In the Ming Dynasty, there was an ingenious man, Wang Shuyuan, who could make palaces out of wood with a diameter of inches. Vessels, figures, even birds, animals, wood and stones, regardless of the occasion, each had its own modality. I tasted a nuclear ship and covered the red cliff cloud of Dasu.

The length of the ship is about eight minutes and the height can be two meters. The porch in the middle is a hut, and the canopy covers it. There are small windows on the side, four on the left, four on the right and eight on the * *. When you open the window, the carved columns are opposite. When you close it, the right side is engraved with "The mountain is high and the moon is small, and the water comes out", and the left side is engraved with "The breeze is Xu Lai, and the water waves are stagnant", and the stone is green.

There are three people sitting in the bow. Dongpo is the one with the highest crown and the most beards. Fo Yin is on the right and Lu Zhi is on the left. Su Huang * * * read the first volume; Dongpo's right hand holds the tail and his left hand caresses Lu Zhi's back; Lu Zhi held the end of the book in his left hand and the book in his right hand, saying something. Dongpo's right foot, Lu Zhi's left foot, around his body; Relative to the two knees, each knee is hidden in the bottom pleat. Fo Yin is a unique Maitreya Buddha, showing her breasts topless and holding her head high. Her expression does not belong to Su Huang. Lying flat on your right knee, punting on your right arm, standing on your left knee and leaning on your left arm, you can count pearls vividly.

The stern is horizontal. There is a boat on each side. The man who lives on the right has a spine bun on his back, his left hand leans against a balance beam, and his right hand climbs his right toe, which makes him scream. The person who lives on the left holds a banana fan in his right hand and touches the stove in his left hand. There is a pot on the stove, and their eyes are silent. If they listen to the sound of tea.

When the back of the ship was slightly reduced, it was engraved with an inscription, saying, "It's the beginning of autumn, and the book of King Yushan is carved far away." As thin as a mosquito's foot, it is painted with a hook and the color is ink. He also used a seal chapter, which read "Chupingshan people" and its color Dan.

Take the boat as a whole: five people, eight windows, one canopy, one stove, one pot, one hand roll and one rosary; The characters used in couplets, titles and seals are * * * 30 and 4; However, when it comes to its length, it is not enough. It was made by those who built a simple peach pit and trimmed it. When cabbage finished his detailed prediction, he said, hey! The skill is also very strange! According to Zhuang and Li, many people say that they are still afraid of ghosts and gods, but who will realize this? If you give me a wrong answer, I will doubt it. I saw what i saw. From the point of view of the cave, the end of the thorn is not necessarily a female monkey. Hey! The skill is also very strange!

Text description

This article is an expository one. The author introduces the shape of the nuclear ship in detail, describes the shape of the characters on board, and praises the superb skills of the ship sculptor.

The full text can be divided into three parts.

The first part (1 paragraph) outlines the superb skills of boat carvers and the origin and content of nuclear boats.

The second part (paragraphs 2-5) introduces the shape and structure of the nuclear ship in detail, describes the facial expressions of the characters in each part, and illustrates the exquisite skills of the sculptor with facts. This part is the main body of the full text.

The second paragraph: first, introduce the length and size of the nuclear boat accurately, and then write down the layout, equipment and decoration of the cabin. "Eight odd" and "two millet Xu" mean that the nuclear ship is small in size; There are four small windows on both sides of the cabin, which can be opened and closed, fully demonstrating the exquisiteness and ingenuity of the nuclear ship engraver.

The third paragraph: Write the appearances and expressions of the three main figures in the bow. Through the vivid and delicate description of the characters' gestures and expressions, the author specifically illustrates the sculptor's exquisite skills of "pictographs according to the environment, each with its own modality". The words "Zhong", "Left" and "Right" respectively explain the characters in the bow and their positions, highlight Su Dongpo's master position, and closely follow the theme of "Great Su Chibi" pointed out in paragraph 1. I am tall but full of stubble highlights the image characteristics of the characters. "Su and Huang read with one hand", Su Dongpo "caressed his back" and "said something", which shows their friendly relationship. Su and Huang's manner and mood are not difficult to understand. Writing about Fo Yin highlights his informal and bohemian features. The expression "expression does not belong to Su Huang" generally shows that the expressions, temperament and demeanor of the three people are different. The first two are literati, poets and scholars, bound by secular etiquette, while the latter is a monk, not bound by secular etiquette. At the same time, birds of a feather flock together, and the image of Fo Yin is also a hint of Su Dongpo's character and spiritual tendency.

