Hello, Tsing Yi plays the princess, the good girl, Princess Houmen. She is a spoiled woman. While Hua Dan is often their servant and maid, but they are close and tacit. This can be concluded from the tacit understanding of the words and expressions of the two snakes. The most obvious thing is that Tsing Yi has sleeves, but Hua Dan doesn't. Tsing Yi's clothes are mostly long gowns, simple but noble and generous, which makes people think that they are gentle ladies, even if they are down and out, they are simple and generous; Hua Dan's clothes are colorful, mainly short shirts, trousers or skirts, and small coats with aprons or vests. Tsing Yi's movements are very small and slow. It is very tactful and subtle to gently move your steps on the stage and slowly wave your sleeves to express your feelings. They usually don't look askance, don't show their teeth, don't even show their fingers, don't walk fast, and be steady and peaceful. Therefore, in the past, when performing women's normal posture on the stage, no matter sitting, standing or walking, one hand was required to be horizontal, covering the middle of the chest and abdomen, and one hand was drooping beside the body, and it was necessary to always be slow, sit or walk, and always maintain this posture. Hua Dan's mood is very obvious. His expression, actions and words are telling the audience how he feels at the moment. In Legend of the White Snake, when the white snake expresses grief, it keeps spinning and waving its sleeves. Green snakes make full use of expressions and actions to express their emotions-clap their hands and jump straight when they are happy; When you are angry, your mouth tilts up, your head tilts to one side, and you even stomp your feet, which is very spontaneous.