Globalization became popular in the 1980s, and its appearance replaced terms such as internationalization. Because globalization involves many social, economic and cultural levels, there are different understandings. Although globalization takes the west as its origin and center, it does not mean westernization. In international communication, people realize that they should not only absorb other cultures to enrich themselves, but also have a deeper understanding of their own situation in comparison with other cultures, so as to make art develop rapidly and promote diversified development.
First, the traditional clothing fabric pattern
Clothing fabric patterns are rich and varied due to the different functions and styles of products, which have both practical and aesthetic characteristics, and are the embodiment of human beings loving life and discovering the beauty of life. Dyeing and weaving patterns are attached to the modeling, material and technology of textile products, thus realizing the modeling expression of modeling and color. This paper briefly introduces totem worship, traditional patterns and auspicious patterns in fabric patterns.
Totem worship is a religious belief phenomenon of clan commune, which is mainly manifested in flags and costumes. In the history of the development of the Chinese nation, animals such as dragons and phoenixes, snakes, deer, birds, tigers and unicorns have all been regarded as objects of totem worship. The long-standing folk custom has accumulated into a profound totem culture. Totem worship is a combination of nature worship and ancestor worship, which plays a vital role in primitive society.
/kloc-baroque style popular in Europe in the 0/7th century, decorated with natural flowers and exotic shells. , creating a classic style of smooth and smooth curve style. In the history of printing and dyeing patterns in Europe, the famous French Zhu Yi printing workshop, founded by Christopher Philippe Aubert Commscope in 1760, created printing and dyeing patterns such as pastoral scenery, life scenes, Greek mythical figures and animals, and formed a unique style of printed cloth, which has continued to this day and become a classic representative of European textile classical patterns.
Kenzō Takada used oriental and multi-ethnic styles to enrich his works. His design inspiration usually comes from nature, such as flowers, insects and birds, but the brand is most famous for its flower design. This is also his favorite pattern choice in design.
Auspicious patterns are traditional Chinese patterns, which implicitly show auspicious patterns through symbols. Auspicious patterns are symbols of people's expectation of beauty and blessings, which bring beautiful colors to clothing and home culture, including peony, baohua, lotus and other plant patterns; Dragon and phoenix, magpie, fish and other animal patterns. Abstract patterns such as palindromes and beading patterns, as well as the combination of lotus and carp, mean "more than one year, more than one year", which is one of the most widely used patterns in traditional fabrics in China.
Second, bionic art analysis
Bionic art is a new art discipline, which has emerged in various fields and attracted more and more attention from all walks of life. The establishment of bionics has opened up a new path for nature to become human's technical thought and design inspiration. The bionic design of clothing fabrics is mainly aimed at the design activities of some image characteristics of primitive creatures or ecological phenomena in nature.
The inspiration of bionic art design of modern clothing fabrics comes from the accumulation of history and culture, from the comfort of blending with nature and from the reflection on modern industrial civilization. Bionic fabric visually evokes people's visual aesthetic demand for nature, satisfies people's psychological demand for harmony and kindness, and realizes the value in line with modern aesthetic significance. Based on the development law of natural organisms and the essence of ecological phenomena, it explores the inherent aesthetic characteristics of natural organisms and ecological phenomena. At the beginning of human civilization, patterns and patterns were created on vessels on rocks, which originated from the cognition and perception of nature. For example, Oracle Bone Inscriptions, a hieroglyph created by China in ancient times, is also a mode of communication with certain communication significance. At the same time, human beings use the bark and skins of birds and animals to cover their bodies against the cold, and in the later period, they developed into sewing methods, which are the products of continuous exploration and progress of human beings in nature.
As an art, the pattern of modern clothing fabric is the unity of function and style, which enriches the spiritual life of human beings with its rich emotional forms. The modeling design of clothing fabric pattern is the most tense design element and visual language, and various forms of natural things add vitality to clothing modeling. Modern clothing bionic modeling uses basic elements such as point, line, surface and body to get inspiration from nature and design clothing with certain physical and spatial beauty. Issey Miyake is a famous Japanese fashion designer. Most of his works focus on expressing and returning to nature. He is good at using cotton and hemp, a natural fiber fabric, to find the source of inspiration from shells, coasts, stones and bark. The bionic design of clothing fabrics pursues the harmonious beauty of nature and advocates the natural and simple design language.
Colorful world, color makes everything in the world full of emotion and vitality. As one of the most popular aesthetic forms, color is everywhere. In ancient China, natural dyes were mostly used to dye colors, such as flowers, stems and leaf juices of plants. Color is the first thing that catches people's eyes in the visual expression language of clothing. It can quickly stimulate people's visual organs, and quickly affect people's psychology and emotions, resulting in various emotional reactions. The color of clothing fabric is a process of continuous activation and inspiration. Natural colors are the direct source of clothing color reference, such as primitive natural colors, plant colors, animal colors, mud stone colors, etc., which contain rich colors, rock structures, cracks in dry soil, bright feathers, animal fur, shell spots and so on. Natural colors are flexibly applied to clothing patterns by designers, precisely because people love the beauty of nature, thus forming a strong attraction, and it is also a reference for the spiritual connotation and emotional communication of nature.
In the field of clothing bionic art design, bionic design has been warmly praised by fashion masters. With the continuous development of modern science and technology, bionic art design technology is more abundant and advanced. A variety of three-dimensional modeling, new fabrics made of refined natural materials, technological fabrics, bionic three-dimensional patterns, high-efficiency energy materials, organic dyeing and so on came into being. Nature provides the source of bionic art, the simulation of biological and ecological phenomena, and Lenovo provides the method of designing art. In this way, human beings constantly draw inspiration from nature and design rich clothing fabrics.
Nature is the source of everything and the source of inspiration for design and creation. The bionic design of clothing incorporates the concept of "returning to nature", and seeks the harmony between clothing and nature through the transformation and innovation of clothing fabrics, patterns and color modeling. In recent years, the fashion trend has blown up the "ecological wind", which is manifested in the design of clothing fabrics, that is, the ecological design idea of "returning to nature" and "returning to nature" has been formed. The theme of 2 1 century is to return to nature and advocate the unity of man and nature.
3. bionic innovation of clothing fabric design
In a word, the clothing fabrics designed by bionics not only have inexhaustible shapes, but also have continuous design inspiration in color and more amazing functions in materials, which makes the design of clothing fabrics more creative and challenging, endows clothing fabrics with new life and cultural connotations, and promotes the harmonious unity between human beings and nature. As designers, we should be aware of the role and significance of bionics, a unique design element, in clothing fabric design and its lasting vitality in people's daily life, so as to reach the highest level of bionics.