Paragraph 4: Write the movements and demeanor of the two boats at the stern. Write about the boat on the right, highlighting his rough action of "climbing his right toe with his right hand" and his idle expression of "screaming"; Write a boat on the left, highlighting his calm manner of concentrating on making tea. The three of them set each other off with bows.

Paragraph 5: Write the inscription and seal on the top of the ship.

The third part (the sixth paragraph) summarizes the types and quantities of people and things carved on the nuclear ship, and praises Wang Shuyuan's exquisite skills. The author counted the things on board, took pains to explain them with specific figures, and once again emphasized the compactness of the nuclear ship, which made people marvel at the richness of people and things carved out by the nuclear ship. At this point, the author finally lamented that "the skill is also amazing", which is exactly what readers feel sincerely.

In this paper, the nuclear ship is explained in an orderly way, and combined with the total score, it is introduced in turn and described one by one, which gives a deep and clear impression. The first part is the general introduction, which gives readers a general impression of the exquisite skills of Wang Shuyuan, an arts and crafts artist. The second part always begins with a sentence, pointing out the size of the nuclear boat, and then makes a detailed explanation according to the position of the east and west parts: write the cabin first, then the bow, then the stern, and finally the top of the boat. The internal structure of the article is very rigorous. The third part is a general introduction, which refers to the beginning of the article, but goes further than the first part. It uses a series of figures to make comprehensive statistics, which makes the nuclear ship explained leave a clearer impression on readers and strengthens the effect of explanation. Three parts, first sum, then divide, and then merge. At the end of the full text, it ends with "Ah, the skill is also strange", which is the same as the "Kit Kat" mentioned at the beginning.

related data

I. Introduction to the author

Wei Xueyi (about 1596—— about 1625) was born in Jiashan (now Jiaxing, Zhejiang) in the late Ming Dynasty. Sensitive and eager to learn, good at writing, never being an official all his life. His father, Wei Dazhong, was falsely accused of impeaching the powerful minister Wei Zhongxian, and he himself died of grief and indignation under the coercion of the eunuch party.

Second, translation.

In the Ming Dynasty, there was a man named Wang Shuyuan, who was very skilled. He can carve palaces, vessels, figures, even birds, animals, trees and stones on an inch of wood. There is no shape that can't be imitated, just like primitive wood. Everyone has his own attitude. (He) once sent me a boat carved with stone, on which Su Dongpo rowed under the Red Cliff.

The length of the ship from the bow to the stern is a little over eight minutes, and the height is about two minutes. In the middle is a cabin covered with a canopy made of bamboo leaves. There are small windows next to it, four on the left and four on the right, and one has eight. Push open the window, and the carved railings are opposite. Close it, and you will see (two couplets) engraved with "The mountain is high and the moon is small, the truth is clear" on the right, "The breeze is Xu Lai, the water is quiet" on the left, and the concave part of the inscription is painted with azurite.

There are three people sitting on the bow: Su Dongpo and Fo Yin, with a tall hat and a thick beard in the middle, and Huang Luzhi, sitting on the right. Su Dongpo and Huang Lu Zhi looked at a scroll of calligraphy and painting. Dongpo's right hand holds the front end of the scroll, and his left hand caresses Lu Zhi's back. Lu Zhi left hand holding the end of the scroll, right hand pointing to the scroll, as if to say something. Dongpo exposed his right foot, while Lu exposed his left foot, each leaning slightly. Their knees are hidden in the folds at the bottom of the hand roll. Fo Yin is very much like Maitreya Buddha. He held his head high, but his expression was different from that of Su and Huang. (He) put his right knee flat, bend his right arm and support it on the boat, and erect his left knee. Next to his left knee, there are (a string of) rosary beads on his left arm-rosary beads can be counted clearly.

