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A Dream of Red Mansions describes the people inside. Why is it that only Lin Daiyu does not describe clothes in detail?
When Lin Daiyu entered Jia's house for the third time, she gave a detailed introduction to Wang Xifeng's costume and makeup: "She wore a bun embroidered with golden silk and eight treasures on her head, a hairpin embroidered with five pearls in the morning, a red gold plate around her neck, a bean green palace sash on her skirt, a pair of balanced roses, and a ray of golden butterfly wearing red satin."

? According to some redologists' research, Cao Xueqin was the grandson of Cao Yin who weaved in Jiangnan during Kangxi period of Qing Dynasty. Jiangnan Weaving is responsible for purchasing silk goods and other items for the palace. Four people from three generations of Cao family have held this position for 60 years. If Cao Xueqin really has such a family history, then when writing A Dream of Red Mansions, these clothes and decorations were unique to Cao's family. Therefore, Cao Xueqin's detailed description of these materials is handy.

? In this description, Wang Xifeng is simply colorful, colorful, really like a colorful fairy. But Cao Xueqin thinks that Lin Daiyu is like a gust of wind, coming and going in a hurry. I agree with Jiang Xun. In Jiang Xun's Dream of Red Mansions, he mentioned that Lin Daiyu was like a girl who came down from the sky to play with everyone and then walked away. She's gone, and you suddenly think of her, but you can't remember what she looks like Her beauty is like moonlight, without trace, and it is the feeling of a flat boat crossing the water without trace.

Lin Daiyu's existence is a spiritual existence, not an objective existence, but after reading Eighty-one, you suddenly find that Lin Daiyu's clothes are colorful and she has clothes to wear. Obviously, the author's level is much lower than that of the last author.