After watching the newly released movie "Assassin Nie Yinniang", don't you ask: a dark black Nie Yinniang with a bun and a knife? Her opponent Jing Jinger seems to be cooler and more fashionable, wearing a domineering flame-shaped gold mask. Is there a Venice Carnival?

In fact, the "Jin Mianju" worn by sperm is not passive water. Hu Zhixiang, a professor of literature and art at Fudan University, told reporters that many bronze heads decorated with golden chrysanthemums were unearthed at Sanxingdui Cultural Site in Chengdu, Sichuan, but these golden chrysanthemums were too big for people to decorate. At present, the academic circles generally believe that this is a cultural relic belonging to the ancient Shu State.

In Pei's novel text, Nie Yinniang "stabbed him in the city in broad daylight" with a claw dagger, and "opened his head" and hid in it. In the movie, the weapon hidden behind her head flew on Yinniang's bun, which really highlighted the overall shape of Yinniang. The research expert "Cultural Relics Hospital" active in Weibo is a restorer of cultural relics in real life. He analyzed and verified that this knife is close to the bronze knife of Ordos animal head in Han Dynasty. "At that time, this knife was a stationery-there was no paper in the pre-Qin period, and the knife was mostly used to cut bamboo slips." Dr. Chang Huaiying from the Institute of Archaeology, Chinese Academy of Social Sciences has different speculations. He thinks this knife is older: "I think from several flashes, this knife seems to be more like a sheep's head knife than an Ordos-style beast's head knife." If it is really a sheep's head knife, then the prototype that dancers imitate should be the animal's head knife in the late Shang Dynasty. "

How can a history-loving audience let go of this film, which is described as "an object at hand" and "a realistic picture of the Middle Tang Dynasty"? The day after the premiere of Assassin Nie Yinniang, many historical research parties and institutions active on the Internet could not sit still. In the picture, the living utensils, decorative utensils and dress etiquette of the Tang people were carefully examined to find traces of "crossing" and "robbing the tomb". Haimeng Xie, the screenwriter of this film, left some room for historical research when answering reporters' questions. "It is often said that this film studies artifacts very well, but in fact, Acheng (another screenwriter of this film) suggested that we deliberately make some mistakes in artifacts ... we still pursue the beauty of the picture and let go of these details."

However, the audience did not let go of these details. General Nie Feng of Wei Boda has a heavyweight "antique" in his home-fifteen bronze lamps unearthed from the tomb of King Zhongshan. The lamp with the highest specification in the Warring States period unearthed today looks like a big tree. Its trunk stands on a hollow base with a dragon pattern on it, supported by three tigers with two heads and a ring in their mouths. There are seven branches around, holding up the 15 lamp, and Youlong, songbirds and playful monkeys are hung on the branches. 15 bronze lamp is now in Hebei provincial museum, and it was unearthed in 1974 Shan Zhi village, Pingshan county.

The Han Dynasty wild goose and fish lanterns placed in Tian Ji 'an's room of Weber's festival are equally eye-catching. Netizens exclaimed: "Is the prop group borrowed from Shaanxi History Museum?" "This is clearly a bronze lamp painted with goose and fish in the Western Han Dynasty. Master Weber is really tasteful and has collected all the most classic cultural relics in the history of China. "

Then, will the Tang people also advocate "retro" and follow the previous "ancient" style of utensils, just as modern Hanfeng furniture will transform lacquerware in the Han Dynasty and home furnishings in the Ming Dynasty into daily home decoration?

Experts told reporters that the richness and diversity of people's lives in the Tang Dynasty may far exceed people's imagination. Therefore, it is possible to continue to use the connecting branch lamp in the Tang Dynasty. After all, oil lamps were still widely used in the society of the Tang Dynasty, but the one in the movie is a complete replica of the Bolian branch lamp in Hebei Province, and even the small animals hanging on it are exactly the same. Besides, there are many "treasures" in the movies: three pigeons in the early spring and autumn period in Shanghai Museum, Boshan furnace in the Western Han Dynasty which has been mass-produced, and Yu Pei with dragon pattern unearthed from Fu Hao's tomb of Wang Wuding in Shang Dynasty.

Wen-Ying Huang, the production designer of the film props group, believes that the most important thing in the Tang Dynasty is the living utensils, which is the most important item in the props. "A lot of effort has been made, and the design alone lasted for 5 years." These decorative appliances, which represent the peak of ancient art, are elegant in shape, exquisite in shape and painted in patterns, which add a lot of color to Weber's ancient and rich environment and show the dominance of power. However, this is only an exhibition of China's historical relics, but there is no new design based on the "reasonable imagination" of the Tang society, which is really regrettable in terms of sophistication.

The common sense of stage props in historical costume dramas is that "future generations can have the artifacts of the former dynasty, and the former dynasty can never have the artifacts of the later generations". Movies, after all, are entertainment works. The ritual vessels and utensils used in the Spring and Autumn Period and the Warring States Period in the middle and late Tang Dynasty are not so harsh as long as there is no such big joke as "Guan Gong hits Qin Qiong". However, Professor Hu Zhixiang told reporters that from a rigorous academic point of view, the hobby and antique of bronze ritual vessels in the pre-Qin period began in the Northern Song Dynasty.

Do you still remember Tian Ji 'an playing with the seal in his hand at the "Chao Hui" and then falling to the ground in great anger? -Volume can't be ignored. "Such a big seal has not been found in archaeological discoveries and handed down cultural relics in the Tang Dynasty." Often pointed out to reporters the serious injuries in the play. In the Tang Dynasty, the official seals of counties and counties were mostly between 5.2 and 5.6 cm. Even if the seals were made bigger, they would not exceed 7 cm square. In fact, Tang seal is generally within 1.7 inch to 2 inch. In the film, Tian Ji 'an's printed face measures more than 12 cm, which is an "imaginative work" of stage props. In addition, the Tang dynasty may have inherited the previous generation, and the official seals are all big nose buttons. Even the seals given by the leaders of ethnic minority regimes are made of camels, slugs, snakes and rabbits, and there has never been a seal in the shape of a big lion like in the movie. The official seal that can be seen at present is a part of the official seal or toast seal in the Yuan and Ming Dynasties, but it doesn't seem to be as big as in the movies.

Often, the black-and-white assassination fragment at the beginning of the film is the lowest historical error scene. The carriage turned out to be the only chariot in the pre-Qin period (only one axle) instead of the two-axle car that should be seen in the Tang Dynasty. "After the Han Dynasty, more than 90% of the cars were double-axle." In addition, the Jinjiao Cup when Tian Ji Anhe gave a banquet was a rare thing in the Tang Dynasty. Horn Cup, called "Laitong" by the Greeks, is probably an artifact brought to China by the Sogdians and other business travelers from West Asia and Central Asia. In the Tang Dynasty, not everyone used it to drink, not to mention "Laitong" when drinking. The golden "Laitong" in the movie seems to be copied from the agate animal head cup hoarded in hejia village, Xi 'an, but its usage and frequency seem to be far from history. Tian Ji 'an drank tea in Hu Ji's room with a cup and a cup holder, which triggered another "tragedy": the cup became a tripod in the movie picture, but this rule is definitely wrong. "The bottom of the cup should be flat or round." In the final analysis, the more existing historical materials, the higher the degree of restoration of film and television works. Beautiful scenery is very important, but its premise is the basic authenticity of history, so caution is better.