There is an oar at the stern. There is a boatman on the left and right sides of the paddle. The boatman on the right wore a pyramid-shaped bun, upturned his face, leaned his left hand against a crossbar, and pulled his right toe with his right hand, as if shouting. The boatman on the left holds the palm leaf fan in his right hand and caresses the stove in his left hand. There is a pot on the stove. The man's eyes are looking at the tea stove with a calm look, as if listening to the sound of tea.

The top of the ship is slightly flat, with the author's inscription on it. The word is "the apocalypse is endless in autumn, and the book of King Yushan has just been engraved". The handwriting is as small as a mosquito's foot, the strokes are clear and the color is black. It is also engraved with a seal of seal script, the text is "Chu Pingshan people", and the color is red.

A total of (in) a boat (in), carved five people and eight windows; Carved bamboo awnings, paddles, stoves, teapots, hand rolls and rosaries; Couplets, titles and seal scripts are engraved with 34 words. But it's less than an inch long. It is carved from a long and narrow peach pit. Ah, what a wonderful skill!

Three. Appreciation of the story of nuclear ship

The author vividly introduced the superb carving skills and unique talents of Wang Shuyuan, a sculptor in the late Ming Dynasty, and enthusiastically praised the artistic achievements of ancient folk artists in China by using the brushwork of combining description with description in The Story of the Nuclear Ship.

The article begins with "Gedasu Pan-Red Cliff Cloud" as the first paragraph, telling readers concisely that Wang Shuyuan has extraordinary carving skills, and he can carve works of art with different shapes on "inch-long wood" at will. However, more importantly, he can use the natural patterns and shapes of wood to express their respective forms. "don't be like a picture because of emotion", emphasizing "similarity"; "Each modality" highlights "spirit likeness". In this way, it also highlights that Wang Shuyuan is a "kit kat" person. The word "Gai" in Gai Da Su Pan Chibi Cloud is used as an adverb here, which means "probably". Judging from the people and scenery carved on the nuclear ship, it is "Red Cliff of the Great Soviet". However, Su Dongpo's boating on the Red Cliff in the Red Cliff Fu is true, but there is no mention of Huang Luzhi and being a flower protector. This indirectly shows that sculptors are good at imagining according to Su Dongpo's original text. The nuclear ship is engraved with Su Dongpo's visit to Chibi, which shows the main contents depicted by the whole nuclear ship. Gedasu Pan-Red Cliff Cloud plays a "bridge" role in the whole paper. This paragraph is only over 50 words. It is economical, concise, clear in level and clear in explanation. It contains rich contents and also shows the superb skills of nuclear ship sculptors.

The second paragraph is from "the captain is about eight points strange" to "alas, his skill is also strange" This paragraph can be divided into five sections. At the beginning of writing, the author described it in detail like peeling bamboo shoots, which was very layered. First, write the length and height of the nuclear ship, which is "about eight minutes long and two meters high", to show the exquisiteness of the nuclear ship's handicrafts by its compactness; This metaphor is also surprising. The article then goes into the specific description. Write "a spacious cabin is a cabin" first, focusing on the height and spaciousness of the cabin and its position in the nuclear boat under this specific condition. Small boats are not satisfied with the "big" and "spacious" cabins. One is in sharp contrast with the other, forming a complete picture to show the characteristics of nuclear ship carving art, and then describing that the cabin is covered with a "roof" and there are "four left and four right, eight * * *" small windows next to the cabin; Eight small windows are movable and can be opened and closed, so "opening the window to see" means "carving fences are opposite". When the window was closed, the famous sentences in "Red Cliff Fu" appeared in front of us: "The mountain is high and the moon is small, the water comes out" and "The breeze is Xu Lai, and the water waves are quiet". Carving words, scenery, people and things on the "nuclear ship" which is about eight minutes long and two meters high is exquisite, realistic and poetic. Its wonderful taste has reached a superb level, which is enough to show Wang Shuyuan's exquisite carving skills. However, the author vividly displays poems and paintings on handicrafts with exquisite style, which also shows his artistic skill.

