dialect, it constantly absorbed nutrition from Kunqu opera, Yi opera and Qin opera, and finally formed a new kind of drama-Beijing opera. The maturity and recognition of the first generation of Peking Opera actors is about 1840.
Peking Opera has had many names since its birth. There are: Luantan, Chundiao, Huang Jing, Jing Erhuang, Pi Huang (Pi Huang), Huang Er (Huang Er), Drama, Pingju, Old Opera, National Opera, Peking Opera and Peking Opera.
The schools of Peking Opera are Tan School, Sun School, Wang School, Wang School, Shanghai School, Liu School, Gao School, Shanghai School, Yang School and Ma School.
Mei (Lanfang) School, Cheng () School, Shang (Xiaoyun) School, Xun () School, Zhang () School, Xiao () School, Hua (Shaoshan) School, Qiu () School and Yuan (Yuan) School.