The second and third sections focus on the five characters on the nuclear ship. Writing characters is to enhance the vitality of works. If readers pay close attention and taste carefully, it is not difficult to see that sculptors have amazing imagination. The article "Boating under the Red Cliff with the Guest" in "Red Cliff Fu" does not explain who the guest is, but the sculptor chose Huang Luzhi and the monk to concretize the characters and personalize them in the process of concretization. Therefore, the description of the mental state of the three of them in the work has become the most glorious part of this handicraft. Firstly, the article explains their respective forms and positions. Wang Shuyuan, a folk sculptor, gave full play to the talent of drama director when carving. At the bow of the small nuclear boat, three people do not occupy the only space on average, and each has its own characteristics to "sit". The author sometimes uses thick lines in his brushstrokes, such as Dongpo, Fo Yin on the right and Lu Zhi on the left. Sometimes meticulous techniques are used, such as "Dongpo holds the tail in his right hand and caresses Lu Zhi's back with his left hand. Lu Zhi has the end of the scroll in his left hand and the scroll in his right hand, so he has something to say. Su and Huang became one, making them "read the volume with one hand", especially "in the bottom fold of each hidden volume", describing the most subtle scenes and making the brushwork very delicate. At this time, the monk in Fo Yin, "bared his chest, held his head high", "lying on his right knee, propping up the boat with his right arm, and standing up his left knee", was intoxicated by the cool breeze and bright moon. What is especially wonderful is that there are countless beads hanging on the left arm of monk Fo Yin. Write from the smallest place, carve its appearance and spirit. Verbs such as "hug, caress, point, say, correct and look" make the finishing point, and there is movement in silence and silence in movement, which makes the characters lifelike. The expressions of the three characters, the clothes on their bodies and the props in their hands set off each other in a specific scene, reaching a high degree of harmonious beauty.

For the two boatmen at the stern, the author's description is the same as that of the previous year. Lying on one's side, the carving artist's knife method is vividly displayed. "Lying on your side" means that the oars stop rowing and the boat ripples with the waves in the river. At this time, you can go boating in the river and wander in the poetry of Chibi. And the two boatmen, one is "like a whistle" and the other is "seeing without words, if you listen to tea." Two faint strokes suddenly came to light, and the two boats entered the designated situation and were outlined vividly, while the modality of the boat echoed the modality of the rowing protagonist, which had a neat beauty.

In the fourth and fifth sections, Wang Shuyuan carved the title and seal on the back of the nuclear boat, and made statistics on the people and things carved on the nuclear boat. The inscription and seal on the back of the nuclear ship are not dispensable, because it ensures the integrity of the craft and embodies superb art, "as thin as mosquito's feet, it is outlined", with fine strokes and clear lines. The inscription on the back of the ship is "seven-color ink", the seal character is "seven-color Dan" and the color is black and red. In addition, the sixteen characters in the cabin are "Shi Qing Tan Zhi". From the bow to the stern, the colors are harmonious, and the artist's creative attitude is meticulous from beginning to end. "Planning a Ship" uses nine words "Wei" to list in detail, presenting the nuclear ship to readers with vivid, concise and three-dimensional description. Many people and things are carved on the "narrow" peach pit, and the skills have reached the realm of perfection.

At the beginning of the article, the exquisite skills of folk sculptor Wang Shuyuan and the contents of the nuclear ship are introduced, and then the length, height, cabin, bow, stern and stern of the nuclear ship are written in turn. Finally, the people, things and characters engraved on the nuclear ship are counted in detail, which echoes the beginning and ends the whole article by praising Wang Shuyuan's wonderful workmanship, just like a silk thread, stringing pearls, jade and shellfish. The whole article has more than 400 words, and the choice of each word is like this ingenious nuclear ship. The nuclear ship is a carving handicraft, which directly gives people a visual feeling. Through the author's delicate and vivid description, readers' imagination is aroused, readers' visual impression of the nuclear ship is deepened, and its unique aesthetic function is completed. This article has profound artistic conception, rich imagination and clever contrast. The nuclear boat is small in size and has many people and things; Vividness of expression and delicacy of modality; There is stillness in motion, and there is stillness in motion; The simple words are in sharp contrast with the profound artistic conception, which shows the exquisiteness and poetic beauty of carving art, and at the same time, we should also mention the extraordinary knowledge of the sculptor. As we know, Su Dongpo's well-known "Before and After Red Cliff Fu" has aroused enthusiastic response in the history of literature, and its outstanding artistic achievements are well-known. But on the other hand, it directly reveals the emptiness of the whole life, and Huang Luzhi's career is bumpy. During the reign of Zhezong Shaosheng, the New Party, considering the situation, dismissed him as a driver in Fuzhou and resettled him in Guizhou. He died in Yizhou (now Yishan, Guangxi) in his later years. They are politically frustrated and their careers are bleak. In order to escape from politics, they must take negative measures such as "retiring", "returning to the fields" and "traveling far away". In this state of mind, they will certainly be like Fo Yin monks. Therefore, the sculpture artist added the specific character "Ke" in "Fu on the Red Wall", and his artistic imagination is reasonable.

Indeed, The Story of the Nuclear Ship sublimates the sculpture of the nuclear ship to a new artistic realm, and at the same time, the nuclear ship enhances the artistic charm of the Story of the Nuclear Ship.

(Pan, see Dictionary of Ancient Chinese Appreciation, Jiangsu Literature and Art Publishing House, 1987 edition)

Four. Appreciation of the story of nuclear ship

Wei Xueyi's "The Story of a Nuclear Ship" is a concise, informative and artistic article. By depicting a small nuclear ship, the author shows that the handicrafts made by ancient artists in China have reached amazing artistic heights. Some writing methods of the article deserve our careful appreciation and study.

The author wrote this article in order to truly reflect the scenery carved on the nuclear ship and let readers know the exquisite carving. In order to achieve this goal, the author explains the small size of the peach pit or nuclear ship, and emphatically describes how many things are carved on the nuclear ship. Let's see, at the beginning of the article, Wang Shuyuan said, "He can make palaces, vessels and figures out of wood with very small diameter, and he can also use birds, animals and wood." When you think of a nuclear ship, you first say, "The captain is about eight points, and the height can be two." At the end of the article, he said, "It is not enough to calculate its length." This is to remind readers not to forget how small the nuclear ship is. So, what is engraved on such a small peach pit? The author not only wrote them one by one, but also counted them at last, saying that there were five people, eight windows, an awning, an oven, a pot, a hand roll and a string of rosaries. There are also carved couplets, titles, seals, and * * * 34 words. The peach pit is so small and there are so many things carved on it; In contrast, readers can already infer that this nuclear ship may be carved quite well.

But if the article only reflects the above views, it is not enough. Because readers may feel that although there are many things carved on the nuclear ship, they are probably freehand brushwork, symbolic and nothing unusual. Therefore, while remembering people, things and words, the author has to focus on describing their forms and shapes to show the exquisiteness of prints. For example, the article notes that there are eight windows on both sides of the canopy, all of which can be opened and closed at the same time; The four windows on the right are engraved with the words "the mountain is high and the moon is small, and the water comes out"; The four windows on the left are engraved with the words "the breeze is Xu Lai, the water waves are quiet". And the concave part of the word is also painted with azurite. For Su Dongpo, remember that he is a "proud beard". For Fo Yin, remember that he is "topless". Remember the rosary and say, "Beads can be counted vividly." If you remember that the ship's tail is on the right, you will remember that it is "the spine is on its back" ... the right hand climbs the right toe and screams. I remember Zhou Zi, who lives on the left, and he "holds the palm leaf fan in his right hand and caresses the stove with his left hand ... If you listen to tea, you will feel quiet". Wang Shuyuan vividly portrayed the five men at the bow and stern, and the article also gave them a detailed and vivid description. Remember the title of the producer, saying that the words are as thin as mosquito legs, but they are clear with a hook and a picture. He also said that under the title, the seal was engraved in red. In this way, it is not difficult for readers to imagine how detailed the carving of the nuclear ship is.

Wang Shuyuan may be an elegant person. When he carved "Red Cliff in Dasu", he took well-known epigrams such as "The mountain is high and the moon is small" from "Red Cliff Fu", formed couplets and carved them on the awning window. He carved the author's name on the back of the ship, engraved his own seal under the name and painted it red with seal script. Another example is that the words on the window of the ship are azurite, the words on the title are black, and the words printed are red, which can show Wang Shuyuan's elegant taste and his meticulous and conscientious artistic creation spirit. If these characteristics are carefully recorded in the article, readers can better understand the strong artistic humor of Nuclear Ship.

As far as words are concerned, the story of the nuclear boat is simple and clear, but the scene on board can be clearly expressed in words. For example, remember the position of five people at the bow and stern and how orderly and clear their hands and feet are. In terms of words, such as "the right hand refers to the roll, if you have something to say", "the right hand climbs the right toe, if you have something to shout" and "the sight is silent, if you have something to listen to", you can almost write all the people on the nuclear ship vividly. The Story of the Nuclear Ship not only records the number of people, vessels and words on board, but also describes their situation in a large number, but the author only uses more than 430 words. The author described the two boats at the stern very vividly, but only used 64 words. How neat the handwriting is!

The nuclear ship has a complete structure and distinct levels. In paragraph 1, I first introduced and praised the skill of Wang Man's book edge, and said that Wang Shuyuan gave him a nuclear ship. Paragraphs 2 to 5, followed by the last sentence of paragraph 1, record the nuclear ship itself and all the scenes on board. The second section records the size and shape of the nuclear ship, the third section records the postures and activities of Su Dongpo, Huang Luzhi and Fo Yin at the bow, and the fourth section records the postures and activities of two ships at the stern. The third and fourth paragraphs are mainly about remembering people, and the author writes them with special care. In the fifth paragraph, write down the title inscribed by Wang Shuyuan on the back of the ship. In the sixth paragraph, all the people, vessels and figures on the nuclear ship are counted, and once again, readers are told that there are so many things carved on the small nuclear ship. Then naturally, I used a word of admiration-"Hey, what a wonderful skill!" " End the full text. The level of the article is clear, but the relationship between paragraphs is very close. The reason for arranging the paragraphs in this way is obvious.

5. On the writing characteristics of The Story of a Nuclear Power Ship.

Wei Xueyi's "The Story of the Nuclear Ship" in Ming Dynasty is probably regarded as a recognized traditional textbook. However, Wei Xueyi's name can't be found in general literary works, and his "The Story of the Nuclear Ship" can't be found in his album "Mao Yan Collection", which shows that even he may not attach great importance to it. It is worth noting that although it is not a famous masterpiece, why is the nuclear ship so blessed and still loved by people? It seems that the reason is simple, because this is a commendable and distinctive essay. So what are its main features? I want to:

The first is a detailed description. What the author remembers is a specific handicraft-a small and exquisite nuclear ship. Because of the sculptor's spirit, he was able to carve "Zhengwu" on the unprofitable "Narrow" and "Peach Kernel". Window 8; Make a tent, a pot, a stove, a pot, a hand roll and a rosary; There are so many people and things in couplets, titles and seal scripts, and the word * * * is four thirtieth. It is worth noting that the author does not simply list this point, but focuses on detailed description. The four paragraphs in the middle of this paper, namely paragraphs 2, 3, 4 and 5, describe the shape and structure of the nuclear ship and the expression state of each character in detail, which is the main part of the full text and the most prominent part of its characteristics. For example, in the second paragraph, not only the hut, awning and small window are written, but also on the right, "Look at the window opposite the carved fence", "Close it and the water will come out", and on the left, "The breeze is Xu Lai, and the water waves are stagnant", and even the color of the lettering is explained: "Stone green." The third paragraph focuses on Su Dongpo, Huang Luzhi and Fo Yin, which not only describes their differences in appearance, clothing and posture, but also explains their differences in manner and behavior. In particular, the deep affection between Su and Huang, Huang Luzhi's "If You Say Something" and his detachment vividly reproduce the relationship between the three people and their respective personality characteristics. In the fourth paragraph, the description of the roar of the boat and "if you listen to the sound of tea" is even more exquisite and full of charm. Without the superb skills of the sculptor and the careful observation and experience of the author, it is impossible to write so vividly. In a word, the description of the statues of people and things in various parts of the nuclear ship, as well as the specific description of their orientation, quantity and size, give readers a concrete and profound impression. For example, windows can be opened and closed freely, knees are hidden in the folds at the bottom of the roll, the number of prayer beads can be counted, and the inscriptions are as thin as mosquito feet. Some carving details can be introduced one by one, and the details are not missed. Just because the author is good at observing and describing, the article, like this nuclear ship, reflects the flying ships, people, words and things in magical shapes, so that people can see their shapes and smell their voices. The carving is ingenious and exquisite, which really complements each other and is worth taking.

The second is an orderly hierarchy. The author's description of each part of the nuclear ship is always written first and then written separately; From right to left, from top to bottom, it conforms to the procedure of people observing things and is very organized. For example, paragraph 1 introduces the originality of "Qiqiman", which is straight to the point and concise, gives a general introduction to the exquisite craft of carving boats, and points out that "to build a big red cliff cloud in Jiangsu" plays a role in summing up and leading the full text. The second paragraph focuses on the whole nuclear ship, especially the central part of the nuclear ship, that is, the cabin and canopy. In the third, fourth and fifth paragraphs, the bow, stern and top of the ship are described in detail in turn, with the statues of five people at the bow and stern as the main ones, while the statues of five people at the bow are mainly Su Shi, and these three people are mainly Su Shi, so the article closely follows the theme of "Great Red Cliff" reflected by the sculpture itself, which is both coherent and focused. Finally, in the natural section, I summed up the figures and the number of objects of the all-nuclear boat and expressed my admiration: "The skill is amazing!" Set the whole article. This clear layout and distinct levels give readers a vivid feeling.

The third is imagination. The story of the nuclear ship is a static object, but the author moves in silence and writes with great interest. The nuclear ship is a poetic treasure of arts and crafts, and the reason why Wang Shuyuan's carving art is so touching and amazing is that the nuclear ship faithfully and vividly reproduces the theme and artistic conception of Su Dongpo's Ode to the Red Wall, which is used as the material of the carving art of the nuclear ship by the Qiaoqi people, and the prose writer takes the content of the Ode to the Red Wall as the basis for observing and imagining the nuclear ship. The description in Fu on the Red Wall makes readers appreciate the implicit and meaningful artistic conception of prose. Here, the blueprint of Kiki Man's creation, the author's rich imagination, the reader's appreciation and association are all naturally integrated and communicated on the basis of Chibi Fu. What is particularly commendable is that both Kit Kat and writers faithfully and accurately reflect the artistic conception of Fu on the Red Cliff and the theme of "Red Cliff in the Great Su", but they boldly imagined the details and recreated the art because of the author's rich imagination, which made up for the lack of materials and gave them new vitality. For example, Lu Zhi's exquisite and lifelike psychological description, Fo Yin's extraordinary demeanor, Zhou Zi's "If you listen to tea" and other words, from a certain point of view, are all the descriptions of the author's speculation and imagination based on "Red Cliff Fu". If the author only makes some objective descriptions without injecting his own thoughts and feelings, then the article can only be a dull explanation at most, and it will never be like what he is writing now. So some people say that The Story of the Nuclear Ship is a meaningful sketch, and I'm afraid no one will object.